Carusos Shades
Civilian
- Joined
- Aug 16, 2007
- Messages
- 193
- Reaction score
- 0
- Points
- 11
Like an anteater with a punctured snout it sucked badly.
Jon Favreau was one of Bruce Waynes assistants in BF as well
5. They introduce the batwing and batboat only to blow them up in the next scene. Why? For toys?
these arguments will go on forever, until the end of time, which is the funniest thing in the world.
these arguments will go on forever, until the end of time, which is the funniest thing in the world.
Yes I have I suppose, and Ill keep going as long as Im alive, theres alot of people that have to get used to that.Have you become the forum's commentator now?![]()
Your talking like it was actually Tommy Lees fault?!
I thought that was well known by now. Obviously it's a lot worse in Batman & Robin but Schumacher has openly admitted he was advised to make the films more family-friendly and marketable to children.
I genuinely believe that with less studio involvement Schumacher would have delivered Batman films that would have been much better received all-round. He seems to be a genuine fan of Batman and those films came across as if he was trying to bring the feel and colour of a comic book onto the screen. There'd still have been some level of homoeroticism though. And naked statues. They were all Schumacher.
One thing that ALWAYS bothered me is when Two-Face and Riddler are going on a crime spree and then at one place there robbing Riddler asked Two-Face to show him how to punch a guy. They then walk up to 2 guards in security jackets who just stand there as people are being robbed and Two Face knocks out the 1st guy and Riddler punches the 2nd guy and not only does it seem to not hurt him but he does NOTHING about it. Why the hell where they guards not doing anything?!?!
I don't think Batman Forever is anywhere near as bad as Batman & Robin overall. The main thing I dislike about B&R is just how blatantly, OTT it is with the homoeroticism. It's still evident in Forever between The Riddler and Two-Face but it's nowhere near the levels of the sequel.
For one thing there was more of an effort to develop the character of Bruce Wayne and dwelve into why he chooses to be Batman. It plays out as half-hearted in the film but then again a lot of it was cut from the final edit by WB, which itself has an impact on Batman & Robin. On the Batman, Yesterday, Today and Beyond boards someone recently posted a link of interviews from the cast of B&R to hype the film before it's release. In one George Clooney says something to the effect that everyone involved in the film felt it was time for Bruce to have come to terms with his parents' death. Which is pretty ridiculous, but it's not something I feel can be blamed on Schumacher. He does seem to genuinely be a fan of Batman and it was a central theme for his idea of Batman Forever - hell, it was behind the entire name of the film!
I think they handled Robin pretty well in this film. In total contrast from B&R he wasn't portrayed as being an idiot that needed Batman to save him. He was shown as being a competent sidekick and some of my favourite scenes from the film are between Bruce and Dick when they are arguing over Dick becoming Robin. The only things that take away from them are knowing that Val Kilmer could have done so much better, and that Chris O'Donnell just a) seemed a bit too old, even though Robin obviously had to be older in film and b) O'Donnell is nowhere near the actor Kilmer is. I guess Kilmer was as displeased with what was going on as a lot of people were. The most frustrating thing to me is that they handled Grayson/Robin fairly well here but it was one step forward and two steps back after B&R brought back the homoerotic levels to the Batman and Robin.
As for the handling of the villains? I quite liked Jim Carrey as The Riddler when I first watched it and to this day still think he did pretty well - but I don't like the way The Riddler was written as a character. It's more how I would have preferred to have seen The Joker to be honest. I didn't have any problems with the stalker aspect and quite like it, but Carrey's career since then suggests he would have been able to play The Riddler more serious if he was allowed to. As for Two-Face? Great introduction, but it goes downhill pretty quick. He came across more as being obsessive compulsive at times rather than having a split personality. Sugar & Spice just weren't needed and it was a huge waste considering who they had playing the parts.
One thing I think Schumacher nailed with both films that he was trying for was to literally bring a comic book to live with the costumes, colour scheme and overall decor. (Save for the nude statues, of course.) In that regard he did pretty well, and as someone else has posted in another discussion on these boards about Schumacher's flicks he may have had a different idea on how to make a comic book film.
Sorry for the disjointed ramblings!