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Moore: This one is hard for me. I really liked the Moore films (save for Octopussy which was dull as drying paint and You Only Live Twice which was forgettable) and for me its a toss up between The Spy Who Love Me, The Man with the Golden Gun and View to A Kill. Spy had the iconic Carly Simon song, Jaws, Agent XXX the underwater car but Stromberg never really did it for me, whereas Golden Gun had Christopher Lee as Scaramunga, the Kung Fu vibe and locals, Knick Knack and the Fun House but Midnight was a dull Bond Girl, but View had Christopher Walken as Zorin, Grace Jones as Mayday, the Bay Area, the Golden Gate fight and Duran Duran's theme. I can't choose!
I always think The Man with the Golden Gun was a huge missed opportunity, Bond vs a lethal assassin with a unique gun played by Christopher Lee should have been epic, but it all felt a bit tepid and undercooked. I love the Eiffel Tower chase between Bond and Mayday in A View to a Kill.
I think the Moore era is the hardest to select from because they are all much of a muchness. He is the Bond I was 'introduced too' first, in that his were the Bonds being released in my early childhood, and was taken to see them as such but he just didn't stand out for me, I know he's gone on record as wanting to play it as different as possible to Connery, but there is playing it differently and playing the character as completely different to the written character as chalk and cheese, the problem for me was he played Bond the same as Templar, in the Saint, two very different characters but RM decided to simply repeat the same characteristics for Bond. I just don't rate his era at all. There are some 'good moments' but there isn't for me, one film, you can say, in all honesty, the complete film is a solid 'Bond' film.
Roger Moore was Bond when I was fist intrduced to the films but my Dad showed me the Connery films as well, so I had a mix, I think the problem for me with Moore's movies when you go back at an older age is he's not believeable as a lethal agent, he desn't move or act like he culd punsh his way out of a paper back. Having said that I think it's fairly easy to select his best as for me The Spy Who Loved Me and For Your Eys Only are comfortably his best.
That's why For Your Eyes Only is my favorite of the Moore era, Moore's Bond was notably darker in that film compared to the rest of his run.
The scene where he kicks Locque's car off the cliff after throwing the Dove pin in was without doubt the most ruthless we saw Moore's Bond.