
See, I'm not HATING this...as I love the Black Costume, but I do hate the way he gets the suit. Am I the only one who remembers that he one hanging right in his freakin' closet for years?! Hell, I'd rather him have went to see Felicia and get one from her (you KNOW she keeps one around) than to have them ignore Spidey history by saying he just webbed it under a ledge somewhere. Come on.
I know this has probably been discussed here already but I just read the JQ Q&A and TMOB asked him that stuff. Cool. JMS answered the costume webbed to the building Q arguing that an unmodified batch of web fluid could potentially last forever or something, yeah right.
Though not saying what exact costume it was and when it exactly was webbed up there, which is what I am also interested in.
Just making stuff up is a cop out.
If theres a costume webbed to a building that Spidey is recovering, then I want it to have been webbed up there in a previous issue.
Also JMS answer was a cop out for the suffocating cop question, saying Spidey did not web over his nose and mouth. Point is PP would not need to- if the webbing was sealed around edges of the wall then eventually the cop runs out of air. Simple.

You mean the closet that got burned to a cinder in the Skin Deep Arc?![]()
I'm not really surprised he hid one somewhere in the city, in case his apartment got firebombed or such (Skin Deep wasn't the first time he's lost everything like that), but the webbing does seem ridiculous.

You mean the closet that got burned to a cinder in the Skin Deep Arc?![]()
I'm not really surprised he hid one somewhere in the city, in case his apartment got firebombed or such (Skin Deep wasn't the first time he's lost everything like that), but the webbing does seem ridiculous.
I thought Peter and Mj had their own place away from May, at the time, and then they were all moved to Stark Tower after Skin Deep. Either way, his stuff is either burned or in Stark Tower...either way, it's gone.
Yeah the webbing was stupid. I would have preferred him getting it from somewhere else, like maybe a ceiling tile in one of his old apartments or something...that would have made more sense, and we wouldn't have had to wonder when it was put there.
Their apartment was burned, too, which is why they went to Stark Tower instead of having May temporarily move in with them.
Agreed about the hiding spot. It could have even been inside the Bugle, and he put it there long before he gave up the black costume for good.
The webbing idea IS ridiculous, because when Peter needs money in an early Lee/Ditko issue, he demonstrates it to some scientists. When they are amazed at how wonderful this adhesive is, they jump for joy (and Spidey thinks he can make loads of money), but when the webbing dissolves, they become uninterested and tell him to come back when he can make his adhesive webbing last longuer.
Spidey says he "could" make it last longuer, but it would take MONTHS of lab work... and I don't ever recall Peter being dedicated for months for change his webbing formula so that it could become permanent.
Though at least it's established in that issue that it's possible for the webbing formula to become permanent.
Check it out on pages 10 & 11 in Amazing Spider-Man #18.
Cheers...
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So what you guys are telling me... If JMS wrote an issue, before, about how Peter finally got his webbing to last forever... that you would have less of a problem with this......?

So what you guys are telling me... If JMS wrote an issue, before, about how Peter finally got his webbing to last forever... that you would have less of a problem with this......?
What's really bothering me, which nobody has mentioned, is that if Peter left his costume webbed up under a gargoyle for so long (which is asinine and melodramatic and pointless to begin with)...WHY DOESN'T HE WASH THE DAMN THING?!
We don't know how long it's been there! It's been exposed to the elements and anything else that has decided it wants to crawl around in there! I realize Peter is pissed, but that's no reason to disregard good hygiene!
I know this has probably been discussed here already but I just read the JQ Q&A and TMOB asked him that stuff. Cool. JMS answered the costume webbed to the building Q arguing that an unmodified batch of web fluid could potentially last forever or something, yeah right.
Though not saying what exact costume it was and when it exactly was webbed up there, which is what I am also interested in.
Just making stuff up is a cop out.
If theres a costume webbed to a building that Spidey is recovering, then I want it to have been webbed up there in a previous issue.
Also JMS answer was a cop out for the suffocating cop question, saying Spidey did not web over his nose and mouth. Point is PP would not need to- if the webbing was sealed around edges of the wall then eventually the cop runs out of air. Simple.
shinlyle: ...Add to that the fact that it's rained, sleeted, snowed, and been scorching hot over the years, that cloth wouldn't be worth anythin at this point!
Making stuff up is pretty much how comics are done. Not everything is going to be in back issues if you go by that rule you're seriously limiting new stories and ideas.

Since this is a guy with spider powers I'm willing to let a little science departure go with the webbing thing. It seemed to me that it was the symbolism that they were trying to convey in that. The idea of the suit which symbolized his dark side being cocooned by his no fatal webbing only to be ripped open. If he just opened up a chest that imagery would be lost....
Making stuff up is pretty much how comics are done. Not everything is going to be in back issues if you go by that rule you're seriously limiting new stories and ideas. I agree not all are good, or even readable but I want them to have the ability to think up new and creative ideas or spider-man starts getting as formulaic (yeah I can't spell) and boring as superman.
The cop thing? Also symbolism. I'm the first stickler for good science and plausable situations but I'm reading this for a good story. I get plenty of science journals for my science fix. I want good stories in my fiction and that means you've got to go a little more complex than "well scientifically this wouldn't happen" and start conveying multiple messages and meanings in the story and art.