Haha, and true. I very clearly remember that Xmas' box office. Was tracking it every day like a fool lol.
This is so high quality, great technical achievement.I like how they're also obsessed with this shot as I am.
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I haven't kept up with 3D and if films really bother on that front any more, but my instinct is that the first film's 3D depth would still feel revolutionary today (if it hadn't already done it back then). Hopefully this new Avatar's technical side will also be amazing more than a decade after it comes out.Man, something I love about the first Avatar is the CGI. It really stands the test of time.
It's my favorite version of the film. I won't pay to see it in the theater unless it was that cut.What they should do is put the 3 hour extended cut on there once they put it back on Disney+. Cameron's directors cuts are usually the best versions of the film and this one is no different.
See, I preferred the extended cut of T2 by far.Has Cameron ever said which is his preferred cut?
Cause I know with Aliens and The Abyss, his extended cuts are his preferred, but for Terminator 2 the theatrical is his preferred cut.
Has Cameron ever said which is his preferred cut?
Cause I know with Aliens and The Abyss, his extended cuts are his preferred, but for Terminator 2 the theatrical is his preferred cut.
I was always under the assumption that Cameron preferred his extended cuts but I also prefer the extended cut of T2 to the point where I can't even remember which scenes weren't in the theatrical cut since I haven't seen that version in forever. Only ones I can pick out are the scenes where John and Sarah take out the T-800's chip and the smiling T-800.See, I preferred the extended cut of T2 by far.
“I still stand by the release version of the film. I don’t think we needed that dream sequence. I think we made the right decisions editorially, and I think that the dream sequence and some of the other things that we put back in for the extended version are good to sort of show the creative process, but, you know, essentially, making a film is an analytical and reductive process. You throw away the things you don’t need.”
“People sometimes ask why I would want to do a special edition of T2. Why “fix” something that ain’t broken? I see it not as a fix, but as an opportunity to do greater justice to the characters who live and breathe within the 136-minute confines of the film. This Special Edition in no way invalidates the theatrical cut. It simply restores some depth and character made omissible by theatrical running time and now made viable again by the home theatrical/laserdisc format.”