TheCorpulent1
SHAZAM!
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There's actually a cool backstory behind it. And that's just what I call him. 'Cause I'm a clever namer of things.
You shouldn't. You should pick up the trades, or even flip through them, starting with the first, and ending around the time Bedard comes onboard. More on that below, good sour fruit.I'll take your word for it.
I'm assuming the Hyperion issues you're referring to are Bedard's. I think of those as a mixed bag. Were they brutal? Well, yeah. Did they do much of anything with the characters I really cared about? If I remember correctly, without pulling the issues out of my box, I'm thinking Mimic had a really allbadass moment. But Namora, and Holocaust, whatever. Holocaust on the team was a giant chunk of stinking crap, as bad as their visit to the AoA reality, just to try and sell the craptastic AoA return that was written. 10th Anniversary my rear. More like a final nail in the coffin of my beloved Age of Apocalypse.Like the Hyperion issues, which were brutal and amazing.
The art was nice, but I didn't like the three splash pages.
I was shocked to not only find myself enjoying the story, but also enjoying the artwork. Bagley's good, but damn. The art here was flat out awesome.
Dread's BOUGHT/THOUGHT for 2/20/08:
UMBRELLA ACADEMY #6: The first mini of this great new Dark Horse property comes to a conclusion, but as the letters page notes, a second mini should be due out "by the end of the year", which I see as last quarter '07 or so. This is easily the best comic franchise written by a rock star, and would be solid even without that detail. To describe the manic whimsy in a review is very difficult, but I can say that this issue was a bit more straight-forward. Vanya, now superpowered by music, is performing her "Apocalypse Suite" to destroy Britain & the world, after having just trashed their HQ and killing the chimp scientist Dr. Pogo. The rest of the Academy is out to stop her. Some old wounds about their childhood with the alien Hargreeves are brought up and there is a lot of violence and quirky lines. It is a satisfying conclusion to this mini and naturally leaves plenty of room for more to come with the property. Way & Ba' have created an instant hit that managed to sell within the Top 100, hell the Top 80 and better, for the entire run, which is great for a Dark Horse book (if not as hot as BUFFY naturally). I've enjoyed this series entirely and those who "trade-waited", the trade is due out later in the year and I recommend nabbing it. That way you can anticipate more eagerly with the rest of us.
I think that's perfectly in character; mythologically speaking, Ares just liked to run around and kill things; Athena was the war god who was big on planning.Ares' idea of "war god tactics" still amount to cliches from a Micheal Bay movie, but like I said, it works because it is mostly action.
Ezekial has already been solicited as the main villain of Fraction's first Iron Man arc (and the preview images have Pepper/FauxOracle), so I think the odds of some crossover are good (Pepper, obviously, and Henry also has a strong background connection to Stark).We also learn the truth about the M.A.N. from S.H.A.D.O.W., in that they are all robots of the same 50-years-dead guy, and that the group trying to destroy the Order is run by the son of his infamous enemy, Obadiah Stane, which is a great twist in the plot. Of course, given who some toys have noted is the villain of the IRON MAN movie, it may be in Marvel's interests to dust off the ol' Stane name, which is fine by me.
...
It also may be possible that we'll see some of The Order in Fraction's Iron Man book as side-characters. I mean, why not?
Last quarter '07? So Number 5 is gonna travel back in time and write it or something?
Also, was it ever stated that they were in Britain? I don't recall that...
I think that's perfectly in character; mythologically speaking, Ares just liked to run around and kill things; Athena was the war god who was big on planning.
CaptainCanada said:Ezekial has already been solicited as the main villain of Fraction's first Iron Man arc (and the preview images have Pepper/FauxOracle), so I think the odds of some crossover are good (Pepper, obviously, and Henry also has a strong background connection to Stark).
Apparently it was half of a story that Loeb wanted to tell but couldn't. That may have factored into it.
What about Hulk #2 didn't make sense to you?
Doom also never refers to himself as "Doom" the entire issue and for the life of me .... The thought balloons aren't so bad and Bendis is able to put his stop-gap dialogue on hold for the issue.
I wanted to think about this a little, because I didn't want to give you a kind of crap, pat answer. I tend not to think about these things too much ( I leave that to Dread ) I either like it, or I don't, and that's why I don't do much in the way of reviews. In fact, I pass up putting a lot in the "Early B/T" thread that I made exactly because of that. i.e. A review of "I liked it" or I didnt like it really isn't much of a review.
I guess the thing that was jarring for me in Hulk #2 was the fact that it felt like they omitted #2 and went straight to #3. For instance, #1 ended with Samson and Ross walking and talking, and going through security checks, a bit of a build-up, for the big reveal: a sit-down with Banner. Now, I don't know about other people, but I was kind of expecting issue #2 to have that conversation. In fact, my logic almost demands it. But it's nowhere to be seen. In fact, now Ross is on the Helicarrier. To use an analogy, you can't have Luke Skywalker on Tatooine farming his little heart out, and the next scene be the one fighting the Death Star. You have to go from here to there. As they say, thats half the fun.
Now, I know a perfectly good explanation is: theyll explain it later. Ive heard that same explanation for some of Mssr. Bendis work, and a lot of people are saying the same thing about BND. (Im not, I dont really care if they ever explain the things people are griping about.) But, I didnt want to wait for later. They hooked me, and should have spent panel time reeling me in, rather than playing around with clever storytelling techniques. I was really looking forward to it as a matter of fact. And in this case, for me (and apparently others) it was enough to take me out of the story. Which is a terrible thing to happen in any kind of fiction, comics, movies, whatever. Once that happens, any other flaw (like the dialogue ) which I probably wouldnt have even noticed or griped about, stick out like a sore thumb. Because Im not cruisin along enjoying a good story, Im still thinking to myself, whatever happened to that Banner conversation, Dammit! (I'm exaggerating a bit, but I hope you get my point.)
I remember years ago seeing the movie Signs in the theater. I was liking it enough. Scary, suspenseful, very Night of the Living Dead. But there was a precise moment when I was taken out of the story. Its near the end, right before we see the alien. They come up out of the basement, turn on the tv, which is in the closet, and you can hear in the background, the newscaster saying something about a way to defeat the aliens. And they turn the tv off to wheel it into the Living Room. What? Youre telling me, Youve lived through an alien invasion, your son almost dying of asthma, basically the scariest night that youre ever going to have in your life, and you hear on the boob tube that theres a solution and you TURN IT OFF? Are you nuts?! I would have spent the next three days in that closet until they told me! Now in my head, I can come up with all kinds of reasons, that they didnt hear it, that he was distracted by his son, that they were in shock, all reasonable explanations. But the moment I started to think about it, I was out of the story. And you can try to explain it away until your brain turns to mush, but all it will do is take me further out of it. And probably you, too. (This is probably a bad example to use. I've related this story a bunch of times, and no-one ever noticed that. So it was obviously a very, very small flaw. A calculated risk even, to shove in a little foreshadowing. I seem to be the only person that it ever affected. But everyone else's experience doesn't change that one moment in the theater for me. Once it's come and gone, it's gone.)
INVINCIBLE #48: Late comics suck, especially when they involve "probably the best superhero comic in the universe". Image has been trying to promote issues #50-51 and they have had to push those back from Jan. to Feb. and so on due to the schedule; as Kirkman himself admits, things have gotten off the rails and they struggle to produce 10-11 issues a year. Still, though, devoted fans are loving this series and I am one of them, and after this issue finished I could see where the "earth shattering" arc leading up to #50-51 is going. Mark, Will, and Rick go out for a manly night of bowling and Rick starts to fall apart, still emotionally shattered by his experience of being kidnapped by Sinclair and turned into a cybernetic Reaniman. Meanwhile, Doc Seismic launches his grandest scheme yet, organizing an army of underground creatures to attack and then capture just about EVERY known superhero in the little Image Kirkman-iverse, including the teams from Dynamo 5, Capes, Savage Dragon & his pals, Brit, and Wolf-Man & Zechariah from AW-M. As well as the Global Guardians. Invincible & Atom Eve are forced to unite despite the recent hassles in their relationship to launch a rescue, but even they aren't enough for the task. Meanwhile, Cecil visits Mrs. Grayson and admits he knows that Oliver has started to gain superpowers and has even helped Mark on occasion, and he feels miffed that she didn't inform them immediately. Mrs. Grayson feared the boy would be whisked away to training or pressured into the superhero biz when she wants him to not engage in such danger at his young age. It has been a while since Invincible was TKO'd by a threat so it was shocking that Seismic's monsters were able to do so. Granted, the Earth's "monsters" have often been tough enough to give Mark issues, even as recently as a few issues ago when he needed Anyssa the Viltrumite woman to kill one. Wolf-Man and Zechiriah get in a quick team-up, but they are unable to turn the tide. Considering the bimonthly nature of WOLF-MAN even when it is on time, it was cool seeing him show up. But, yeah, I can see where this is going, especially by the cover to issue #49. With all the U.S. and, heck, the planet's superheroes captured, Cecil unleashes his Reanimen to bail them out, and naturally that is when Mark will find out that Sinclair is working for the government, and take issue (to say the least). The series has stated how comfortable Mark has gotten in working with them, to the point where he finds college pointless, and this naturally be a wake-up call that he will need to become more independant and self-sufficent. I imagine that it could split the superheroes a bit too, since I imagine not all of them would approve of giving a wack-job like Sinclair a gig just because he can build cyborgs for the U.S. It is in character for Cecil to do, as Omni-Man is the ultimate example of placing too much trust in a superhero for him. Still, even if I can see what is coming, or believe I can, that doesn't make it bad; Kirkman will naturally add details I don't expect and the fallout should be gorey. The letters column also notes that action figures may be upcoming, and that Shrinking Ray is indeed dead. Poor little fella wasn't even mourned by the Guardians with half the vigor that Dupli-Kate was (and she wasn't even dead). He's the Spoiler of the Guardians (being that she was the Robin that Batman doesn't mourn nearly as much as Jason Todd, who isn't dead anymore). This is my favorite superhero comic right now and while the lateness is annoying, it doesn't put me off (plus, it isn't nearly as late as some other titles I could mention; we at least got issues within this year before this one). Ottley's art is great and Crabtree's always the man on colors, they're so symbolic and one with Invincible that I couldn't imagine the book without them, even if Corey Walker is still creditted as a co-creator. Hopefully the wait for #49 won't be so long.
Runaways #29
Still, this would probably be the first issue that I felt hasn't been truly worth the wait. I simply have to question the wisdom of wasting three whole pages replete with a dozen panels on the deaths of two subcharacters. I just couldn't bring myself to care. It's going to be difficult to get anyone to care about anyone when you got upwards of twenty characters per arc struggling for limelight (though that splash page of the battle near the end forgives a lot), much less people that you're narratively not supposed to care about in the first place. I just have a very hard time dealing with decompression in any form, especially when we're almost at the end of the story aka out of space (even though this entire arc has pretty much been a study in whatever the opposite of decompression is).
We'll see how it ends. I imagine Chase showing up with a big 'ol time travelly device pretty soon in the next issue.
(7.3 out of 10)
Heh you may appreciate this I dunno, but I thought bendis dialogue for doom (outside the le fey scene) was terrible.
Doom does not repeatedly say "damn" in fact he doesn't repeat anything.
Really took me out the story (plus that and his ridiculously purple prose in the final frame).
I enjoy the long reviews and all but goddamn, a couple paragraph breaks would have been so much to ask?
I haven't read Hulk #2 yet, as I actually didn't pick it up since my stack was super big and I made a few cuts. I intended to pick it up today, but icky snow arrived and it was more annoying to drive to my comic store than I was willing to endure.I'll agree and disagree with you here. I was expecting to see Banner in this issue as well. Like you said, the last one ended with the reveal that he's been locked away this whole time, and I was interested in seeing what he had to say about everything, too. I don't know what Loeb's got planned in that regard, and while I was thrown for a loop a little bit, I trust him to at least have a coherent plan for this first arc. I've always been of the opinion that one should only judge a story is one has experienced the whole thing, and this is no different.
I understand. Once something jars you, you kind of get taken out of the book, so to speak. And if Bendis was writting this, my benefit of the doubt-o-meter would be running low, too. But it's Loeb. I know his reputation of late has been less than stellar for some people, but I still like him. I liked his Superman/Batman run and I liked his Wolverine story about as much as someone could. Plus, he's the guy behind The Long Halloween, so I know he can do a decent mystery.