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Batman: Year One

Here's a review...

http://scottalanmendelson.blogspot.com/2011/10/blu-ray-review-batman-year-one-2011.html

Thursday, October 6, 2011

Blu Ray Review: Batman: Year One (2011) - A solid, rigidly faithful adaptation that highlights the danger with adapting overly literate comics.


Batman: Year One
2011
64 minutes
rated PG-13
Available for download on October 11th, available to purchase on October 18th from WHV

by Scott Mendelson

The ideas and concepts first found in Frank Miller's Batman: Year One have been so pilfered through and copied over the last 25 years that it feels a little strange to see this work adapted for film without any narrative alterations. It feels like less of a stand-alone movie and more of a time-capsule of sorts, a touchstone to one of the more important comic books of its generation. What works in the book still works in the movie, although this rigidly faithful adaptation exposes the problems of adapting a relatively literate comic book into an action picture. The film is so visually and narratively faithful that it often resembles a high-end motion comic. For those who have never read the original story, the film works as a rock-solid Batman origin story which remains one of the better Jim Gordon stories. And for those who have always wanted to see this tale translated to film (animated or live-action), you'll get what you paid for. Batman: Year One is a faithful adaptation of Frank Miller's four-part series, but its slavish devotion threatens to render it not particularly necessary.

For the four of you who don't know, Batman: Year One concerns the first year of Batman's crime-fighting existence, who coincides with the first year that Jim Gordon spent as a cop in Gotham. The emphasis is on political corruption and the rot that graft and crime has turned Gotham into. There are no super villains just yet, as Batman's attention is focused on common street criminals and the corrupt politicians and police department that allows them to fester. Much of the story consists of the running internal monologues of both Bruce Wayne (Ben McKenzie) and Jim Gordon (Bryan Cranston). James Gordon is the true star of the story, as his dilemma towards being tasked to capture a vigilante who is more honest and helpful than the cops themselves takes center stage. I've long argued against the lie that Frank Miller single-handedly saved Batman from decades of camp, but few can deny that he more-or-less invented the modern Jim Gordon as we've known him for 25-years since. While the vocal work is fine, too much of the ongoing thought bubbles are kept in the onscreen translation, even when it ends up providing exposition for actions we see onscreen or character development we can clearly see for ourselves.

Looking at the picture objectively, much of the film is basically Jim Gordon or Batman thinking to themselves. Despite their starring roles, I'd doubt that Batman or Gordon have more then twenty lines of actual spoken dialogue combined. That is something that doesn't stand out as much on a page, as the internal and external dialogue tend to blend together into a fine stew. But similar to the live-action adaptation of Frank Miller's Sin City (which, to be fair, this is far superior to), this version loses points for relying too much on the internal expository voice over that was vital to the page, but less so for the actual motion picture. Still, the action scenes are beautifully animated and are generally delivered in long, fluid 'takes'. The animation overall is pretty appealing, with a sparse level of detail that will remind some of Batman: the Animated Series.

Regardless of its flaws as a stand-alone movie, this remains a painstakingly faithful adaptation of one of the most popular Batman stories every written. As such it retains the compelling narrative and potent characterization that made it a classic. If that is what you crave, then you will most likely walk away quite satisfied. But in the end, it is less a movie to exist of its own accord than a proverbial time capsule for its source material.

Grade: B

The Extras:
There aren't as many dots on the back of the package as on recent DCAU films, but the emphasis here is on quality over quantity. Aside from the usual digital copy and standard-definition version of the second disc, the extras are a solid mix of fun and insight. We have a crew commentary, where Alan Burnett, Sam Liu, Mike Carlin, and Andrea Romano discuss their artistic decisions and their fond memories of this perennial classic. We get a 26-minute documentary entitled "Heart of Vengeance: Returning Batman to His Roots", which explains just that. To its great credit, the featurette explicitly credits Julie Schwartz, Dennis O'Neil, and Neal Adams with returning the Darknight Detective back to his pulpy origins. While Frank Miller's influence takes up much of the running time, the piece does not sell the oft-repeated lie that Frank Miller's The Dark Knight Returns single-handedly saved Batman from the camp period (1944-1969, but popularized by the Batman TV show in the late 1960s).

There is a forty-minute piece Conversations With DC Comics: Featuring the 201 Batman Creative Team. As expected, this is a chit-chat delves into how the current creative team (I don't know how current, I have not been keeping up with the whole New 52 thing) feels about the Batman character, what their childhood memories are regarding the comics, and how Frank Miller's two major works influenced the title in mostly positive ways. We also have digital comic of the first chapter of the actual Batman: Year One comic book. There is also the standard previews for prior DCAU movies and a ten-minute sneak peak at the next one. In this case, the old Justice League voice cast reunites to do a loose adaptation of the Justice League comic story "Tower of Babel". Unfortunately, Phil Lamarr's Jon Stewart was subbed out for Nathan Fillon's Hal Jordan while Superman: the Animated Series's Tim Daly replaces George Newbern who, ya know, actually did the voice of Superman for the actual Justice League cartoon. Aside from that, it looks like a terrific little movie with one of the better JLA stories behind it.

We have two bonus cartoons from Batman: the Animated Series, both featuring Catwoman. "Catwalk" is easily the best Catwoman episode of the series, which sadly isn't saying much, while "Cult of the Cat" is one of the weirder episodes. I would have added or substituted "You Scratch My Back" (which features the whole Bat-family tussling with Catwoman), but that's just me. The last and arguably biggest extra on the disc is a 15-minute short cartoon starring Catwoman. Written by Paul Dini, the piece is undeniably exciting and occasionally funny (the opening moments of hardened gunmen furiously trying to gun down a kitty cat is hilarious), but the opening act puts so much adolescent emphasis on suggestive ****-and-ass that I actually was embarrassed to be watching it with my wife (it doesn't exactly make us comic fans look very evolved).

The movie is pretty good, and the extras are a solid bunch, while the disc looks and sounds great. So yes, this is definitely worth a purchase if you're a fan, and a rental for those who merely like solid crime stories or comic book adventures.
 
My Blu-ray of Batman: Year One arrived today and I've now watched it alongside the special features. This is a straight adaptation so i don't see the point of spoiler tags.
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Batman Year One:
There's close to nothing to say about the story because this is the most straight up adaptation done, if you've read the comic you can enjoy the comic literally coming to live in almost 100% accurate way. I'll just say I love how atmospheric and timeless feel the movie has, despite obviously giving it a very 80s feel as well. You will see old computers and VHS rental stores, but still i love the atmosphere Gotham has in here, after all Frank Miller's Gotham is the city of corruption, it is an personal hell and chaos incarnate, with Jim Gordon and Batman being the beacons of hope.

Say what you want, but this is truly Jim Gordon's story and he gives receives the top credit. Bryan Cranston's voice acting is great, it's very human, you can feel his worries as he talks about his wife and raising the family in Gotham, how he's pretty much the only good cop out there. Jon Polito also sounds very disgusting and very corrupt, a great performance for commissioner Loeb. Still i just love every scene with Gordon, the voice acting from Bryan gives such confidence to the character, i just love how he beats up Flass and ever since that scene just has this very laugh-like mocking tune towards Flass. He really nails the hard cop element, i can't stop praising this man, it's what really sells the movie and makes the audience interest to the story and character.

Benjamin McKenzie as Bruce Wayne is awkward, troublesome and hopeless, this is a shell of a man, he's worried he's insecure, he's missing an element, he starts to sound more confident when he takes his thug look and starts walking down the ****e streets you can feel his anger and confidence build up as he begins fighting criminals and eventually meets the woman he will fall in love with: Catwoman. (I'll talk about her later) One of my utter disappointments was the lack of monologue of "I shall become a Bat" which just caused me a small nerd rage. The scenes showing the Wayne family murders is so iconic well done and the Bat crashing thru the window and Bruce just gasping as the Bat flies and lands on Thomas Wayne's statue is so great, but he only says "Yes Father" and that's it. So that was disappointment to me as a fan, because it's one of my 2 favorite scenes of the book. Luckily my other favorite scene which is Batman giving warning to Loeb, Carmine and the Mobster in general, the execution is perfect, from Batman sneaking and taking down the guards, taking the lights out and throwing the bomb, walking softly talking how they've eaten Gotham's wealth, it's spirit and the close moment when Batman says "None of you are safe" you feel confidence, you feel that now Benjamin's Batman is Batman. The most badass scene in the movie is obviously Batman vs. Gotham's SWAT team. Christopher Drake's soundtrack plays it's strengths most here, and Batman's sonic gizmo to summon bats comes truly alive in a very terrifying way, but i do wonder how the general audience will take this scene, will it be remarked as silly or a "lol clearly a Batman Begins" ripoff. Just something i thought of. I also love the way Benjamin delivers the "I know pain. Sometimes i share it with someone like you" he really does come off as Batman, but it's the Dark Knight Batman.

Alex Rocco as Carmine "the Roman" Falcone is terrifying, you really feel like he's the Kingpin of crime and the line he delivers about "when you become a father, you're never truly free" is utterly terrifying, this man is not a Jokester, this man is a rough mobster who will kill you. I also had forgotten how important scene Harvey Dent has in this movie, it's very minor but Robin Atkin Downes does a solid performance on him. Jeff Bennet is also in this movie as none other than Alfred Pennyworth! He brings the wit that Miller's Alfred always has, alongside the compassion.

Eliza Duhsku voice acts Catwoman in this movie, but she doesn't have that much screen time and her voice performance comes much better alive in her own Catwoman short movie that's included. She sounds sexy, confident, commanding and powerful. Her action scenes alongside Batman's are very well animated, and man she comes off very sadistic when she wants to make a name for herself.

Ultimately what makes this movie great is the personal human story that Lieutenant James Gordon and Batman go thru, they're humanized and we see their struggle against the major enemy of Gotham, it's not a space alien or some clown, it's corruption, pure and simple. The ending with Bruce cracking a smile as he and Jim Gordon become partners is a great scene, because there is hope in Gotham, it has Batman and Jim Gordon, so criminals beware. :)

With Commentary:
I don't think this was anything special really. I would have wished if it had been Frank Miller and Bruce Timm talking about the project, but it's pretty much Sam Liu, Andrea Romano, Alan Burnett & Mike Carlin discussing Batman: Year One the comic, but you do receive some creative process what made into the film and how some things we're done, so it's mostly on the positive side easily.

Catwoman:

This 14 minute movie shows everything you need to know about the character. She's sexual, she's powerful and she is the most self-assured woman out there, she is Catwoman. She has the damn biggest animated hips out there too for crying out loud, there's one scene which i bet all feminists will cry and complain about insulting Paul Dini as an Misogynist pig, but i didn't feel this was offensive, because this is what Catwoman is, she does what she wants and she is very sexual as well. It's a pretty straightforward action story and a certain someone special makes a cameo at the end and a sweet kiss of love is done, but not the cameo you might think nor what i mean by the kiss. :) It's a very great movie and definitely re-watchable over and over.


Justice League: Doom Sneak Peak:

From what i can gather Vandal Savage summons Metallo, Bane, Star Sapphire, Cheetah, Mirror Master and Ma'alefa'ak because each of these heroes has an personal vendetta against an Justice League member. Alan Burnett says the idea of adapting the Tower of Babel has been tossed around for years and it's finally done. Bruce Timm and Andrea Romano talk excitedly how this movie shows Batman as a true loner, as the master paranoid planner and Andrea even argues that Batman is one of the villains in the movie more or less. The movie will open with the Justice League fighting against the Royal Flush Gang.

Tim Daly talks so relaxed about being Superman and thats just so sweet, because after all Superman being the most powerful guy out there, he should be relaxed.

The film is done by TMS which is one of the oldest animation studios from Japan, and they talked very excitedly about this, i didn't see the big deal, but I guess the fighting animation will be super sweet?

I found it strange they didn't have a single reference that Dwayne McDuffie wrote this and he's passed away now, but still i'm really glad they're getting Kevin Conroy, Nathan Fillion and other popular DCAU voice actors, as Dwayne's last movie i really want this movie to do well money wise, i really want this to be dedicated to his honor.

Heart of Vengeance: Returning Batman to his Roots:
This is pretty much a short information run given by Greg Rucka and Dennis O'Neill about how comics changed due to O'Neill's writing and later on as an editor, i really enjoy that because alot of people seem to only give credit to O'Neill as an writer, while he was an incredibly important editorial person as well, theres only a very small segment given to the Comic Book Authority code and thats a bit shame, because the interview almost gives the idea DC comics just went with campy Batman stuff for no reason and stopepd having Batman fight human criminals. I also learned that Batman comic sales tanked once the Adam West show ended, i never knew that. It's pretty standard information on Frank Miller and Batman comics in general. :)

Conversation with DC Comics: 2011 Batman Creative Team:
Scott Snyder, Michael Uslan, Dan Didio & Dennis O'Neil join together and talk about how they got into Batman, the multiple versions of Batman and it's just pure fangasm to us comic nerds. Newcomers might be confused of all the classic stories they talk about like "Night of the Stalker", "Night of the Reaper", Batman Year Two and the Adam West show alongside how Frank Miller changed Batman. Dan Didio talks about a good way to test a writer is to write a Batman story, as Batman's so popular, if you can't get Batman you "can't get comics". Dennis O'Neill also talks about his writing and editorial duties, but Michael Uslan really wins with his mass amount of Batman information, wow just wow. It's so appreciated this hardcore fan is the man who is the executive producer of the Batman movies, he's even titled in the specials as "executive producer of the Dark Knight Rises" and Scott Snyder gives his good insight on what makes Batman a Batman and those childhood instincts and fears. Snyder also gives good insight on both the Cult and Year Two how Batman is put into a situation where he decides to use a gun, now granted in Cult it was a tranquilizer gun, but yeah i understand what Snyder is saying, i bet he loves what Batman did in Final Crisis. Frank Miller's impact is brought up a lot alongside how the days of 1980s Comics we're finally getting away from the witch hunt days, which was touched a bit upon the Frank Miller segment. They talk about how Year One influenced things and how then Christopher Nolan's Batman Begins influenced the film industry.

Scott Snyder is asked a very good question how would he enhance or well change the origin of Batman, and he talks about how the parents' death is not just about the idea of children being alone, but also about the feeling of being powerless to stop these crimes and that takes Batman to his heart. There's talks about how there's a DC Year One template with origins and on how books like Batgirl it worked really well. Dan Didio talks how difficult it would be to make another Batman origin, but no reference was made to Batman: Earth One. Still for a comic nerd such as myself this was really fun to listen to and nice points we're given to many sides of Batman.

The BTAS episodes chosen by Bruce Timm are "Catwalk" and "Cult of the Cat" for those curious. Also #1 of Batman Year One can be read digitally for those curious about the comic. New printing of the Deluxe edition comes May 2012.

Rating: 93/100 This is a great package for what? 20€ or less? I got it for around 18€ via the Internet, it comes with a whole movie, a very faithful adaption, the commentary is all right, the Catwoman short is wonderful and the special features sneak peaking the next movie is hype building, the Frank Miller stuff is informative and the Bat-fan discussion is entertaining and intriguing to any Batman fan in my humble opinion. Worth every darn penny!
 
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Just finished watching Year One.

Fantastic movie, one of DC's best. Bryan Cranston knocked it out of the park as Gordon, superb performance. Epic action, bad-ass fight scenes, very tense finale. My only gripe? The voice acting. Everyone besides Bryan was flat and emotionless. Ben was hit or miss, he nailed some lines, but butchered the majority of them, especially when talking to Gordon and his wife. Eliza was okay, Falcone was terrible. All in all, it's not as good as Under the Red Hood or Mask of the Phantasm, but it's worth the watch.

7.5/10
 
Anyone know if any stores are doing any exclusive items packaged with Year One?
 
I watched this a little earlier today I really liked it Cranston was an awesome Gordon and Bens voice was ok 8/10 worth watching for sure.
 
Honestly this felt like Jim Gordon year one guest starring Batman.
 
Just like the book. I'm glad we didn't hear too much of Ben's Batman.
 
I like what I've heard of Ben McKenzie's young Bruce Wayne/Batman and the others voices from the preview, trailer and clips.
I will be watching Batman: Year One after I buy it from a store once it's officially released on October 18th.

Here is the full Batman: Year One voice cast:
Bryan Cranston (Breaking Bad) is Police Lieutenant James Gordon.
Ben McKenzie (Southland) is young Bruce Wayne/Batman.
Jeff Bennett (Alfred Pennyworth on the "Downtime" episode of Young Justice) is Alfred in Batman: Year One.
Fred Tatasciore (9) is corrupt Police Detective Arnold Flass.
Jon Polito (Miller's Crossing) is corrupt Police Commissioner Gill Loeb.
Stephen Root (No Country For Old Men) is corrupt Police Officer Brendon, the head of Gotham's SWAT team.
Nick Jameson (Red (2009)) is Police Officer Merkel, a rookie patrolman.
Eliza Dushku (Tru Calling) is Selina Kyle/Catwoman.
16 year old Liliana Mumy (The Cleaner) is Holly.
Steve Blum (Hulk vs. Wolverine) is Stan the pimp.
Alex Rocco (The Godfather) is crime lord the Roman/Carmine Falcone.
Katee Sackhoff (CSI) is Police Detective Sarah Essen.
Grey DeLisle (The Flintstones: On the Rocks) is James Gordon's wife Barbara Gordon.
Robin Atkin Downes (The Starter Wife (TV series)) is District Attorney Harvey Dent.
Keith Ferguson (G.I. Joe: Renegades) is drug dealer Jefferson Skeevers.
Sara Ballantine (Spider-Man (1994-1998 animated TV series)) is Skeevers' Attorney.
Danny Jacobs (The Penguins of Madagascar) is Flass' Attorney.
Roark Critchlow (Afterworld) is the Hare Krishna at the train station.
Pat Musick (The Tick (1994-1996 animated TV series)) is the Roman's wife.
Andrea Romano (Batman: Year One voice director) is the medical Obstetrician for Barbara Gordon's pregnancy.
Bruce Timm (Batman: Year One producer) is thug #1.
James Patrick Stuart (Andy Richter Controls the Universe) is a henchman.
Michael Gough (Totally Spies) is a driver.
Bruce Wingert is a guard.

Here are more stills from the film:
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batmanvlcsnap9588.jpg
 
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Like sin city I think the fact that we're watching a movie where internal dialogue is pushed to the forefront is shock enough to make the film feel really strong and different. It's always sad when they remove it and act like facial expressions an circumstance can measure up.

I personally feel this batman origin film will really put Begins in perspective for many. If Nolan had genuinely translated more of these elements along instead of just superficially Begins would have been stronger(and perhaps a bigger hit). I just seen the clip of the Bruce facade, it's a lot better than any of the attempts in begins at the same thing.
 
I thought this came out in a few weeks. It's available on Zune Marketplace on Xbox right now
 
Like sin city I think the fact that we're watching a movie where internal dialogue is pushed to the forefront is shock enough to make the film feel really strong and different. It's always sad when they remove it and act like facial expressions an circumstance can measure up.
It's not really "different". After the advent of sound narration was a very common device. It has been largely fazed out because passing that much information verbally is counter intuitive to a visual medium. With the exception of a few narration doesn't work.
 
If I download this off the Playstation Network does it still include the Catwoman short? It says that it includes 24 minutes of bonus features but I want to be sure it has the Catwoman short if I'm gonna shell out $20.
 
It's not really "different". After the advent of sound narration was a very common device. It has been largely fazed out because passing that much information verbally is counter intuitive to a visual medium. With the exception of a few narration doesn't work.

I agree to a point(about how intuitive it can be). However films like Shawshank, have an extra layer of story with ever frame and they're all the better for it. A shawshank without Red's narration wouldn't be as good by my estimation. That being said most of the stories in comic books are told with the element of internal dialogue especially the likes of Batman and Spiderman. It's an awful shame that we are presented with half the stories when they make the jump to motion.

That spiderman show of the 90's did fine(same with the one of the 60's) I often wonder if we would have actually gotten to know Superman better in TAS if they had given us the chance. I'm mostly glad this film didn't lose it like they've done with their DTV's of the past.
 
Is the movie out or has there been a leak?:huh:
 
That being said most of the stories in comic books are told with the element of internal dialogue especially the likes of Batman and Spiderman. It's an awful shame that we are presented with half the stories when they make the jump to motion.
It's not like they are taking specific stories from the comics (that have narration) and ditching them. The screenplays are built from the ground up with most of the information, both internal and external, conveyed through visuals. So nothing is really cut out.

I often wonder if we would have actually gotten to know Superman better in TAS if they had given us the chance.
If they wanted to, most of it could've been done visually.
 
It's not like they are taking specific stories from the comics (that have narration) and ditching them. The screenplays are built from the ground up with most of the information, both internal and external, conveyed through visuals. So nothing is really cut out.

It's hard to say, ignoring that it's an adaptation Game of Thrones for example was retooled to be a visual story and cut out or re-purposed it's internal context. Some would say the experiment does it job and does it well, others can't shut up about how much of each character is missing(and they don't know why) because of it. Now it could be argued that they would have been perfectly fine if they had never known but at the same time this could just be the reality of internal substance vs it's absence. I vote for the former.

If they wanted to, most of it could've been done visually.
Whatever they wanted, he came off very cold, I'm just saying I really felt like I got to know the peter parker character intimately whereas with superman it was merely a visual thing.

Any fight scene can be done just visually, including Gordan vs Flass, but I would argue that any fight can be improved with even more exposition. ie Gordan vs Flass.
 
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Is the movie out or has there been a leak?:huh:

I thought this came out in a few weeks. It's available on Zune Marketplace on Xbox right now

It got released for digital download before the in-store dvd/blu-ray. It's technically out, not leaked.
It's in stores next tuesday the 18th, alongside arkham city :up:
 
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Didn't enjoy this at all. My favourite comic poorly adpated. It just drags. Not a fan of the barely moving animation.
 
Didn't enjoy this at all. My favourite comic poorly adpated. It just drags. Not a fan of the barely moving animation.

Yeah, the animation was incredibly plain, but that wasn't a huge issue. At least not as big as BATMAN's voice.
 
Yeah, the animation was incredibly plain, but that wasn't a huge issue. At least not as big as BATMAN's voice.

:confused: What exactly is your opinion of this film? You seem to be flip-flopping like Mitt Romany. You said...

Ben was hit or miss, he nailed some lines

How could Ben McKenzie have "nailed some lines" if his voice was "a big issue"?
And you called the film a...

Fantastic movie, one of DC's best. Epic action, bad-ass fight scenes, very tense finale.

How can it be "one of DC's best" with "Epic action, bad-ass fight scenes" if it is "incredibly plain," and if you agree that it's "poorly adpated. It just drags", with "barely moving animation"?
 
How can it be "one of DC's best" with "Epic action, bad-ass fight scenes" if it is "incredibly plain," and if you agree that it's "poorly adpated. It just drags", with "barely moving animation"?

Easy. It's a great film in terms of story, action and tension, but it falls flat when it comes to animation and voice acting. The former is so well done is outweighs the latter, so, it's a fantastic film overall. Besides, Gordon is the one talking for almost 90% of the movie, and Bryan was amazing. That's why the voice acting didn't hurt so bad.

Know what I mean now?

EDIT: I also never agreed to it being "poorly adapted". I only agreed that the animation was stiff.
 
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Oh, so you weren't agreeing that it is "poorly adapted," okay, thank you for clarifying that. I know I couldn't feel it has "Epic action, bad-ass fight scenes" if I felt "the animation was stiff, incredibly plain" and "barely moving." The animation looks fantastic to me. But to each their own.
 
Exactly. But even though I said it was plain and stiff, I also said it doesn't bother me too much. Plus, the fight choreography was just too awesome to ignore. And Batman kicking down the giant pillar? :awesome:
 

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