The Dark Knight Chris Nolan needs to step up the action.

I loved the amount of action and how it was used in BB. Personally I would love for them to pour on more dialouge, more character study, more detective stuff so when the action comes up it's even more dramatic. Think James Bond, the action serves a purpose but he's got to do the legwork, investigating and hanging out with chicks first.
 
I agree.. i always thought they could really make it interesting if Wayne and Fox were doing some detective work with DNA etc. Theres a perfect opportunity there for twists.
 
I think Joker is faster in fights and more crazy. Besides, he has gun, what Batman doesn't have.
 
Heck yeah there should be more action, and hopefully this time around we'll be able to see it, you certainly couldn't in the first one! I want Batman to kick some serious butt in the next one.
 
First if there is a batman joker showdown in this one(maybe batman will just fight joker's thugs in part 2 and the showdown with joker will be in part 3)I think that the joker should aproach batman in an unexpected way or somehow trick bats into thinking that he's hurt and then he come with a crow bar or something and slams bats. We're forgetting that he could still have some weapons of his own,it would be cool if this time he actualy sprays bats near the face and in the arm with his acid flower. This could actually then make for a great reason to update the suit with a stronger material. As the fights go BB's fights could have been much better,for TDK nolan absolutely needs to pull the camera back and cut the fights in a more traditional way. Let the fight develop in front of the camera and not take away from it.Nolan said that he used that editing style to convey the point of view of hte criminals, well begins was his introduction,now we should see more of him in the fights, at least see full body shots and torso shots not just an arm or a fist.

Besides a lot of my friends(which just casual moviegoers and not fans like me)told me that they loved BB in terms of the story and characters, but really didn't like the fights, and thta since it was the first movie people could let it go expecting that in the second movie the fights would be different, but if they weren't then many people would be bummed. Because after all regular movie goers are the ones who bring in the mayority of the cash and ultimately decide the franchise's fate also lets be honest guys,we wanna see batman do some damage and be able to see it and enjoy it, those cool kicks in the face those elbows to the jaw, we want to see those moves its part of the experience.
 
fabman said:
the action serves the narrative in batman begins...

How? it didn't allow you to follow a thing. All I wanted sometimes was the fight was over so I could see at least who punched who. I am still not sure who blocked the Wayne train controls.
 
El Payaso said:
How? it didn't allow you to follow a thing. All I wanted sometimes was the fight was over so I could see at least who punched who. I am still not sure who blocked the Wayne train controls.

Thats not what i meant
 
^ That's why I didn't quote you. That's not what you meant, that what I mean according to fabman statement.
 
El Payaso said:
^ That's why I didn't quote you. That's not what you meant, that what I mean according to fabman statement.

He took his statement from my comment about action serving the narrative,in BB the action did serve the narrative as that isn't about how well it is shot it's about if the action sequences make sense in the story and aren;t just thrown for the sake of it they actualy happen b/c the plot calls for them
 
Better action? I agree. More action? not necessary.
 
i don't understand, why can't they please fans that like a good narrative and those who like good action? is that really so hard? i mean both spider-mans have done it, the first matrix did it, the terminators did it. Is Nolan's range really that limited?
 
Begins had enough aciton, it just that it was badly filmed and edited like a student film. The fight between Batman and Razz in the train was stupid, and made no sense.
 
blind_fury said:
So when you watch the fight scenes on dvd you rewind them to watch them over and over again? I seriously doubt it.
There are very few things I rewind and watch over and over again that are not a certain scene in a certain David Cronenberg film named Scanners.
Admit it, they sucked. You can't tell if someone is getting puched in the face or kicked in the gut. It's actually fustrating to watch..
It's also frustrating to get punched in the face or kicked in the gut.

Good filmmakers make the audience feel the intensity of the moment. They aren't the kind of thing that you want to rewind and watch over and over again because they give you the feeling of actually being in the middle of a fight. Being in the middle of a beatdown is intense and emotional, not exactly fun. The fact that you feel the pain of it is what makes it so good.

I suppose you'd rather Bale shoots his bat-grapple into the wall behind a guy and there's a big lag while the guy says "you missed" and then Bale yanks out a brick and hits him in the back of the head with it.
 
Ronny Shade said:
Good filmmakers make the audience feel the intensity of the moment. They aren't the kind of thing that you want to rewind and watch over and over again because they give you the feeling of actually being in the middle of a fight.

The irony of that statement.

Anyway either way i wouldnt mind, all i know is nolan needs to have some outstanding choreography for it to be filmed from a farther perspective where we see all. That could be a downfall of the film if done sloppy. Like someone else says i dont want to see a line of baddies lining up to get socked as if they took a ticket and waited in line.
 
Ronny Shade said:
There are very few things I rewind and watch over and over again that are not a certain scene in a certain David Cronenberg film named Scanners.

It's also frustrating to get punched in the face or kicked in the gut.

Good filmmakers make the audience feel the intensity of the moment. They aren't the kind of thing that you want to rewind and watch over and over again because they give you the feeling of actually being in the middle of a fight. Being in the middle of a beatdown is intense and emotional, not exactly fun. The fact that you feel the pain of it is what makes it so good.

I suppose you'd rather Bale shoots his bat-grapple into the wall behind a guy and there's a big lag while the guy says "you missed" and then Bale yanks out a brick and hits him in the back of the head with it.

Quit being so shortsighted. You felt Spider-man's pain when the Goblin threw the grenade at him, then proceeded to pummel him into submission, before threatening to rape his girlfriend and you weren't "in the middle of the beatdown". You felt for Neo when Agent Smith was punching him at superspeed at the end of the Matrix, and you could clearly see what was happening. Nolan's style of filming fights is the cheap route to go to make you feel the turbulance of a scene. More experienced and skilled action directors can make you feel the emotional and physically effects of a fight without resorting to such cheap tactics.
 
Substance D said:
Quit being so shortsighted. You felt Spider-man's pain when the Goblin threw the grenade at him, then proceeded to pummel him into submission, before threatening to rape his girlfriend and you weren't "in the middle of the beatdown". You felt for Neo when Agent Smith was punching him at superspeed at the end of the Matrix, and you could clearly see what was happening. Nolan's style of filming fights is the cheap route to go to make you feel the turbulance of a scene. More experienced and skilled action directors can make you feel the emotional and physically effects of a fight without resorting to such cheap tactics.

I have a question... why are you on these forums :confused:
 
i want less hangliding and more grappling gun swing action.:mad:
...and then i'll be calm:)
...more fights...more explosions...more car chases...more of what every sequel to every action movie ever made already has...there is a formula and they will follow it...we've seen his introduction...we know who everyone is from the first one...its easier to make this one action heavy...but they really gotta explore Joker like burton did with his Batman...back then, was anyone really expecting to see Joker have that much screen time...while years later I have more than a few complaints with Burtons take...i have to say that was absolutely brilliant tho.:up:
 
xxshady said:
Well you seem to hate batman so.... F off or get used to the action plz.
You do know I'm not the person you were asking the question to, right?

And there was nothing wrong with what he said. If it's you that can't accept other people's opinions on a DISCUSSION FORUM, then it is you who needs to "F off or get used to it".

kcoolthxbai :o
 
xxshady said:
Please tell me how the fighting scenes are poor? Batman was much stealthier in BB.

Please tell me what stealth has to do with fight choreography. Stealth is what you use to stalk your enemies. Once you've engaged them, stealth is out the window. There was no problem in BB with Batman going stealth; the problem came when he got into fights and we couldn't get a good look at the choreography.

And the fight scene that was chopped up was intended.

How can anyone tell from viewing the final cut whether the choppiness was intended or simply the result of an editor and director who don't know how to craft good fight scenes? Too many viewers like you don't get the point. The point is that you can't tell from the final cut whether the scenes are intended that way or are just bad scenes by somebody who isn't good at fight scenes.

Question: How do you think the fight scenes would have looked in the hands of a director/editor who is lousy at fight scenes?

they OBVIOUSLY could have edited another way.

Then how do you explain the fact that those particular scenes looked no different from crappy, choppy fight scenes in lots of other movies? Are you saying all those other films were intentionally shot that way because of the artistic brilliance of their directors?

E-Mack said:
By the way it was edited, intentional or not, there was nothing there to judge.

:up: Bingo. You see, people, E-Mack is a guy with his head on straight, and everybody should listen to him - especially when he agrees with me. :) Seriously, though, Nolan has explained how he made sure the fights were realistically choreographed, based on the Keysi Fight Method. Well, so what? What good is the choreography if the audience can't friggin' get a good look at it? That's the point. If Nolan intentionally made those scenes choppy and closeup - then there was no need for any special choreography.

Gritty is what we're looking for here. Realistic, but also visually appealing. Bourne Identity took that style to a T.

Again, I'm in full agreement with E-Mack. I loved the fight scenes in Bourne Identity, but not the ones in Bourne Supremacy. Both were choreographed realistically, but in Identity the director (Doug Liman) gave us a good look at the moves, whereas in Supremacy the director (Paul Greengrass) did NOT give us a good look at the moves. Same as with Nolan's fight scenes in BB. (Unfortunately for the Bourne series, Greengrass is also doing the upcoming Bourne Ultimatum.)

Ronny Shade said:
You know what I did after I saw Batman Begins? I left the theater saying "man, those were some great fight scenes"

All that means is that you're a lousy judge of good and bad fight scenes. Watch Bourne Identity, Ong Back, Fight Club and similar films for truly good fight scenes.

Darknightnomis said:
You want mindless "over the top action" in a Batman movie go see 'Batman and Robin'.

Okay, so let me get this straight: EITHER we have closeup choppy fight scenes, OR we have "mindless over-the-top action"? You mean there's no third option? How about action that suits the story but is also shot and edited well? Why can't both coexist? I (and E-Mack and others) haven't said we necessarily need "more" or "mindless" action scenes - just better quality action scenes. Get the difference?

QUESTION for all those who think the BB fights are "good": What is the point of having choreography if the audience cannot follow the choreography and pick out the moves? Nobody has yet provided a good answer to that basic question.
 
hunter rider said:
That's an interesting point,physically Joker has never been a threat to batman he has to outsmart him,i like the idea of luring Batman into a fun house at an abandoned fairground for the showdown,with Batman having to avoid traps to get to The Joker while he taunts him,the fight itself should be short and sweet atop a moving rollercoaster with Joker armed with a knife and Batman disarming him and taking him out with precision


Mad Love FTW. I Love it.
 
ad101867 said:
I loved the fight scenes in Bourne Identity, but not the ones in Bourne Supremacy. Both were choreographed realistically, but in Identity the director (Doug Liman) gave us a good look at the moves, whereas in Supremacy the director (Paul Greengrass) did NOT give us a good look at the moves. Same as with Nolan's fight scenes in BB. (Unfortunately for the Bourne series, Greengrass is also doing the upcoming Bourne Ultimatum.)
I thought the fight scenes in SUPREMACY were infinitely more exciting and intense than the ones in IDENTITY. The car chase in THE BOURNE SUPREMACY alone was one of the best action scenes from the past decade.

QUESTION for all those who think the BB fights are "good": What is the point of having choreography if the audience cannot follow the choreography and pick out the moves? Nobody has yet provided a good answer to that basic question.
Well, there was really only one fight where I couldn't really ascertain the choreography, and that was the Ra's/Batman fight in the finale. That fight was a misstep - it should have been climactic, but it was edited in such a way that it lost all impact.

That said, I thought the fight on the docks was executed flawlessly, and I loved how the fight in Arkham was done as well.
 
Agentsands77 said:
I thought the fight scenes in SUPREMACY were infinitely more exciting and intense than the ones in IDENTITY. The car chase in THE BOURNE SUPREMACY alone was one of the best action scenes from the past decade.
Car chases are not what the topic is about though, so that's irrelevant. Hand-to-hand combat which I think Bourne Identity nailed perfectly, is what imo this franchise needs. If in all the interviews you're going to boast the added mobility of the suit, then please....show us.

Well, there was really only one fight where I couldn't really ascertain the choreography, and that was the Ra's/Batman fight in the finale. That fight was a misstep - it should have been climactic, but it was edited in such a way that it lost all impact.
The fact that there's a large thread discussing this style of editing, tells me it is an issue that isn't just minor.

That said, I thought the fight on the docks was executed flawlessly, and I loved how the fight in Arkham was done as well.
Film is a visual medium, and while the dock scene was FINE to show us how hectic Batman's fights can be, you cannot do that for the other scenes. We need to see just how good he is during the combat, not just see bodies on the floor.
 
I really hope it keeps the unique point of view/editing in the fighting scenes. The quick editing with the claustrophobic feel of close camera made it stand out in style apeal comparing with the boring/normal we saw in Spiderman 1/2, X trilogy, hulk or Superman. Stop to think about. We must support that kind of artistic aproach to the Batman mythos. It works so well in BB and I want it back in TDK.
 

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