Cats
Hot-blooded Feline
- Joined
- Jul 25, 2005
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- 2,750
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I don't remember all of it, but I do recall glimpses of being deposited in a large house, and being told to play with a boy about the same age as me. But I don't recall the act of 'violence' they mentioned. I laugh at the thought that in my juvenile days I could've kicked the great Bruce Wayne in the shin. If he was really as close to Ms Thompkins as he said he was, I wonder why I'd never seen him with her before. Perhaps then it was a timing thing, and I never did stay at the shelter for long - despite the number of times Ms Thompkins had gotten me off the street. Too proud for my own good.
And then I get curious about what she had to say about his parents but stopped short. The more I think about it, I don't recall ever meeting his folks... only that butler guy that I infuriated by breaking a glass statue. And just when I was thinking back then it'd be cool to have a butler to boss around - I was the one getting bossed around instead. I recall that more clearly than my squabble with Bruce Wayne... but it did hit me in wonderment as to how people live in such large mansions. I'd always dreamt about living in a castle as a child, but after my visit to the Wayne Manor (if indeed that was where it was) and being bored out of my mind for half a day, I remember saying to Ms Thompkins that I much preferred living in my mother's apartment.
I stop in front of Alister's Bar & Grill and gaze through the windows. It's night once more and I can see Johnny Cash dining with Larry, Moe and Curly - or at least that's what I call them now. I enter and Curly (who was at the shelter yesterday) has his brows furrowed. I bet he had gone and done that 'job' without his boss' approval. I hope he's quaking in his seat now.
Johnny looks up from his meal, pleasantly surprised. "Back so soon huh? You have more stuff for me to buy?"
I pull a chair over and glare at Curly who looks like he's going to get up from his seat, "I'd like to have a chat with you Johnny... in private."
Johnny makes a surprised face, "What is it honey? Whatever you wanna say to me can be said in front of the boys."
"No, I think not," I say, and Curly stands up but doesn't say anything. Mr Cash seems to suspect something as he glares at Curly. He tugs the napkin from his throat and dabs his mouth like a gentleman of stature.
"Alright," he says, finally. "We'll talk out back, follow me." And he signals the men to stay put. They nod and sip on their drinks. I follow him as he exits through the backdoor to a deserted alleyway. It's funny how Alister's Bar & Grill can look so pretty on the inside but out back, trash spills out of bins, cockroaches and rats roam the area, and a gooey spill of something that was once possibly edible spreads over some part of the ground, seeping slowly into the drainage system. The smell is horrid, but then what I'm about to say is no better.
"One of your men has been out with another two fellas, extorting money from the homeless shelter in Crime Alley. I figured you'd wanna know about it," I say. And his eyes narrow, but I can't tell what he thinks of the news. He pulls a cigarette out of his pocket and lights it. I don't like the smell of tobacco but I don't complain.
"And how do you know he was... 'extorting money'?" he wags two fingers in the air to accentuate the last two words.
"The men barged in and demanded to get the funds given to housing the poor or they would tear the place down," I don't like that he doesn't trust me. I didn't go back on the deal I had with him, I thought we had found some understanding between us then.
"I see... so how are you involved?"
A strange question, I thought he would ask me more about his man and his side-line. "I care about the homeless Johnny. I will pick off the rich and the arrogant, but why steal from the poor? They haven't much to begin with. Give your man a talking to, will you?"
He stares at me a moment, then nods, whisking his unfinished cigarette bud on the ground and crushing it with his foot. He opens the door and tells his men to come out. I begin to wonder if this is the end of the conversation and I should be leaving, but I realise too late that Johnny wasn't really going to talk to his man. "Would you tell the dame here what happens to a lady when she decides to give Johnny Cash orders?" And his men begin cracking their ankles, gleaming with sadism. They're large, much larger than me, and unconsciously I begin to back up slowly till I touch the wall, and I know there's no escape now. Will have to trust my reflexes.
I swing a leg that contacts with the face of Moe, who's nearest to me. He swerves a little backwards but regains his footing quickly, and I try to slip by him, but I'm too slow. He catches me by the waist and tightens his grip so much that it hurts. I lash out with all that I have, scratching the skin on his face and it takes him by surprise as he lets go. I use the opportunity to take a swipe at Curly, kicking him in the chest and sending him to the ground. But Larry... I forgot about Larry. He grips me by the throat, lifting my feet off the ground. I grab onto his iron-like hand, desperately trying to ease the grip because I can't breathe. But it's useless... I swing my legs in the hope of kicking the man so I can get lucky the way I did with Moe, but still he doesn't let go. My lungs scream for air, and my vision gets blurry as the air tubes in my throat are forced flat in his grip... and for a moment I think that is the moment I die. But then I hear Johnny's voice faintly, "Don't kill her, we still have a use for her yet."
And all at once, his grip loosens, dropping me face first into the grimy floor. I struggle to regain my breath, and for the moment my lungs don't complain about the stench. I just want to stay alive. But before I can fully recover, I'm picked up by the arms by Larry and Moe. I have no more strength to fight these men, I just slump in their grip, gazing listlessly at Curly who has an incredible smug written all over his face. It occurs to me then that like a fool... I trusted Johnny Cash, when the extortion might have been his idea in the first place. And like thunder, Curly smashes me with his fist. Twice into the face, and one in the gut. I hate how these men had never learnt how to treat a lady... although I've never really acted like one. I know I'm going to have bruises tomorrow. My life is in danger and all I can think of is how to hide the bruises tomorrow for work. It's almost hilarious - if it weren't so painful.
Johnny Cash walks over and taps me on the nose like one would a little child. "I hope you've learnt an important lesson today; don't tell your authority what they should or should not do. You work for me... little cat." I look up at him even though my visual isn't as clear as I would want it to be from all the throbbing. And as if he knew what I was thinking, he continues, "Oh yes... I've seen what you did in the papers. Doesn't take a genius to put two and two together. And I will use this against you if you EVER try to be smart again." I begin to worry... it had been a wrong move to get involved with these men. I wish for the moment that I could take it back, but I realise it's not possible. "You work for me now, kitty cat. You take orders from me or you will end up in jail or dead on the streets," his threat rings loud and clear, even though my head is still spinning.
Larry and Moe drop me, and I fall onto the ground again. The men go back into Alister's Bar & Grill, chatting casually as if they had just taken a piss... a piss on me, that what it is. I hate that they think they can control me, but the fact of the matter is they do. Ugly secrets weren't meant to be revealed... and I've got a lot of 'ugly'. I pick myself off the ground, my back is aching and my hair is a mess.
I stumble back to my apartment. Mr Jangles is waiting for me at the stairs again, but I don't pick him up. Thankfully Ms Chin is asleep, I wouldn't want to worry her with the state of my face. I open the door to my apartment, and the meowing begins. But all I feel like doing is having me a nice hot bath, going to bed and never coming out. I feel like hell... and I should too. Stupid mistakes... stupid.
And then I get curious about what she had to say about his parents but stopped short. The more I think about it, I don't recall ever meeting his folks... only that butler guy that I infuriated by breaking a glass statue. And just when I was thinking back then it'd be cool to have a butler to boss around - I was the one getting bossed around instead. I recall that more clearly than my squabble with Bruce Wayne... but it did hit me in wonderment as to how people live in such large mansions. I'd always dreamt about living in a castle as a child, but after my visit to the Wayne Manor (if indeed that was where it was) and being bored out of my mind for half a day, I remember saying to Ms Thompkins that I much preferred living in my mother's apartment.
I stop in front of Alister's Bar & Grill and gaze through the windows. It's night once more and I can see Johnny Cash dining with Larry, Moe and Curly - or at least that's what I call them now. I enter and Curly (who was at the shelter yesterday) has his brows furrowed. I bet he had gone and done that 'job' without his boss' approval. I hope he's quaking in his seat now.
Johnny looks up from his meal, pleasantly surprised. "Back so soon huh? You have more stuff for me to buy?"
I pull a chair over and glare at Curly who looks like he's going to get up from his seat, "I'd like to have a chat with you Johnny... in private."
Johnny makes a surprised face, "What is it honey? Whatever you wanna say to me can be said in front of the boys."
"No, I think not," I say, and Curly stands up but doesn't say anything. Mr Cash seems to suspect something as he glares at Curly. He tugs the napkin from his throat and dabs his mouth like a gentleman of stature.
"Alright," he says, finally. "We'll talk out back, follow me." And he signals the men to stay put. They nod and sip on their drinks. I follow him as he exits through the backdoor to a deserted alleyway. It's funny how Alister's Bar & Grill can look so pretty on the inside but out back, trash spills out of bins, cockroaches and rats roam the area, and a gooey spill of something that was once possibly edible spreads over some part of the ground, seeping slowly into the drainage system. The smell is horrid, but then what I'm about to say is no better.
"One of your men has been out with another two fellas, extorting money from the homeless shelter in Crime Alley. I figured you'd wanna know about it," I say. And his eyes narrow, but I can't tell what he thinks of the news. He pulls a cigarette out of his pocket and lights it. I don't like the smell of tobacco but I don't complain.
"And how do you know he was... 'extorting money'?" he wags two fingers in the air to accentuate the last two words.
"The men barged in and demanded to get the funds given to housing the poor or they would tear the place down," I don't like that he doesn't trust me. I didn't go back on the deal I had with him, I thought we had found some understanding between us then.
"I see... so how are you involved?"
A strange question, I thought he would ask me more about his man and his side-line. "I care about the homeless Johnny. I will pick off the rich and the arrogant, but why steal from the poor? They haven't much to begin with. Give your man a talking to, will you?"
He stares at me a moment, then nods, whisking his unfinished cigarette bud on the ground and crushing it with his foot. He opens the door and tells his men to come out. I begin to wonder if this is the end of the conversation and I should be leaving, but I realise too late that Johnny wasn't really going to talk to his man. "Would you tell the dame here what happens to a lady when she decides to give Johnny Cash orders?" And his men begin cracking their ankles, gleaming with sadism. They're large, much larger than me, and unconsciously I begin to back up slowly till I touch the wall, and I know there's no escape now. Will have to trust my reflexes.
I swing a leg that contacts with the face of Moe, who's nearest to me. He swerves a little backwards but regains his footing quickly, and I try to slip by him, but I'm too slow. He catches me by the waist and tightens his grip so much that it hurts. I lash out with all that I have, scratching the skin on his face and it takes him by surprise as he lets go. I use the opportunity to take a swipe at Curly, kicking him in the chest and sending him to the ground. But Larry... I forgot about Larry. He grips me by the throat, lifting my feet off the ground. I grab onto his iron-like hand, desperately trying to ease the grip because I can't breathe. But it's useless... I swing my legs in the hope of kicking the man so I can get lucky the way I did with Moe, but still he doesn't let go. My lungs scream for air, and my vision gets blurry as the air tubes in my throat are forced flat in his grip... and for a moment I think that is the moment I die. But then I hear Johnny's voice faintly, "Don't kill her, we still have a use for her yet."
And all at once, his grip loosens, dropping me face first into the grimy floor. I struggle to regain my breath, and for the moment my lungs don't complain about the stench. I just want to stay alive. But before I can fully recover, I'm picked up by the arms by Larry and Moe. I have no more strength to fight these men, I just slump in their grip, gazing listlessly at Curly who has an incredible smug written all over his face. It occurs to me then that like a fool... I trusted Johnny Cash, when the extortion might have been his idea in the first place. And like thunder, Curly smashes me with his fist. Twice into the face, and one in the gut. I hate how these men had never learnt how to treat a lady... although I've never really acted like one. I know I'm going to have bruises tomorrow. My life is in danger and all I can think of is how to hide the bruises tomorrow for work. It's almost hilarious - if it weren't so painful.
Johnny Cash walks over and taps me on the nose like one would a little child. "I hope you've learnt an important lesson today; don't tell your authority what they should or should not do. You work for me... little cat." I look up at him even though my visual isn't as clear as I would want it to be from all the throbbing. And as if he knew what I was thinking, he continues, "Oh yes... I've seen what you did in the papers. Doesn't take a genius to put two and two together. And I will use this against you if you EVER try to be smart again." I begin to worry... it had been a wrong move to get involved with these men. I wish for the moment that I could take it back, but I realise it's not possible. "You work for me now, kitty cat. You take orders from me or you will end up in jail or dead on the streets," his threat rings loud and clear, even though my head is still spinning.
Larry and Moe drop me, and I fall onto the ground again. The men go back into Alister's Bar & Grill, chatting casually as if they had just taken a piss... a piss on me, that what it is. I hate that they think they can control me, but the fact of the matter is they do. Ugly secrets weren't meant to be revealed... and I've got a lot of 'ugly'. I pick myself off the ground, my back is aching and my hair is a mess.
I stumble back to my apartment. Mr Jangles is waiting for me at the stairs again, but I don't pick him up. Thankfully Ms Chin is asleep, I wouldn't want to worry her with the state of my face. I open the door to my apartment, and the meowing begins. But all I feel like doing is having me a nice hot bath, going to bed and never coming out. I feel like hell... and I should too. Stupid mistakes... stupid.