By the time this review is posted, there                              will be sites that have broken the target embargo                              date and spilled vital information about the film.                              Since I’d like people who intend to see the film to                              go in as clear minded as possible, this review will                              be as spoiler free as I can make it.
                            Godzilla begins in 1999 in the Philippines                              where an excavation is halted due to high amounts                              of radiation found in the mines. Dr. Serizawa (
Ken                              Watanabe) and his colleague Vivienne Graham (Sally                              Hawkins) from the organization Monarch arrive to investigate                              only to find the bones of a large creature. In Janjira,                              Japan, nuclear physicist and engineer Joe Brody (Bryan                              Cranston) along with his wife Sandra (Juliette Binoche)                              called in to investigate strange seismic readings                              at the nuclear plant. After dropping off their son                              Ford Brody (CJ Thomas) off at the school bus before                              leaving to the power plant. An accident occurs which                              destroys the plant and takes Sandra’s life. 15 years                              later, Joe Brody, still obsessed with the cause of                              the accident is jailed in Japan for attempting to                              break back into Janjira which is now a quarantine                              zone. Back in San Francisco, Ford Brody (now played                              by Aaron Taylor-Johnson), his wife Elle (Elizabeth                              Olsen) and son Sam (Carson Bolde) are enjoying a quiet                              night at home when Ford gets a call from Japan to                              get his father out of custody and to bring him back                              to the US. Once in Japan, Joe convinces Ford to help                              him break into the quarantine zone and Ford reluctantly                              agrees. After Joe finds delicate files he and Ford                              are captured and are interrogated at a huge facility                              housing what looks like a giant glowing cocoon. 
Soon                              a winged creature later called a “MUTO” flies out                              of the facility and calls to another MUTO so that                              they may mate. Hearing their calls and deeming them                              a threat to the world, Godzilla sets out to destroy                              the MUTOS.
                            Gareth Edwards’ “Godzilla” is a film                              Godzilla fans can be very proud of. The smart writing                              (kudos to writer Max Borenstein), some excellent performances                              (
Ken Watanabe’s Dr. Serizawa                              is a personal favorite), thrilling score, and monster                              spectacle all add up to one awesome experience. The                              film was designed to be somewhat of a “Godzilla recruitment                              film” in the sense that it would appeal to hardcore                              fans but be enjoyed by the non Godzilla fans as well.                              I can honestly say that this strategy in my experience                              has worked. While at the press junket in NYC, I spoke                              to various journalists who were either not fans of                              Godzilla at all (it fell into the cheesy/campy category                              for them) or ones who used to watch the films on tv                              as a kid and thought they were fun but left the memories                              behind. They did nothing but sing the praises of this                              film and they smiled and their eyes lit up when they                              spoke about it to me and to each other. At the world                              premiere in Hollywood, I sat next to a woman who had                              never seen a Godzilla film before. During the film                              she started getting into it and she cheered very loudly                              throughout (and got shushed quite a few times too)                              and yelled out things like “Get em Godzilla!!” during                              Godzilla’s battle with both MUTOS. She was emotionally                              invested in the film the entire time. I’m not sure                              if she rushed out and bought all the Godzilla films                              afterward, but a fan of THIS particular film was made                              that night.
                            There will be some things in here                              that some fans might get frustrated with however.                              And yes it is true that Godzilla isn’t in the film                              as much as the MUTOS are, his history is discussed                              quite a bit and the underlying presence is felt through                              the film. The fights are a little shorter when compared                              to other films and in the Hawaii sequence, the full                              fight doesn’t happen at all. See below for a description                              of the scene.
                           
 Slight                              spoilers ahead:
                           
		
		
	
	                           
- Start spoiler: A MUTO is attacking an airport                              in Honolulu (you’ll find out WHY when you see the                              film), and there’s much buildup to Godzilla’s arrival                              (more on that later). As the MUTO trashes the airport,                              Godzilla’s feet are seen walking into frame. The MUTO                              rears back and roars. The camera pans up Godzilla’s                              body and he stares right at his opponent. He leans                              back and ROARS and then…we cut away to Sam Brody watching                              the recap of the fight on the news (which is played                              for laughs and it’s pretty funny). The Godzilla fan                              in me thought “... that’s it!? Where’s the fight!?”                              It was a bit of a tease but when the fights DO happen,                              they’re brutal, violent, and very well choreographed.                              They’re not the fun wrestling style of films past                              though. These are a little more animalistic. The fights                              get REALLY good closer to the end of the movie and                              I was very satisfied watching them. End spoiler.
                            Godzilla does use his beam a total                              of 3 times and it’s a real crowd pleaser. At both                              screenings I was at, the crowd went insane when he                              used it and in one instance, it was used “Mortal Kombat”                              style which was a new move for Godzilla and will have                              everyone in the theater going crazy and cheering when                              it happens. It’s a defining moment for the series                              and it will be THAT moment where you will be proud                              to be a Godzilla fan. The beam itself doesn’t fill                              Godzilla’s mouth as it has in the past. It’s more                              centered and it’s a warmer blue in color with little                              flame wisps coming off it here and there. When charging                              up, Godzilla’s backplates illuminate from the tail                              and then move up to the head as he charges up his                              beam. Design wise, Godzilla is a little heftier in                              the mid section but he’s no more “fat” than he’s always                              been. Then there’s the issue of the feet which has                              been a sticking point for some fans. I didn’t like                              them at first but they have since grown on me and                              it’s not anything that’s distracting anymore. It works                              for the design overall.
                            If there’s anything that seems a little                              uneven to me is that Godzilla (although inadvertently)                              kills WAY more people in the Honolulu sequence than                              the MUTO does. Hundreds are drowned and washed away                              from the water he brings in with him as he comes ashore                              yet at the end of the film, he’s deemed a hero. The                              original 
Mothra                              (1961) comes to mind where she was responsible for                              the deaths of thousands of people yet at the end of                              the film, it was as if no one noticed. All in all,                              it’s just a nitpick and is no way a detriment to the                              film. 
                           The MUTOS prove to be worth adversaries                              against Godzilla and their special power is an EMP                              (electromagnetic pulse). The winged MUTO, (which is                              a male) can produce and EMP burst while the non winger                              and much larger MUTO (female) has an electromagnetic                              field surrounding her as she moves, disabling electronics/vehicles                              with her “cone (or was it sphere?) of influence.”                              Both MUTOS are tooth and claw fighters and they both                              give Godzilla a run for his money in battle, especially                              when they team up against him. They do get more screentime                              than Godzilla but it’s not by much. It’s more to establish                              them as a threat and it works very well with the film.
                            The human characters in the film are                              smart and well thought out. As I stated earlier in                              the review, 
Ken                              Watanabe’s Dr. Serizawa is a personal favorite                              of mine because he’s the heart of the film. He genuinely                              wants to understand not only Godzilla but the MUTO’s                              as well. The rest of the performances are very well                              done and I’d also like to give special mention to                              David Strathairn’s Admiral Stenz character. The delivery                              in his dialogue is powerful yet reassuring. Special                              mention to Carson Bolde who, at is able to put on                              an impressive performance for someone so young. Carson’s                              delivery is natural and not forced and I see a bright                              future for him.
                            The score of the film, although modern                              has touches of Ifukube’s influence throughout. The                              standout tracks like “The Last Shot” and “Godzilla’s                              Victory” stand with the best cues in the series which                              also makes the soundtrack a day one purchase.
                           
- Additional notes:
-  Dr. Serizawa calls Godzilla “Gojira” yet the                                  military just starts calling him “Godzilla”. If                                  there was a scene relating to the name change,                                  it’s been cut. The first one to use the name is                                  a female radio operator and it was done in a casual                                  fashion.
-  Godzilla is referred to as a “he” in the film.
-  There are some edits in the film that leave                                  one to believe a scene had been deleted but the                                  missing information is very minor and does not                                  detract from the overall experience of the film.
 
                           In closing, I’d like to say that not                              only do Godzilla fans have a film to be very proud                              of, but so do Warner Bros. and Legendary. I’ve followed                              the developments of this film for close to 10 years                              from when it was supposed to be a 40 minute IMAX film                              and to see that it has been turned into a true work                              of art is truly astonishing and that the directing                              is that of a master film maker. For a while now, there’s                              been a phrase that has been used amongst fans: “In                              Gareth We Trust” That trust has now been earned.