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Agree to disagree then?Ben's voicemail was meaningful, definitely, but that doesn't really take away the idea that I feel Webb tried to succeed as how Nolan succeeded.
Agree to disagree then?Ben's voicemail was meaningful, definitely, but that doesn't really take away the idea that I feel Webb tried to succeed as how Nolan succeeded.
That has to be the most f*&^ing pathetic reasoning I have ever read from someone.
What do box office numbers have to do with anything?! By that logic, when Batman Begins was released, most people prefered Keaton over Bale. But we don't know that for sure. It could have been the opposite.
And the poll? Really? When? What poll? Could I have a link?
Agree to disagree then?
I'm ignorant for having an opinion? I don't see the problem with me saying that I think The Amazing Spider-Man is a better film than the first one was. And also, if you think that this is a "wannabe Nolan flick" you have either not seen The Amazing Spider-Man or you haven't seen a film by Christopher Nolan in your life.
To a certain degree, people do enjoy Keaton's Batman more, is just when it comes to Bruce Wayne, people prefer Bale's interpretation.
Very much as how I enjoy Garfield's Spider-Man more, but when it comes to just the characterization of Peter Parker, I prefer Maguire. If Garfield were in Raimi's trilogy, I'm sure Raimi would have showed him the ropes on how to become a better Peter Parker.
You are very wrong if you don't think The Dark Knight changed things, because it very much did.
how?, just curious...You are very wrong if you don't think The Dark Knight changed things, because it very much did.
"You've changed things...forever."
how?, just curious...
Definitely. But, again, I also agree that certain ideas such as Ben's voicemail did work as well.
oh i tought in general tone of superhero films but yeah TASM it was influenced by Batman films in general for the darker tone (Batman Begins wasn´t the first dark batman flick)I know that wasn't to me, but if you did ask me, I would say how the tone feels very much the same between The Amazing Spider-Man and any of the films in the Dark Knight Trilogy which were darker with the tone and the lighting as well.
Webb wanted to film a "real" New York, but it didn't feel that real, imo. A more lighter "attitude" from Raimi's trilogy felt like a more New York and most of the time it wasn't even filmed in NY, lol.
how?, just curious...
oh i tought in general tone of superhero films but yeah TASM it was influenced by Batman films in general for the darker tone (Batman Begins wasn´t the first dark batman flick)
A lot of movies use it as a standard to measure up to, much like pre Nolan superhero films used Raimi's Spider-Man. The words "Dark and gritty" have been used a lot to describe the Dark Knight and now it seems like when ever a studio wants to stir up the audience they'll drop those words. Also the Hans Zimmer style score is becoming more and more prevalent. It's a lot of minor details but they're easy to find once you start looking. Anyway the pacing, the focus on Peters day to day life, the attempt at being more grounded in reality rahter than only being more serious, dropping hints about Norman Osborn, using a villain the fans wanted in the canceled sequel (Lizard/Scarecrow). The explanation of the mask, ect. Also a lot of technical choices like the lighting and the types of shots chosen. Really this movie doesn't borrow from the Dark Knight as much as from Begins, but the Dark Knights success definitely lead to the influence the trilogy had.
©KAW;24270293 said:Oh sh--, what happened to this thread, you all went from talking about shoes to holding Nolan's nuts for him again?
It's the physical aspects that feel like a Nolan film. The camera angles, the lighting, the way it's shot, it was very much shot in a Nolanesc style.

You know, I saw some low angle, slanted shots with heavy back light in Prometheus. Scott must have been copying Nolan too!
I will certainly concede that Nolan's films paved the way for other studios to not be afriad of making dramtic, serious takes on superheros. But there is nothing special about the cinematography of Nolan's Batman films, at least enough to suggest that certain shots/lighting rigs/etc are "Nolans" and everyone who uses the similar tried-and-true industry standard techniques is riding Nolan's coat tails. I greatly enjoy his films, but Nolan is no god whom every comic director aims to be. His third acts are always terrible, his fight scenes are typically sophmoric and the only movie of his that made me stop and say, "that was beautifully shot" was Inception.
I do as well. He's in my top 5 of favorite directors, but he's no where near the level of director worship that some people claim he is.Exactly!! Though I do love Nolan's films
Since when have Christopher Nolan's films had a colorful nature to them? Since when have the images looked warmer when it's daytime? Everything was much colorful in this film than a Christopher Nolan film which strive more for realism. And no, I haven't taken a film class because I'm only a freshman in high school.It's the physical aspects that feel like a Nolan film. The camera angles, the lighting, the way it's shot, it was very much shot in a Nolanesc style.
C'moon didn't some shots just look a little more colorful to you? Like the bridge scene, or the school fight? Maybe I was just a little too distracted by Spider-man's suit (It was really vibrant in this movie) and the Lizards green skin.TAS-M was in no way more colorful than any of Nolan's Batfilms.