AICN finally shows some love to Smallville:
http://www.aintitcool.com/display.cgi?id=21428
[spoilers in the review]
Herc Quite Enjoys Tonight's
SMALLVILLE Season Premiere!!
I am Hercules!!
I kind got fed up with Smallville and stopped watching early last season when Chloe Sullivan survived a cliffhanger explosion and Lionel Luthor dodged the gas chamber and Lex was suddenly friends with Clark again, and Clark was squandering his free time playing football against humans, and Lana somehow was the one American who stumbled upon some Old World Kryptonian relics. It just got to be too much for me.
The good news for me and those like me? You dont have to have seen any part of season four to enjoy the season-five opener. It does a swell job of catching you up on who now knows Clark is Superboy, what Chloe is doing at the North Pole, where the Lex-Clark relationship stands, and any other questions that might niggle at you.
(Although because I saw a few early episodes of season four I am still a little curious as to how they explained the coincidence of Clarks Smallville classmate, Lana, being the individual who happens to come upon Europes Kryptonian artifacts. Not curious enough to buy or watch the season-four DVD set, mind you, but curious enough to let the talkbackers catch me up if theyve a mind to.)
From this point forward, do take that main-page spoiler warning-box seriously, because
With this fifth-season premiere, the show suddenly and gratifyingly embraces the goofy 1978 special-effects iconography of Richard Donners 1978 Superman movie. While Clarks birth-dad Jor-El has always been portrayed as kinda an evil presence in Smallville (his voice is provided by the great Terrence Stamp, who played supervillain Zod in the Donner movie), the Fortress of Solitude is reintroduced in 5.1, and looks EXACTLY like it did in the Marlon Brando movie. The Phantom Zone returns as well, and we again get to see the faces of agonized individuals pressed up against that spinning, floating geometric space-jail window. Its all an excuse to recreate the weird 70s special effects with dramatic computer-generated imagery, and its great fun.
Clark does not tonight fly out of his new fortress as he does in the movie. Nor does he don the blue tights. But there are arrogant Kryptonian villains dressed in black wreaking small-town havoc. And we again get to hear a little bit of John Williams always-welcome Superman movie theme.
Im inclined to believe these nods to Donner have something to do with the fact that Bryan Singers upcoming Superman Returns feature adheres so strongly to visual elements introduced in the 1978 feature. At this years Comic Con in San Diego, we heard Singer tell the thousands gathered that he and the producers of Smallville were sharing information about their respective projects. It seemed odd at the time, because the TV continuity and the movie continuity dont and cant -really match up, but Singers comments do make more sense after youve seen both the Superman Returns footage screened at Comic Con and Smallville 5.1.
Lois Lane is now a regular character, with E.N. Durances pretty face newly wedged between those of Michael Rosenbaum and Allison Mack in the main title sequence.
We learn in the credits the ones subsequent to the Somebody Save Me song - that Buffy vet James Marsters, who embodies the evil living computer Brainiac this season, appears in tonights opener, but I wish someone had arranged to reposition his credit to shows end or eliminate it entirely. Marsters is not a speaking part this week, and he only appears in the episodes closing seconds. His nifty entrance would have had far more impact if we werent anticipating him all episode.
Hercs rating for Smallville 5.1?
***
The Hercules T. Strong Rating System:
***** better than we deserve
**** better than most motion pictures
*** actually worth your valuable time
** as horrible as most stuff on TV
* makes you quietly pray for bulletins
8 p.m. Thursday. The WB.