Included within the first few episodes of the show, the series has taken some cues from X-MEN 3 with his father being driven by bigotry due to his son's plight, and both characters being torn in their ideals due to it. At first deciding to refuse rejoining the X-Men to keep out of the public and especially his father's attention, Warren met Emma Frost and at the very least was funding Wolverine's new X-Men, aiding in rebuilding the Mansion and likely covering operating costs without Xavier there (in the flesh, anyway). His father, played by Jim Ward (who voices Xavier and once Colossus), has been funding Sen. Kelly and the MRD's Sentinel program for some time now, which has disturbed Warren (Liam O'Brien, who also plays Nightcrawler). Last episode, Warren could no longer stand to be on the sidelines and rejoined the X-Men as Angel again. While he did absolutely nothing useful during the fight (beyond catch a falling Storm, which now seems to have more meaning), but it did get him the notice of Worthington II, who now was especially torn that his efforts were putting his son in danger.
This episode brings this subplot to a head, and unlike a lot of the other subplots in this series, I honestly think this one has been handled well, a tad better than the "Scott is mourning" subplot, if only because it had more impact on the series as a whole. After all, at least Angel would TALK every time he showed up. It also brings the return of another classic villain from prior episodes, Clancy Brown's Mr. Sinister. It seems as if practice makes perfect, as his vocal tones sounded a lot better here. Fans sometimes forget that even good actors sometimes need more than one episode to settle into a part at once. Even Kevin Conroy was hardly perfect in his first few Batman episodes than he would be now, over a decade later. Plus, in this way the comics have managed to do a better job at translating more of Warren's character. The 90's series naturally immediately dove into the metal winged Archangel stuff, because that was current. EVOLUTION introduced us to the feather winged "Avenging Angel" side of Warren, but had no time for more. WOLVERINE AND THE X-MEN over the course of several episodes, including this one has managed to do both and make the devolution of Angel into the vengeful Archangel seem more tragic and powerful than before. Despite all my complaints about the show, Angel isn't one of them.
In this episode, Angel has returned to his spandex full time, operating against the MRD as they arrest a young mutant boy with heat-based powers. Through his flying skill, guile, and a little bad shooting on a soldier's part, he manages to free the boy, and the animation makes a nice showing of the angelic imagery. Sadly for Warren, this "boy" ended up being Mr. Sinister, who now has Warren in his sights.
We also learn that he apparently has been dating Storm (Susan Dalian), and if I have any complaints, it is that this subplot would have worked a LOT better had we seen these two together before this episode. As it is, it works well enough and it gives Ororo something, finally, to do, but it seems a bit rushed. More so than the rest of Warren's story. It ties back into the Bendis-written year of ULTIMATE X-MEN that introduced Warren to the team and hinted at his crush on Ororo because she, too, could fly. They work together and I liked the flight animation, but this angle could have been SO much better had we learned of it before now. Maybe last episode? Or one before? I mean, that would have been more important than seeing Logan imagine the X-Men being pwned by ninja with trippy gas effects.
Once it is announced that the Worthington company is funding a "cure" for the mutant gene, Angel becomes furious with his father. Despite the best advice from Logan, Beast, and Storm, Warren flies off to confront his father. The bits where the two of them lock verbal horns over their philosophy and the life of mutants is good stuff, as is Warren's striding proudly with his wings down the hall of the office building. This episode, if anything, helped cement the idea that Warren was not ashamed of his wings, at least not anymore, and was firmly on the side with the X-Men, and embracing himself.
Sadly, of course, this cannot last. He becomes injured during a fight with the MRD, who were out to track down the winged vigilante. He practically falls from about 30,000 feet up to street level with barely anything to slow his fall, which made the crushing injury to his wings all the more powerful. We later learn that the wings are hopelessly shattered, and despite being answered that Col. Moss (the ever reliable Michael Ironside) roughly dispatched with his son, Worthington II takes the first opportunity to "cure" his son by authorizing the wings' amputation. While showing no actual gore, the episode handled the amputation of the wings, and the aftermath, powerfully. Warren is screaming in pain and fanatic about losing his wings.
Of course, there is symbolism. Angel of course always looked like a mythical angel and that theme was sometimes used for various bits of animation in this episode; here you could claim that in losing his wings and becoming "mortal", he is now being in prime position to be tempted by the devil, in this case Mister Sinister. Clancy Brown was virtually perfect in this scene, sounding incredibly creepy. At first Warren refuses, but upon escaping to the Mansion and learning from Beast that the loss of his wings is likely permanent, not even Storm can soothe his pain. There's a bit when he is on the bench near the cliff of the estate (which I call "Scott's Emo Seat", because it seems everyone who is undergoing turmoil sits there, including Cyclops) and watching the sea-gulls fly. Without any dialogue, it was very clear the pain Warren was undergoing, and that he had silently consented to Mr. Sinister's offer. All I ask is; where the hell was this mastery of subtle stuff 18 episodes ago?
Warren winds up in Mr. Sinister's laboratory, and again without any gore, captures the horror of the procedure and the creation of Warren into Archangel, with the metal wings. In fact the only downside is that the original 90's design for Archangel has some ridiculous colors (who the hell would fear someone wearing purple and lavender? Those are like Death Barney colors!) and is a complicated design to animate; I wouldn't have minded the show trying to improve on things a little with this design, rather than be so faithful. Still, the colors were more subdued and with a decent animation budget it looked a lot better than it did in the 90's show. Having detected him via Frost & Cerebro, Wolverine has to sadly inform Storm that her boyfriend has been twisted by Mr. Sinister. The two team with Beast to rush to Worthington's tower to save the old man from his son's vengeance.
Archangel appears before his distraught father, now a metal winged agent of death, and trashes his laboratory before attempting to kill his old man, or at least make him bare witness to more destruction, until Wolverine appears and the two wind up in a fight (which reminded me of the the X-TINCTION AGENDA I believe where the two fought in the comics). Archangel believes that he is doing what is inevitable for mutants and to avenge the destruction of his life; Wolverine essentially tries to relate and inform Warren that, basically, he may be monster enough to declare revenge on those who took his life away, but Warren supposedly isn't. It seemed an odd line in a way but Wolverine has usually sought to try to prevent others, especially allies, from walking down his dark paths. When written well it seems noble; when written poorly it seems hypocritical (akin to, say, Batman in BATMAN FOREVER going on to Robin the entire time about how wrong it would be to kill Two-Face, before basically doing so himself in the final battle). One could say that an edge that Wolverine had morally is that while he may seek to avenge himself on Weapon X, he wouldn't give himself over to someone like Mr. Sinister for that opportunity, as Warren had. Sure, he teamed up with Mystique, but begrudgingly. It would be akin to Wolverine allowing Mojo to make him a grinning psycho again so he could tear apart Weapon X with no remorse or mercy.
The fight between Wolverine and Archangel is pretty good, with some effective pacing and use of the metal wings beyond just throwing shards (which Warren does many times). Storm flies in and zaps Warren, and appears to get through to him, but she cannot break Mr. Sinister's brainwashing, and Archangel escapes. The entire battle, however, gets Mr. Worthington II to cut his funding of the MRD and finally realize, albeit a bit late, that their crusade against mutants had gone too far and claimed too many casualties. I agree with some that Sen. Kelly is a bit one-dimensional here, but he sure was in some other versions of the cartoons as well, so I was used to it. He was all against mutants in the 90's series until they saved him from Master Mold at the end of Season 1, and in EVOLUTION it wasn't long before his hatred of mutants was having him for an alliance between the Brotherhood and the jocks against the X-Men and having a humble school principal run for the senate on an anti-mutant crusade. Given all that, Kelly is about what I expected of him.
If there was one omission, it is that Cyclops wasn't involved. Mr. Sinister is his enemy, and Angel was supposed to be one of the founding X-Men alongside Jean, Beast, and maybe Iceman. It would have been interesting to see how he reacted to some of Warren's issues. Still, it isn't a huge problem to me because I know Scott is due to get focus next episode, and the show was wise to try to flesh out 4 X-Men rather than insert the entire team. I'm not without critical mercy when things work out.
Definitely one of the better episodes to come along, and hopefully as the final stretch of this season wraps up, the show is able to maintain the feel and quality of this episode, without resorting to jobbering or sloppy storyboards. The episode also shows that if you handle the characters right, the story can write itself without needing a Sentinel cluster**** battle. What a concept...characters make stories, not mindless story-lines where the characters are almost along for the ride.