Bought / Thought April 22, 2009 SPOILERS

SouLeSS

Superhero
Joined
Mar 13, 2006
Messages
8,194
Reaction score
0
Points
31
Yes oh yes, indeed.

Guardians of the Galaxy 13 - 13 issues in and it's still amazing as it's first issue, which was as good as annihilation at it's best. The entire teams back together with some additions and reserves pulled in, as Adam comes and warns them of the War of Kings going on. They decide to stop it by having Black Bolt and Vulcan having a sit down. That's all I'll say, but it's got some really really great panels and pages in it. Especially the page where it's Rocket Raccoon and Starlord planning what to do next.

'Tec 853 - Can't believe this got delayed so bad. Can't believe it was 3.99 either. It was good, but I was expecting something different or more.

X-Force is badass. Messiah War is how a crossover event should be. Between this, War of Kings, Blackest Night and whatevers happening with batman, I'm stoked.
 
Last edited:
Part I: Mythic Heroes

Incredible Hercules #128

The two-part Dark Reign tie-in concludes somewhat inconclusively, but then, it's really just a lead-in to the next arc, when we take a jaunt to Hades. Osborn's crew gate-crashed Hera's ambush, though an unaware Ares (seems like a miscalculation on Osborn's part) negotiates a truce between the great powers in the end (I really like how these guys write Ares). We also learn why Delphyne in on Hera's side, besides being Amazon Queen, and it makes sense; the main point of this arc seems to be to get Amadeus doubting Athena (based on the solicit for #131, it's going somewhere), and they mostly pull it off, though Athena's last line is unnecessarily off-putting, particularly when you consider that she was genuinely sad about Aegis last issue. Smith's art is okay, though it's really not my favourite. I liked the final twist with Hebe, Herc's erstwhile wife; still carrying a torch for the old guy.

Thor #601

Hey, look everybody, it's Thor! Thor's back! It's been a while; Marko Djurdjevic drops by for another fill-in, this one lasting for at least three issues, which is better than the two issue last one, which proved miserably inadequate to keep Olivier Coipel on schedule. Here's hoping that, say, four issues off (over a few months more than that) will allow Coipel to get at least two issues out on a monthly basis). Anyway, Thor was exiled back in, er, January or so, was it (I honestly don't remember)? Most of the Asgardians are morons and go where Balder goes, and Balder, some cute repartee aside, gets talked into going to Latveria; the Warriors Three are not morons (well, okay, Volstagg is), and so they stay behind. And, in a transition I'm not sure I quite buy, Bill (son of Bills) is transformed by Kelda's impending departure into a mountain-climbing badass (though his decision to go with her is believable). Thor actually has something more of a personality here than in previous issues (ie, a sense of humour).
 
so far from what I've read

Mighty Avengers #24
A great issue. it shows why the Mighty Avengers are the true avengers. The are 2 great moments in the psychic plain. If you didn't like the first 3 issues of Slott's run there is something wrong with you his is the Best Avengers book.10/10

Avengers: The Initiative #23
I think this has become my favorite of the Avengers books with this issue. If you're not reading this book you should.9/10

side note these two books give you a far better feel of what Dark Reign is than Dark Avengers or New Avengers

New Avengers #52
I didn't think it was gonna be this bad. I liked the last issue, this one not so much. Most of the book is the Hood's search for Dr. Strange meanwhile Dr. Strange and the NA sit at the round table talking for 10 pages get in a quinjet and talk for another 10 pages. this issue is the real essence of why I don't like Bendis writing teams. I mean does Dr. Strange really have to sit down and explain to the NA what the Eye of Agamotto is? does he need to explain why he can't be Sorcerer Supreme/ what how the new one is chosen to them? does he have to recap that even Dr. Doom could be eligible to be the Sorcerer Supreme the the NA even though he told Wiccan last issue? I think just maybe in the over 50 years the character has existed and worked with all these heroes this stuff may have came up just once. I gotta say this is probably the worst book I picked up this week and I'm only buying it cause I like Dr. Strange and Parker Robbins(The Hood) and the whole Sorcerer Supreme thing. I wish BKV was writing a Hood and Dr. Strange story cause he gets the characters. Bachalo art was great, but Dr. Strange looked a little chubby.4/10

Detective Comics 853. This was amazing and worth the wait. I can't say I was expecting it to go where it did. I liked it, but think other people aren't going to so much. 10/10

Kick-Ass #6. I officially think this series is trash. I don't find it funny. The whole idea of the series was super heores in the "real" world thats not what this is. Hitgirl and Big Daddy are two murdering vigilante's. Hitgirl(Big Daddy's 10 year old daughter) does all the killing(with swords) while Big Daddy waits outside with a sniper as back up.... yeah real world. with all the killing and destruction these character cause you'd think just maybe a cop or two would show up.... nope not at all. this book stopped being fun after the 50 comic references in the first issue 6 issues later we still have secret origins, golder age, they're like the wolverine of our team, they have cool origins like the punisher, spidey and punisher teamed up but spidey would never do what punihser does, how'd you find me? you're not batman we followed you, and so on. This series is bland and not fun for me. There are some cool twists in the story but why did it take us 6 issues in over a years time to get there. I think this entire series has been a waste of John Romita Jr.'s artistic talents. I really wish Millar stuck with what he said this series was. He said it was supposed to be real, it's nowhere near that. this book isn't any different than any other comic book other than super heroes are just comics, but with how unrealistic the story is I wouldn't be surprised if Superman flew in and saved the day. I find it crazy that the guy writing this is the same guy writing Old Man Logan. 4/10

going back to read more be back later.
 
Last edited:
Well, the end of Whatever Happened To The Caped Crusader was interesting.

Essentially, we get a few more stories here and there of how Batman died. We then see this is Batman's near death experience in his head (called that) and the mysterious woman was actually his mother (didn't call that, I was thinking it was Death of the Endless being Gaiman and all). Basically we just get a little dialog from Batman about how his war never ends and Bruce's mother basically is like sure it does, because you're going to die eventually.

So, Batman says goodbye to his life and is reincarnated...as himself.

Now, I think you can take this two ways. I think it's not literal and Gaiman is just kind of playing homage to the continuous rebirth of heroes for whichever age of comics and that the story isn't meant literal. Second way I see it from a more literal, this is occurring inside Darkseid's Omega Sanction(or whatever) and this is him being reborn to die again. Maybe this is even the beginning of him breaking free of the sanction, since he seems to have coped with the fact that he's going to die and maybe part of escaping the trap
 
Batman can't be reincarnated because he never died to begin with. He had a near death experience for sure, but he's still alive in the past in an alternate universe.
 
He did die, but he's trapped in a cycle of death and reincarnation, which you can escape from.
 
Batman can't be reincarnated because he never died to begin with. He had a near death experience for sure, but he's still alive in the past in an alternate universe.

Well, when I say die I meant in the context of the story, whether this all in his head or he is just stuck in the Omega Sanction. Like I also said, he's reincarnated as himself, as Bruce Wayne with Martha Wayne as his mother, so I think there's meaning there. It could just a simple picture of revisiting Bruce's birth at his 'death' or near-death, but I think there's more to it then that

Also, we really don't know if this is meant to be an in-continuity story. The way it's written it can be made to fit in the current continuity just fine, but as I said, I'm not clear if it is or if it's really meant to be taken literally at all.
 
Last edited:
This is a monster of a week, some 9-10 comics that came out this week, so I will be tackling this in chunks. Which should suit the post-limit count fine.

I had been buying KICK-ASS, but with the 6th issue out on a week where I spent about $30 on comics, and after a little discussion on another topic with Teardrop, it caused me to re-evaluate buying it. In truth, KICK-ASS hasn't been wowing me. John Romita Jr.'s art is good; it always is. And to be fair, issue #5 was better than issues 3-4 to me. But in truth it usually seems like Millar 101, doing his same violent, vulgar, bleak, pop-culture-reference laden schtick that he did with WANTED, or some of his work on Ultimates. It comes out so infrequently, barely every 2-4 months, that I often forget about each issue or that I am even buying it until it appears on a Diamond list like a ghost every quarter. As someone who stayed on NEW AVENGERS or ULTIMATE SPIDER-MAN for at least over a year after I ceased liking it or had faith in the direction, I know what it is like to see a comic on a Diamond list and literally dread buying it, but feeling obligated to for whatever reason fans tell themselves; KICK-ASS had been at that point since about issue #3 with me, once I got over the pedigree of the title. I flipped through KICK-ASS #6 and it did seem like the story was going somewhere, which is good after six issues, but in truth between reprints and overorders, I have about a month to decide. KICK-ASS has it's moments but it really isn't giving me anything new from Millar I haven't read before, and it makes his FANTASTIC FOUR look like innovative, Eisner material (it's more upbeat, for one). As a comic it is above average, but with some of the books I actually like, such as THOR, rising in cost, KICK-ASS may have reached MOON KNIGHT territory, where buying out of habit isn't enough. It does show the desperation of Hollywood for anything as filming on the motion picture has started before the "graphic novel" is even finished. I remember when Mark Millar would post on blogs about he disliked industry sell-out's, and now he is the face of them. At the very least, he freely admits how lucrative it is, and it's easy to justify hypocrisy when it pays the bills or a new house. Considering this is a comic that is so arrogant it brags on the cover how awesome it is ("the best comic book series EVER!" I think the cover to issue five claimed), something not even Bendis books do, I shouldn't lose much sleep without it. And yes, I know the irony of writing a 500 word paragraph about a comic I didn't even buy.

Now for stuff I actually bought, and didn't feel bad for doing so!

Dread's Bought/Thought for 4/22/09:

DYNAMO 5 #21:
The schedule for this title has gone off the rails a bit, which may be due to either the writer Jay Faerber once writing about 3 titles at once, or because the series regular artist Mahmund Asrar gets semi-frequent work from Marvel for their space books (such as a NOVA annual, or the upcoming Gladiator stuff) these days. After running a few months behind schedule, from about the end of Jan. into Feb., we got about 2.5 issues of D5 material, so this time I am more forgiving of March being a "skip" month. It is a shame that most issues of the series have been $3.50 for about 20 pages of story, which may have kept some people off the title or just for the trades, but I have usually enjoyed it. It's not my favorite team book, but I rank it higher than most, and it's at least as good as some of the Marvel team books I get, while getting maybe a 10th of the attention and sales of some of them.

The theme of this issue is still centered around Valentine's Day, which is a bit poorly timed as this book is in April, although the theme was stronger for issue #20, which actually did ship in 2/2009. The original Dynamo 5 having reunited at the end of the last major arc, issues #0 and #20 were borderline "filler" material, but Faerber has been an expert at making "random" stories fit in later, and in truth I sometimes enjoy them for a breather now and again in comics. This issue sees Bridget/Scrap meet a guy she met at an online dating website while Hector is out on his first date with the younger Firebird after his jock half-bro Gage aggressively set the wheels in motion for him. The half-alien Myraid still seems to have secrets around him, from omitting his alien past to posing as the female Virgil for months to currently increasing his physical prowess in battle, specifically his speed.

In truth, I should have seen this coming, especially after Heinberg basically did the same story several years earlier with YOUNG AVENGERS. The streets are being flooded with a new designer drug that immediately boosts strength, but causes users to be more aggressive and irrational, thus an uptick in crime. It was interesting seeing D5 stop some berserk thugs in a park rather than costumed creeps as usual. But, still, if you can't guess what happened, here is a hint. If you have a team of superheroes and you come into a drug story, guess which member will be revealed to be a user. If you guessed the black male character, you get a gold star. Hell, even the cartoon TEEN TITANS did that with one Cyborg episode. It is something of a predictable cliche that is somewhat irritating to always see the exact same way, and I am white for crying out loud. While, yes, Myraid really isn't an "African American" technically, merely an alien who chooses that form out of familiarity, it is still essentially the same. I just always wonder why it always seems that the black male of the superhero team is usually always the one who seeks a shortcut with drugs. I suppose Gage the football player would have been the other "cliche" member to do so, but I just think it could have been better handled. Why not bring back Quake and have him be a user to get over his injuries? Faerber usually finds a way to make simple or straight-forward ideas better in execution or with a twist, but right now I wasn't impressed.

There is also a bit where Bridget meets her online date, who turns out to be a journalist. If you can also call that he's working on a story on, guess what, the Dynamo 5, you win another gold star. This angle, though, while predictable, works a little better. I mean, superhero dates ALWAYS have to involve some soap-level melodrama or plot convenience.

The best bit of the book, though, besides the part where Maddie investigates some missing men and stumbles onto the next series villain, or Gage revealing that she was a FLAG agent to Slingshot and Myraid, though, is the Hector and Firebird date. It was pretty sweet and yet unique to their lifestyle as after a walk in the park, they decided a training simulation would be spicier. I like diverse hero teams and I do like how Hector hasn't become trapped in the molds of too many Asian American heroes; he is neither a martial artist or a super-genius. He's just Hector. That's what makes him cool. He's quickly become one of my favorite members of the team.

Cinar pitches in to pencil a few pages for Asrar and will be filling in next issue, and does a good job because I didn't notice much of a shift in the art style. Once upon a time, that was what all fill in artists strove to do. Now you have Ramos filling in for Caselli on books.

Despite the appearance of one of my least favorite cliche's, I enjoyed this issue of DYNAMO 5 about as much as I usually do. It's not the best issue, but this title is usually better with finale's than build-up, which is a reasonable dynamic. It's an oft overlooked team superhero book, but not by me. I still can't explain how the 5 issue mini GEMINI has gone off the scheduling rails, though.

INVINCIBLE #61: Upon reading some reviews for INVINCIBLE #60, quite a few people online didn't care for the approach; they said 32 pages was too condensed for an event story, and it wasn't new reader friendly. Part of me thinks this is a double standard; Marvel & DC hardly are new reader friendly, and I don't mind some decompression. Frankly, the point of INVINCIBLE WAR was to upend the status quo more than being a blockbuster unto itself, so I could bare with the "rushed" aspect of it. The point of it was that Angstom Levy leads a squad of two dozen alternate reality versions of Mark and trashes the world, as well as Invincible's rep. He escapes to scheme another day and the world has to pick up after it. Kirkman was able to do that in a single oversized, extra buck issue rather than eight, and I commend him for it.

As the cover says, this is the Aftermath to that horrendous war. Despite uniting nearly every Image superhero for the battle and the clean-up, dozens of major cities across the world are in shambles, with millions of people dead, and thousands injured and/or homeless. Several superheroes are among the fallen, such as Rex Splode and the second Darkwing. Bullet-Proof, Shapesmith and Atom Eve are all fairly injured, with Eve perhaps the worst so. The stress of the situation convinces Immortal and Dupli-Kate to retire to form a family while they still can; being revived after a second beheading I guess was a "moment of clarity" for Immortal. And despite testimonials from some heroes like Savage Dragon, the world still holds Invincible responsible for the attacks, as does the maniacal Power-Plex. Mark, as well, blames himself bitterly for the global catastrophe, as well as Eve's injuries. The squid aliens from Mars also start to plan a return to form.

The situation has made him the awkward ally of Cecil Stedman again, and although Mark is ready to help for clean-up or emergencies, he declines an offer to lead a reformed Guardians of the Globe, with the cynical Brit getting the nod instead. There a few quips here and there but the tone of the book is somber, and appropriately so. Ottley, as usual, can carry that level of emotion to his pencils, too. Levy was Invincible's enemy and the worldwide attack was solely to get revenge on him. Add that in with the stuff with Nolan all those years ago and it is easy to see why Mark is tormented.

As usual, though, there has to be fuel to the fire. A scarred, massive, and seemingly cybernetic Viltrumite has arrived, with the name of Conquest. Frankly, he is the first that Kirkman bothered to name immediately; "Anyssa" needed to be named in a letters page, and most of the other other Viltrumites that Mark and/or Nolan have battled, aside for Lucan (the black dude from the Mantis World battle) haven't been named. He's something of an enforcer for the empire, there to ensure that Mark is "taking care" of Earth as his species desires, or to kill and replace him if he is not, as Anyssa warned him many issues ago. Considering Mark's emotions, though, Conquest is simply something to vent on, and quickly engages him. Issue #62 should be hardcore. While "Conquest" is a bit of a generic name for an alien trooper, he probably has one of the better Viltrumite designs from Ottley, very menacing and unique looking. And, of course, with a trademark moustache.

It was a solid aftermath issue, but in some ways felt like a good set up to issue #62, so I am more jazzed for May's issue. It will be interesting seeing Mark genuinely have to take on another Viltrumite (besides other versions of himself, of course).

AVENGERS: THE INITIATIVE #23: Quite a busy issue of this "Initiative Disassembled" arc and the first without Dan Slott co-writing. Honestly, Christos Gage has developed quite a steady grasp of the title that I find myself not missing Slott as much as I expected, as he usually fits more "adventure" stories better than darker ops stuff like this title requires. Gage, though, is more in his element.

There are essentially two stories here, and Gage does a good job of juggling all the characters, even if many of them don't speak. One part of the issue is Justice and the New Warriors there to expose the Initiative's sins to the media and give MVP a proper burial, away from clones and labs. The other part of the story deals with the "Shadow Initiative's" mission to take down Hardball and HYDRA in Madripoor, where they find themselves not only outnumbered, but the victims of poor timing.

(I know Justice's team has also gone by "Counter Force", but as of issue #22, Vance claimed they were taking back the old team name, especially as Donyell's squad just disbanded, so I'll stick with that for now. Besides, all of the members are past Warriors aside for the sole remaining Scarlet Spider/MVP clone.)

Justice of course finally gets to say his piece about the sins of Camp Hammond, and with the ever sassy Sally "Liberal" Floyd in front of the camera, the dirt on the camp comes to bare. Ultra-Girl decides to leave the group and join officially with Vance's troupe, tired of the federal game-playing. Gauntlet, a military man who "follows orders", admits his role in MVP's death after almost two years of comics and things to get a bit sordid, with some of the other heroes, such as Doc Samson, not being too thrilled. Tigra also gets in a few good lines, and honestly between the REPTIL one shot and some interviews, Gage seems to be the writer who wants to reform Tigra a bit and do something with her besides make her a pin-up cover, and that's good. She desperately needs such attention. While Gauntlet is usually a jerk who is hard to root for, he came off as human here, which was good to see. Even Trauma acknowledged his role in the "accident", even if Sgt. Green was the experienced trainer. Rather than be appalled, the newly unelected Vice Vice President Norman Osborn capitalizes on it to authorize sweeping changes to how the Initiative was run, starting with the closing of Camp Hammond. Osborn even allows the Stamford citizens to rampage a pit and tear down that Human Torch statue.

This comes at a bad time for the Shadow Initiative. Hardball now seems to be a full fledged hell, with the ex-SHIELD agent Scorpian at his side romantically and having delivered Stark's power sapping SPIN-Tech to HYDRA, which they use to take out Komodo and put the rest of her team on the run. With SHIELD being dissolved and remade into HAMMER, though, Taskmaster and the rest of his allies may not be able to count on a pick-up in three hours, and are left without options with Madripoor's nortorious duo, Roughouse and Bloodsport, stalking them. Considering the setting of the story, I was curious if we would see them, and I am glad we will. They always make good sparring partners. Just ask Wolverine, who fought them a half dozen times in the 90's.

I am curious why Scorpian is there; while conflicted, she usually was a straight-up heroine for SHIELD until now. While SHIELD is dissolved that wouldn't exactly determine she would be a giddy HYDRA loyalist. They were the ones who created her, originally. It could be "deep cover". Hardball, though, seems like a remorseless heel at this point, and while it was a real shame to lose his romance with Komodo, which seemed tender, he's becoming a bastard as a villain, the kind who you can't wait to see go down. It is worth noting that before the Initiative, he was willing to get empowered by criminals and use his powers to knock over banks, he only became a hero by pure misunderstanding. He made some crappy choices when Sen. Woodman came calling, but one may argue he always seemed aimed at this lifestyle. It was his tenure with the Initiative that was the anamoly. Even with a crippled brother with medical bills, not everyone's first impulse is to then get super-powers from the same figure responsible for said brother's misery and then attacking an armored truck. I felt very sorry for Komodo in this issue, as she hates her human form so much, which Hardball clearly knows. Poor gal needs a boyfriend who isn't a dick. That was why I was hoping Reptil could have stuck around, they could have laid eggs together.

Osborn is running the show now and Gage has given interviews that while more villains may become deputized, there will be a resistance movement led by the New Warriors with other heroes in their ranks, such as Tigra and perhaps Prodigy. Then again, if Osborn showed Prodigy respect and dignity despite being an "ex-con", something Stark's administration never did, I am curious which side he would take. The book is still selling decently, Top 40 style sales, and DARK REIGN may help add quite a few new twists to it. I am quite excited for the future of this title and what Gage will write in it. He has a solid handle on many of the characters, especially Vance and Tigra.

Ramos' art was actually pretty strong here; the inks looked a bit less rushed, and Delgado's coloring was quite good. It was probably the best drawn issue of the last three to me.

Coming Up:GHOST RIDER #34, GUARDIANS OF THE GALAXY #13, IMMORTAL IRON FIST #25, INCREDIBLE HERCULES #128, MIGHTY AVENGERS #24 & THOR #601.
 
Detective Comics #853 is pretty good. I need to read both this and Part 1 to get the full feeling of the story, but I enjoyed it. I really want to ask Gaiman if he intended the female character to be Death, but DC blanched at the idea of a contemporary continuity connection between the main universe and the Vertigo universe, so he was editorially mandated to change it and THAT'S why it was so late. It makes sense the way it is though, so it doesn't affect my feeling about the book at all.

Thor #601 is awsmazing(sic). I love Marko Djurdjevic's pencils. He brings an appreciated fantasy element that I didn't get from the seperate but equally wonderful Olivier Coipel artwork. This issue strengthened the idea that JMS can do it all: there's the love story, the back-room political intrigue, and an appreciated sense of humor. The lack of action is completely fine by me since when it does happen, the build-up makes it even cooler.
 
Detective Comics #853 is pretty good. I need to read both this and Part 1 to get the full feeling of the story, but I enjoyed it. I really want to ask Gaiman if he intended the female character to be Death, but DC blanched at the idea of a contemporary continuity connection between the main universe and the Vertigo universe, so he was editorially mandated to change it and THAT'S why it was so late. It makes sense the way it is though, so it doesn't affect my feeling about the book at all.

That would be interesting if that's the case. Does DC try to disconnect the two canons? I know Hellblazer pretty much is, but Madame Xanadu seems to be somewhat rooted in the mainstream universe I believe.

Yeah, that would be neat if that were the case. I'm always up for a Death of the Endless appearance
 
I'm glad I'm not the only one who feels that way about kick-ass.
And IMO the point of the ending of What Ever Happened To The Caped Crusader was it can be taken in so many different ways, especially considering the state Of Batman right now. Its very open to interpretation.
 
Short reviews, since I've already been talking about comics in their individual threads.

Mighty Avengers ruled. Honestly, as good as the first arc was, I could understand where people were having some problems with it. This issue, though? I can't see how anyone would take issue with anything here. It was fantastic from start to finish. I think US Agent has been my favorite character so far. I liked how he seemed more annoyed than anything else that there are actually still Nazis around when they were fighting Swarm. Oh, and Osborn exhuming one of Goliath's bones like it's nothing? Perfectly disrespectful of him. Great moment.

Thor was also great. Kind of bittersweet since it's probably gonna be another 3 months until the next issue, but still good. I'm looking forward to the Warriors Three joining up with Thor in exile. I was a little disappointed with the conversation between Doom, Balder, and Loki because, although Balder did pretty well early on, Loki ends it with Balder still looking like kind of a dope. The Wikipedia reference was a little awkward too. But everything between Thor and Blake was gold and the revelation that Loki is in Sif's body should lead to some pretty great stuff coming up. Hopefully Sif will be back soon. I've missed her.

iHerc was fun. It's rare to see a simple brawl between characters last a whole issue these days, but Pak and Van Lente squeezed enough story in around it that I didn't feel cheated. Cho and Delphyne continue to be star-crossed lovers, it seems, split by Delphyne's hatred of Athena now rather than her loyalty to the Amazons. Typhon was cool as was Hera being protective of Ares and Ares siding with the gods over the Dark Avengers simply because humans thinking they could defeat the gods was disrespectful. Looking forward to the trip to Hades. I hope Athena's not really that much of a b****, though. I've liked her so far, but her comment about Aegis? Harsh, dude. The art wasn't as bad as I expected, although Herc and any other hairy dude looked like a strawberry with all those little black lines neatly arranged in rows. That's not how body hair works, Dietrich Smith. But the layouts, figures, and backgrounds were all right otherwise.

Avengers: The Initiative was sort of predictable, all things considered. Good but predictable. Osborn's used the PR disaster of MVP's death and cloning as a means of shutting Camp Hammond down to make way for Camp HAMMER. I was surprised that the time period in which the current arc takes place is so short--HAMMER's name hasn't even been announced yet--but I suppose it makes sense. Restructuring the Initiative to keep those pesky heroes in line would've probably been near the top of Osborn's agenda. The Shadow Initiative's deal looks interesting, but I still really need to see more on what's going on with Scorpion. Hardball's a total *****e now, but that's not surprising; he was a *****e when he was still on the Initiative's side. Kind of sad about Komodo, but I'm sure they'll figure out how to reverse SPIN-tech. Constrictor's line about HYDRA having "gun guns, too" was great. :D The art was tolerable.
 
Mighty Avengers ruled. Honestly, as good as the first arc was, I could understand where people were having some problems with it. This issue, though? I can't see how anyone would take issue with anything here. It was fantastic from start to finish. I think US Agent has been my favorite character so far. I liked how he seemed more annoyed than anything else that there are actually still Nazis around when they were fighting Swarm. Oh, and Osborn exhuming one of Goliath's bones like it's nothing? Perfectly disrespectful of him. Great moment.

I have subs to this and NA, but they always come late. So they're some of the few comics that I, uh, how should I say, >rhymes-with frown-code<. I'm dying to read both of them. I would flip through them at the shop, but it's not nearly the same.
 
I frownload all my comics now a days.

I still buy the hardcopies and bag/board them and such, and store them, but when it comes to needed to know something that happened in a book from 4 years ago, it's so much easier to just scan through the scans on my computer looking through entire issues at a time rather than looking through my dozens of boxes, finding the estimated issue, then going 10 + / - of them to try and find what I was trying to find. After doing that 2 or 3 times I said **** it and just started DLing all the books I buy as well/.
 
little bit of an indifferent week in books for me.

Amazing Spider-Man 592 - ...nothing really happens in this book. it's mostly Pete's thoughts of everything around him since return with the FF and trying to get on Jonah's good side. It had some wit, and there was a preview of the new Vulture but nothing to get excited about. the only thing worth mentioning is [blackout]Aunt may in bed with Jonah's father[/blackout]. 6/10

Astonishing X-Men 29 - again...nothing happened. we wait like 3-4 months for this book and the most exciting thing we see is Storm kicks a mutant in the face. it was all science-speak that quite frankly went right over my head. i'm really failing to see the point of keeping this book around with the constant delays and insignificance to the other X-titles, and the redundancy in the cast. 5/10

Batman Detective Comics 853 - this one i liked. i heard Neil Gaiman's writing can really screw with your head, but this kind of cerebral story-telling is something i can wrap my head around. i guess you can debate how literal these events that are happening or if it fits in actual continuity taking place before Battle for the Cowl, but i like to think of it as a free telling of the impact of Batman of the people in his life. and great art by Kubert capturing different moments and even styles of Batman. i saw stuff mimicking Jim Lee's all-star, Kelley Jones's giant bat ears, and Arkum Asylum's infamous Joker. 8/10
 
Not read all of Mighty Avengers yet, but it has to get some kind of award for "best last panel" of the week. Between here and Thor,, Loki is stealing the show left and right.
 
Those were both great, but I think my favorite series of panels this week has to be Hercules' realization that Venorpion isn't Spider-Man. :D
 
Guardians of the Galaxy is so good again. The last couple issues were still decent, but they were a low point for the series. This issue brings the team back together (as a full-fledged dirty dozen now!) and gets the team moving into War of Kings in a big way. Since the team has so many members now, they split into two squads under Rocket Raccoon and Star-Lord--one to appeal to Vulcan and the other to Black Bolt to try and stop the war. Naive? Of course. But part of the Guardians' charm is how clueless they are when it comes to life in this new, Wild West-style galactic landscape. Rocket calling all the "good" troops was great, as was the telepathic joke between Cosmo, Moondragon, and Mantis. Jack Flag is living up to his potential as a great new POV character just coming into the utter madness that is his new, cosmic world, and Major Victory acts as another good POV character in the sense that he's totally clueless about a lot of the major players in this time, giving DnA a seamless way of dumping information on readers. I would call this the best look at the war so far, but honestly I can't really decide which has done the best job. Each look at the war, from War of Kings itself to Nova to GotG, is giving us such a unique perspective based on its characters that they all come together to form a whole picture really well. The art is good, although I sometimes don't like the way the artist draws faces.

Jack of Fables is part 2 of "The Great Fables Crossover," but you'd almost never guess. This crossover is getting off to a very slow start. The only crossing over, really, is Bigby and Snow showing up at the diner Jack was at (leading to a hilarious brawl between Jack and Bigby). Meanwhile, very Jack-centric stuff is going on in other parts of the book, with one especially notable identity crisis setting up what should be a very interesting future encounter in the book. At the end, Jack heads back to Fables, which sort of makes me wonder if part of the reason Willingham blew up Fabletown was so that he could bring Jack back without violating the "and he was never seen in Fabletown again" thing that kicked off Jack's book in the first place. Either way, it was entertaining even if it's a bit of a slow build getting into the crossovery goodness. I wonder if Bucky's going to draw Jack next time, since Jack mentions he's taking his artist with him to Fables. Anyway, the next part of the crossover is the first issue of The Literals, which I'm very excited for.

Immortal Iron Fist feels like it's moving very slowly due to the delays, but this issue kicked loads of ass. I sort of saw the big twist coming as soon as Danny noted that he wasn't getting any chi vibe from the supposed first Iron Fist, but it was still a good one. Sort of sad that Danny's making terrible choices left and right by the end of the issue, though. We'll see how things turn out for him. Maybe. In like 2 months.

Star Wars: Knights of the Old Republic is good but is sort of starting to feel like it's spinning its wheels. Hopefully, we actually get some juicy revelations about Jarael or Rolan or something soon. Right now it just feels like Zayne is stepping into the shoes of Han Solo or any number of the other dashing renegades from Star Wars lore, only without a clear big picture moving along in the background this time.
 
Daredevil #118 is another solid issue. The use of The Owl is nice to see. I'm cautiously optimistic about his actual role in the rest of the storyline. I really dug Foggy standing up to Matt, even if it probably is temporary. This is definitely a piece-setting issue compared to the major events of previous issues, but I'm loving every piece of this story so far.

New Avengers #52 is cool. It makes me care about The Hood a lot more than the initial NA storyline and it's coupled with a story told from the perspective of Dr. Strange. There's a lot of dialogue, but it didn't ring incorrect or cumbersome at all to me. It's more attached to humor and character building (whether one likes it or not) and I appreciate it more than I do, say, Kurt Busiek's classic writing style of recapping everything from previous arcs in dialogue, thought balloons and captions, including asterisk notations, which I like as well. I'm looking forward to where the story eventually ends up.
 
I'm loving this Elektra miniseries! It might be my favorite Dark Reign mini, and love seeing Foggy show up at the end of this issue.

I agree that Messiah War is pretty good. Great to see Stryfe back; I just hate how the events in X-Force are being put on hold, especially after the death of Boom-Boom left us hanging the previous issue.

Finally, what can I say? Brubaker's Daredevil is still simply amazing. He does such a great job with Daredevil's supporting cast; it's what fans of Spidey were hoping for year after year. If anyone could have made the Peter Parker/MJ marriage work, while telling interesting stories, it would have been Brubaker.
 
That would be interesting if that's the case. Does DC try to disconnect the two canons? I know Hellblazer pretty much is, but Madame Xanadu seems to be somewhat rooted in the mainstream universe I believe.

Yeah, that would be neat if that were the case. I'm always up for a Death of the Endless appearance
Yes, they do.
 
I was wondering about Madame Xanadu, in regards to the regular DC Universe. The last issue mentioned something about the ages of superheroes coming soon.

I'm still disappointed when thinking this comic will be getting a new artist. Part of my enjoyment of the series is the great art.
 
my store got shorted some books so i didn't get this til today.

Street Fighter IV #2 - i enjoyed it- probably more so than Spider-Man or X-Men this week. its kind of starting to make Seth an interesting characters and actually explains why he looks the way he does...even if he does look stupid. things with Crimson Viper are coming clearer, i'm liking Abel, and Dan is...well he's still Dan. plus the art is gorgeous. the book is nothing spectacular or original, but it's just good fun with characters that i love. 7/10
 
I really want to ask Gaiman if he intended the female character to be Death, but DC blanched at the idea of a contemporary continuity connection between the main universe and the Vertigo universe, so he was editorially mandated to change it and THAT'S why it was so late.
I doubt that; first, Kubert doesn't need any help to be late, and, besides, if DC allowed a brief appearance by the second Dream to his parents at the end of the last volume of JSA, they would most definitely let Gaiman do whatever he wanted with them. He's such a megastar writer, and the character's creator, that I can't imagine either Didio or Berger saying anything.
 
Dread's Bought/Thought for 4/22/09: Part Two - The G's:

GHOST RIDER #34:
A dead book walking, which is ironic considering the franchise. This is the next-to-last issue of the ongoing series before the launch of a 6 issue mini, at $4 a pop, which will cover Jason Aaron's final arc on the franchise. Quite why Marvel doesn't just keep the title around until issue #41 and cynically increase the price a buck as they have done to, say, THOR is quite unknown. Maybe they think the launch of the last arc as a separate mini will sell better in the long run; the DANNY KETCH spin off mini sold decently considering this parent title averages about 22k a month (by "decent" I mean "more than half what the parent title sells", which is decent for a spin-off, especially for a franchise like GHOST RIDER which is past it's prime). I suppose ending an ongoing after issue #41 would be an awkward number, neither even nor a multiple of 5. Still, in today's market, Marvel managed to keep a GHOST RIDER ongoing series going for almost 3 full years, which is commendable accomplishment and a rather good run by 21st century standards. Hey, that outlasts SLEEPWALKER.

The final three issues of the GR ongoing series appear to be centered around the aftermath felt by the three major characters of Aaron's run; the last issue focused on Sister Sara, the new Caretaker. This one focuses on Dan Ketch, the second "modern" Ghost Rider and the one with the most to have to redeem, having been manipulated by the mad angel Zadkiel into stripping the other Riders of their power, including John Blaze, and using it to shatter the gates of Heaven and overthrow God. I presume issue #35 will be a Blaze issue.

Often dismissed as many of us gush about stuff like INCREDIBLE HERCULES or NOVA or even IMMORTAL IRON FIST, Aaron's run on GHOST RIDER has become a quiet classic. While he hasn't been gifted with the same high caliber artists as Daniel Way was for about 17 out of his 19 issue launch (nor did he ever try to tie in with WORLD WAR HULK or THE INITIATIVE as Way did), his writing has been far superior. In all honesty, this franchise would probably be about 100% better had Aaron launched it in 2006, rather than Way. It likely would have avoided a confusing retcon to get where it is now. Even Aaron has hinted that Way's retcon was hardly his first idea of how to do a GR story. But rather than complain or two to "cancel it out", he has run with it like a biker on an unpaved trail, and managed to make it his own, telling quite a many good tales from it, cementing GR as a legacy, even. This issue in a way with a solo tale seems to serve as a 22 page example of what has made Aaron's run on the book so special and enjoyable. He knows the characters, embraces the franchise, has a far deeper knowledge of Marvel lore than he is given credit for, and can deliver a decent action sequence when pared with an artist he jives with. In fact, half the issue is an action sequence with little dialogue as the Dan Ketch Ghost Rider takes on a demonic trucker, the Highwayman.

If that name sounds familiar in Marvel terms...then you're as big a nerd as me. Back in 1983, when I was a wee lad of one but years later would find back issue bins, Marvel launched a series called U.S.1, that was probably one of the wackiest, most drugged out series you could imagine. It made NFL SUPERPRO a decade later look edgy in comparison, albeit this was probably more tongue-in-cheek. It starred a trucker who was more patriotic than 500 Captain America's; his name was Ulysses Soloman Archer (U.S.A.), he was blond with blue eyes, he only wore red, white, or blue clothes, his belt buckle had a big U.S. on it, and he rode his infamous big rig, the U.S. 1. His claim to fame was akin to Hammerhead; after a rig accident, a plate in his head allowed him semi-psychically to be able to ear CB radio broadcasts from other truckers, as well as resist psychics and control vehicles to a small degree. His truck outfitted with alien technology, even becoming space-worthy, he rode the highways for 12 issues and a few SHE-HULK issues before fading into the quarter bins of America. I am never sure whether this series was wackier than TEAM AMERICA/THE THUNDER-RIDERS was (a team of bikers who all could merge into a gestalt black-garbed biker, via mutant power).

Onto The Highwayman. In U.S.1., he was the main villain, a shadow skinned demon-looking menace to the highways who was actually U.S.'s brother, Jefferson. He also had a hi-tech death truck, the Black Rig. While he tried to get mystical assistence in trucking skills from Ancient One and Aged Ghengis, he was apparently refused and ended up empowered by aliens. He got a profile in the DARK REIGN FILES Handbook thingie a month ago. Well, GHOST RIDER #34 references all that heavily and may in fact be a quiet return and revisioning of The Highwayman. Here, he has an eyepatch and while he also has a Black Rig, he turned to Lucifer for truckin' power, and has become a demon who kills other truckers on the road, and sometimes even off it at diners. His Black Rig is apparently a vehicle-shaped demon that needs to be fed human heads to maintain his powers. The old geezer telling this story as a modern myth at such a road stop diner even references U.S. Archer, or at least did in the past. Therefore, I am not sure if this is a return/revamp of Jefferson Archer, or merely a demonic imitator. Considering Jefferson Archer tried to elicit supernatural means to power before stumbling on alien technology, turning him into a demon for Ghost Rider to fight isn't as far fetched as it seems. Even the hair/eye color seems to be the same. Normally, the idea of reviving The Highwayman as a demon trucker would seem ridiculous, but the devil is in the execution. Aaron pulls it off splendidly as a modern ghost story that is apparently viciously real (the Highwayman kills the old men in the diner after they discuss him).

Danny Ketch, meanwhile, is a man in torment. While duped, he was to blame for the destruction of heaven, the depowering of his mentor and the fall of God. All he wants to do is wallow in guilt as everyone awaits the end of the world (which the rest of Marvel is too busy shaking in fear from Green Goblin to notice). Unfortunately, it seems that while he may have taken "the curse" of the Ghost Rider away from Blaze and all of the other Riders worldwide, Ketch still has it himself. It reacts to the presence of the Highwayman and one horrifying transformation sequence later, Ghost Rider, in his trademark Ketch cycle, is blazing off to do battle with the demon trucker. It sounds hopelessly stupid, but trust me, the execution is dynamite. The art by Tony Moore is excellent, with good inking and coloring work, and while Aaron naturally scripts some effective lines, narration, and sequences, he knows that at heart this is like a horror movie, and at times the visuals have to stand on their own with minimal lines. The on-road battle between a demon in an 18 wheeler vs. a flaming skull man on a bike is quite exciting, which is no easy feat in a static medium like comics. Against all odds and despite his own self loathing, the Ghost Rider manages to defeat the Highwayman, slice him to bits, and burn his rig. But is it the end of the scourge of the open road?

I'll go out on a limb here; if you haven't caught any of this run on GHOST RIDER, or haven't read the Rider in years, grab this issue, it's still $3, and you should get a good, done-in-one supernatural adventure story and a heckuva good road battle between demons. Everything GHOST RIDER should be, and what Aaron can and has given the franchise, seems to be packed into this one issue. He knows his continuity with many hints to well versed fans yet delivers enough that newer ones shouldn't be lost. It is a well put together issue on every important level, and I don't think Jason Aaron gets enough praise, cult or otherwise, for his GR run. I could read his GR forever; not always as flawless as this issue, but always full of energy, knowledge, and heart. He understands the characters and the franchise requirements, and can deliver in spades. I sure hope he gets more mainstream Marvel work after his Rider stuff is done. Most of the other titles I read usually overshadow this one in response and discussion, but I think this issue was worth a bit of that this month.

GUARDIANS OF THE GALAXY #13: The first of a major WAR OF KINGS tie in, there's little else to say other than this is a terrific, well rounded and otherwise exceptional issue of an already exceptional team book. In fact I think two lines cover most of the awesomeness:

"I'm a time traveler, standing on a burning planet that's falling into a hole in space, while talking to a sorceror. At this point I believe in everything." - Major Victory to Adam Warlock, answering if he believes in the supernatural.

"We're going to rescue Majestrix Lilandra, restore her to the throne of the Shi'ar Empire, and topple the tyrant Vulcan. You in?" - Havok to Rocket, answering what his plan is.

GUARDIANS OF THE GALAXY rarely gets better than that, folks! And this space event isn't quite at the midway point yet! You have exceptionally clever and pithy writing from Abnett & Lanning that is actually amusing instead of pretentious (something Josh Whedon in his later work sometimes suffers, gazing at his own pedigree) while being able to juggle a roster of some 13 members as if it is no problem whatsoever, teamed with great artwork by Brad Walker. In some ways this series is akin to the "bwa ha ha" run of JLA with Giffen, DeMatteis and Maguire, where focus on adventure and genuinely funny and human comedy is equal. For those of you thinking that WAR OF KINGS is getting too serious, this title exists as some chuckle room, while still being true to the event as well as the heart of the series.

With new member Jack Flag added to the team roster, and with Phyla, Drax, and Moondragon returning from the realm of Oblivion, the team is reunited for the first time in a while. Apparently Phyla is now "The Martyr", and Mantis is worried that her new goth outfit is matched with her inability to predict the woman's future. The team makes their debut by getting into a bar fight at Knowhere ("Starlin's", a glorious nod to Jim Starlin, space master) that apparently started when some Shi'ar soldiers on shore-leave make the error of insulting the Kree Mar-Vell in front of Phyla, and the brawl escalates. Adam Warlock soon emerges and is less than impressed by a bar-fight, but of course has dire news. One of the Nega-Bombs that Vulcan detonated upon the planet Disradi threatens to tear a breach in space/time, which has to be fixed immediately. Despite not being a fan of Peter Quill's leadership style, Warlock proposes an alliance to stop the war before it tears reality apart, literally. Peter and Rocket agree, splitting the team into two squads to try to get Black Bolt and Vulcan to meet and settle their dispute verbally, before things get too out of hand.

The United Nations, and the League of Nations before them, basically had the same idea to avert wars, and in 60 years it's never worked once. Sadly, the Guardians of the Galaxy prove to have no better luck, but the results are more entertaining. There is a hilarious one page sequence with Peter and Rocket discussing team squads and tactics, and boosting each other for their galactic diplomacy mission. Half the team to Hala, the other to Shi'ar space, after fixing Disradi. Major Victory and Jack Flag serve as POV characters for each squad.

Peter Quill leads Flag, Phyla, Bug, and Gamora to have a chat with the Inhumans, the new leaders of the Kree. Expecting it to be an easy royalty chat, they're led in a delightful ceremony only to hear Medusa basically say, "No". On the other end, Victory and Adam have a hilarious discussion while trying to prevent Disradi from tearing a hole in space/time before Rocket detects Vulcan's fleet nearby and tries to zap them in. Unfortunately, only Adam gets in via magic, and Vulcan's greeting is about as sane as the rest of him. And to think, quite a few posters want Havok to spare that lunatic. "You, who are without mercy, now plead for it; I thought you were made of sterner stuff," indeed. Fortunately for Rocket, Groot, Drax, and Victory, they are picked up by a Shi'ar vessal that was just taken over by the Starjammers, hot in pursuit of the captured Lilandra. After revealing that Rocket & Ch'od are old allies, along with Corsair, it seems as if Havok is enlisting their aid in the rescue operation (or quietly demanding it). He's apparently so charged with cosmic energy that it looks like he has a small stake shoved through his torso cavity of pure energy. That sound you hear is Havok's balls dropping, and it's been an impressive thing to read; it's no secret that he looks like he wants to pummel someone on covers now. Despite "missing out" on MESSIAH WAR, Havok, Polaris, and Marvel Girl may all come out smelling rosier after WOK is said and done. I'd rather see them fight Vulcan than Stryfe (who is, basically, Rob Liefield's idea of what War Machine, Wolverine, and The Shredder would look like if they all mated, CONAN O'BRIEN style).

There's so much more packed into the issue besides the tie in story, though. You get all these characters trying to interact despite their differences. Telepathic in-jokes with three psychics, including a Commie space dog. Bug having an inferiority complex since he wasn't tapped to join Quill's original GOTG roster, as well as being disappointed that Moondragon "gets on the other bus". Peter Quill facing cosmic diplomacy missions with a pint in his hand. Jack Flag's awesome new helmet and lease on life. Drax wanting to punch or shoot anything. Giant laser canons that Cable would drool over. The works.

In fact the only thing that doesn't is still Groot. Seriously, fellas, the gag has long since gotten old. He can say other stuff. Move on.

Other than that, though, another awesome, delightful, action packed issue. Is there much else to say?
 

Users who are viewing this thread

Back
Top
monitoring_string = "afb8e5d7348ab9e99f73cba908f10802"