When white people are more offended than the actual race that is being supposdly degraded, you know the sjw thing has gone off the rails.
I see it as the law of unintended consequences. Society has decided that primarily white people are responsible for everything so now (no matter the situation) whenever someone has "white guilt" they feel the need to over compensate to the point the "offended" people are looking sideways at what the hell is going on with those white people being offended by guilt are saying.
As you can clearly see, the "this is wrong" crowd can't wrap it around their heads that just maybe the Japanese are mostly less concerned than they are with the casting choices in this movie. That should say something about the way people are taught to be offended more than whether there is even an offense going on in the first place.
If the very people who are supposed to be offended don't care, why are all these other (mostly white) people being offended?
Throw in ignorance and miscommunication with a hefty dose of click-bait (Paramount did not so much deny they tried it as said it was never attempted on Scarlett's face, despite the claims to the contrary) and you have two Chinese but not Japanese actresses complaining about it too.
Oh, and those offended people, they love to cherry pick and ignore things in that very article.
Screen legend Joan Chen argued that the film's director should have "creative freedom," which led to a spirited debate on the panel, which also included actress Lynn Chen and was moderated by producer Teddy Zee.
"The Chinese and Japanese have adapted many works from the West," Joan Chen said, referencing Akira Kurosawa's Shakespearean adaptations. "I cannot the blame the director. Censorship is terrible for art."
It's not a defense of white-washing. It's about whether a particular story
is being white-washed in the first place. This is not a story that must be with Japanese or asian people pretending to be Japanese for the sake of appearances. Wouldn't that be even more offensive? The Japanese certainly objected to it when Memoirs of a Geisha cast Chinese actors for many of the roles of a movie about and set in Japan.
GITS is a story that was originally from Japan and is no more about Japan or Japanese people specifically than any movie about futuristic societies are.