CobraCommander said:Man... your loss dude. You're missing out on something great. And coming from you, that's surprising.
CobraCommander said:Watchmen can never be overrated. If anything, I'd say it's UNDERRATED seeing as there are many new (hell, and old) readers who have never picked it up. If you read superhero comics, you MUST read Watchmen. It's that simple. End of story. You will never enjoy sub-par comics again. Your tastes will change instantly. For the better. Watchmen is the pinnacle of superhero comics. Everything that came after is walking in its shadow.
thesaintofkille said:While I loved Sandman (all of it ), imo, Moore's run on swamp thing is THE pinnacle of american comic books.
Elijya said:um,. but he's british....
Elijya said:I'd argue that that makes teh comic of british origin, especially since I believe a number of teh artists on his run were british, too
thesaintofkille said:Edit: No matter the origin of the writers/artists, this is an AMERICAN comic book. Don't change facts.
QUOTE]
um, what fact did I change?
Elijya said:you're twisting things. Woo is just a director, only a part of the production of a movie, and moore is a comicbook writer, a full half of the creation of the comic, and arguably moreso, since he controls the story
but I agree, it doesn't hold up. I certainly don't think of preacher as a british comic, despite both garth and steve being british. probably because the subject matter is so american
I dunno, moore just kinda pervades every aspect of whatever he writes, often causing me to identify it as an "alan moore comic", and vis-a-vis, a british comic.
so what determine's a comics' nationality? where it's published? that doesn't sound right
thesaintofkille said:Edit: No matter the origin of the writers/artists, this is an AMERICAN comic book. Don't change facts.
QUOTE]
um, what fact did I change?
The fact it's an american comic book.
But yes, I do agree, when I read an Alan Moore comic, it's always because I want to read an "alan moore" comic, rather than a character title or whatever else.
And yes, i'd argue that the place where the "book/movie/comic" is publish is the nationality of the product. Moore writes for an american audience, with an american character and under an american publisher. That's what determine's this comics' nationality.
gildea said:V for vendetta is indeed marvellous (i dare say it resonates stronger for us because we're in the UK).
BUT read watchmen again.
and if you still think it's over-rated..... read it again.
CobraCommander said:Killing Joke higher than Watchmen? Wow. You sir ARE misguided. Even Mr. Moore doesn't like Killing Joke. I thought it was ok. But I really didn't see the point in it at all. Whereas Watchmen touches on more topics than I can even name. Politics, superheroes, the real world, the comics medium as a whole, war, peace... It's all in there.
If you think that the kind of story Watchmen told has been told better somewhere else, I challenge you to name where. Give me the name of the book, and I'll gladly check it out. If you can name a book with as much substance, depth, commentary, realism, and re-readablility as Watchmen, then I will stand corrected.
primemover said:Moore, for his older work, but also for his newer work, I loves me some Tom Strong, Promethea, Tomorrow Stories, Terra Obscure, and TOP FREAKIN' TEN!