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Comics Have Spidey comics passed the point of of no return?

P.S. The Gathering of Five story arc sucked as it had Spider-Man "quit" agian in a cheesy way and brought Aunt May back in thel amest way possible. If Peter found his daughter instead, it would have been a great story but bringing Aunt May back and saying "who died was really an actress brainwashed and with plastic surgery" was just insulting to the writers.

I do think GG had a few good stories in the '90s (his return was actually pretty good, as was his kidnapping his own grandson by way of decoy to look innocent), but that wasn't one of them. I really did like Jenkins' story where he tries to get Peter to kill him and they just give up on each other at the end (that SHOULD have been the last GG story).


Anyway, let me rephrase:

If One More Day ends with Peter's past radically changed with the likes of say, MJ never having married Peter and not knowing his identity and him hiding from her to "protect her," does that not qualify as jumping the shark? As the marriage marks Peter's completed journey into adulthood as an everyman who continues to go through life and trying to pretend he is still early 20-something and go back in circles and rehash stories from the '70s and '80s to me will be killing the concept of the character Lee created. He is about progression and growing not mainting a status quo in flux. That is what Quesada wants and is why the character has sucked for the last 3-4 years and these stupid ****ing events is the pretense of growing, when it is not. It is boring and hurting the character.



BTW Kraven's Last Hunt is easily the best Spider-story of the '80s. It is more cinematic than most and in it Kraven hurt Peter Parker in more ways than Venom could ever dream of. C'mon Venom may look cool but in the comics he has done nothing as cruel as Kraven did and never came as close to defeating him as Kraven did here. I mean Kraven DID defeat him in this story.
 
BTW Kraven's Last Hunt is easily the best Spider-story of the '80s. It is more cinematic than most and in it Kraven hurt Peter Parker in more ways than Venom could ever dream of. C'mon Venom may look cool but in the comics he has done nothing as cruel as Kraven did and never came as close to defeating him as Kraven did here. I mean Kraven DID defeat him in this story.
Whoa Whoa! I don't know about that! The only reason Kraven caught Peter in the first place was because he was off his game (considering the death of Joe Face and Jean De' Wolfe which was limiting his fighting spirit). In other words, Kraven got lucky. Not only that, but Spidey nearly killed Vermin up until the point in which he realized what he was doing as well as the shock of having gotten buried alive. Venom on the other hand has never needed luck to squash Spiderman. However, I agree that Kraven's last hunt was one of the best Spiderman stories ever.

P.S. I can't believe no one has mentioned Maximum Carnage. That has to be one of the worst Spiderman storylines that I've ever read. IMO, it puts "the other" to shame in terms of crappiness. Plus, at least the other sprouted an interesting villain, otherwhise known as Tracer. I only wish he wasn't killed off (or at least that is what seemed to happen).
 
I can't believe people actually arguing whats a worse retcon, Gwen and Norman passing home base or the Spider-Man people read for 20 years is not really Spider-Man. I mean putting all the crap on the world on Peter Parker is ok but god forbid someone mess with Gwen :whatever:

I'll say the clone saga is by far the worst retcon in the history of Spider-Man, even if that retcon was eventually revoked. The real problem with the clone saga, is that it just drugged on and on, The Other was crap but at least it lasted 4 months and not 2.5 years. I understand some people liked the clone saga, but I personally wouldn't rate Sins Past nor The Other below it.

I actually take back what I said, The Other is actually not readable, the only scene I actually enjoyed is MJ jumping on Morlun, all the rest is pretty much crap. Clone saga is still worse tho.

See thats what I don't understand. People say clone saga is the worse retcon ever even though it wasn't a retcon. Peter Parker was still the original by the end of the saga. GG ended up being behind him thinking he's a clone. And in the end everything went back to normal. While with The Other and Sins Past alot of things remained changed.
 
It retconned that Ben Reilly ever existed, retconned Norman Osborn's brilliant death from the '70s (though he wasn't brought back in a terrible way coughAuntMaycough) and worst of all it erased Pete and MJ having a daughter. In the few years after it they were dealing with depression in the wake of losing her, at least in the good run of Spider-Man: Unlimited where he and Dr. Conners even got in afight when Conners accidentally mocked Peter in anger about not being a parent and not knowing what it's like.

Since then he thought he'd find her, didn't and now he just acts like it never happened and he and MJ just go on right as rain and have never even thought about trying ot have a child again, which I'd like to see.
 
How did it retcon Ben Reilly's existence? He died but still existed.
I AM still alittle peeved over baby Mays kidnapping/death, but I don't blame Clone saga for that since it was never originally intened for that to happen until a certain someone decided Peter needs to be younger. That could have happened during any arc really. Clone saga just happened to have the bad luck of the draw.
 
No, it hasn't passed that point because a number of those changes aren't going to last, even if they don't get retconned. Give it a few years and I bet no one ever brings up the spider-god, Sins Past and the Stacy twins are already ignored (save for the vitriol of the internet), his new powers are also already ignored for the most part (when was the last time you saw him talk to insects or pop out the stingers?) and Spidey being in the Avengers (although I don't really have a problem with it) can be easily fixed...he can just quit, no retcon necessary. One day the unmasking will be undone and everyone will complain that him unmasking in the first place was a huge cheat because it wasn't permanent. It won't take much effort to bring back the supporting cast, or undo their changes if need be...they just need a writer who wants to use them. As far as Aunt May goes, they already brought her back, so they're in a catch-22...if they kill her fans will moan that her Amazing #400 death was a better send off, and if they keep her alive fans will continue to moan that she should never have been brought back since it ruins Amazing #400. The only thing that really needs a retcon to change is the organic webs, because you can't just ignore them like the spider-god, new powers or Sins Past. So Spidey comics may be traveling off course, but the boat isn't sinking. If Spidey can survive the Clone Saga, Mary Jane getting "blown up" in an airplane, and becoming a homeless dishwasher, he'll get through this.
 
fatboy's shock of the week era has to end in order for Spidey to get better...
 
kravens lame, lizards cool, venoms cool.....i just want lizard for 4...:p

Good reasoning :dry:

Personally I want Kraven & Mysterio for SM4.
Plus a new director /cast /script, that would make my day...
If I’m lucky I might get the first two.

Anyway- I'l read through this thread and offer my pov in the next day or two.
 
Kraven could work better with Lizard... Big game hunter... The biggest prey ever... add a pesky arachnid hero to the mix and ta-da!
but I'd like to see Electro, Mysterio, or any other classic villain before carnage and recent losers like pooplun or crapthra...
 
Okay, some may not like this, but looking back through my ASM DVD collection, I'd have to say that where things began to take a wrong turn in terms of swaying away from the orinigal core concept of the character was during Marv Wolfman's run. At the start of his tenure he did two things: he had Peter graduate from college, then had him contemplate a rekindling of a relationship with Betty Brant who, while seperated, was still married to Ned Leeds. Sure, he was in graduate school but instead of being a student he was a teacher's assistant; he had relationship problems, only this time it involved a married woman on the verge of divorce. In a sense, Spider-Man was no longer a story about a teenage superhero learning how to become an adult, it was now about an adult superhero facing the problems of adulthood. While that's fine in of itself, the whole idea that Spidey could relate to readers because he was roughly the same age or close enough to the age of the readers (high school and college students) was eroded. And while the stories during the 1980s certainly include the best moment of Spider-Man's history, Spidey kept gradually growing up to the point where he ended up getting married to Mary Jane. Granted, Spidey was always about growing up and Mary Jane certainly is Peter's perfect match, but since it's also a coming of age story, but usually marriage is the end of that story. But, thanks to the dark and gritty trend of the late 80s and early 90s, it got to the point where Spidey was so emersed in the "adult world," not to mention that the bulk of his supporting cast was either ignored or killed off, that by the time the writers got to the "Robot Parents storyline" they suddenly realized how far they swayed from who Spider-Man was and ever since then they've been trying to "get back to basics"--either through the "Clone Saga," then the "Reboot," "Ultimate Spider-Man," and very likely "One Year Later" when the concept of Spidey as a teenage superhero hasn't been the norm for at least 30 years. And of course, they feel they can't age Peter Parker any further because it will move him even further from him being a teenage superhero, especially if it involves divorce, becoming a widower, becoming a father, having an affair, having out of wedlock kids, having his kids get married, etc. so the whole idea that he's learning to grow as an adult becomes moot.

Retconning Spider-Man origin to where he wasn't just simply bitten by a radioactive spider but by a spider that was actually a magical avatar that chose Peter but who didn't have the foresight to avoid being accidently irradiated can be easily ignored. There are ways of having Spidey regain his secret identity again, although most likely could come across just shy of a cop-out, much like what happened during the clone saga. But the idea of trying to take Spidey "back to his roots" by making him as close to being a teenager as possible (espeically if he can be single)--that's where you began to see the problems really surface.
 
Okay, some may not like this, but looking back through my ASM DVD collection, I'd have to say that where things began to take a wrong turn in terms of swaying away from the orinigal core concept of the character was during Marv Wolfman's run. At the start of his tenure he did two things: he had Peter graduate from college, then had him contemplate a rekindling of a relationship with Betty Brant who, while seperated, was still married to Ned Leeds. Sure, he was in graduate school but instead of being a student he was a teacher's assistant; he had relationship problems, only this time it involved a married woman on the verge of divorce. In a sense, Spider-Man was no longer a story about a teenage superhero learning how to become an adult, it was now about an adult superhero facing the problems of adulthood. While that's fine in of itself, the whole idea that Spidey could relate to readers because he was roughly the same age or close enough to the age of the readers (high school and college students) was eroded.

I don’t think so, there was still plenty that could be related to by all sections of the readers.
Just because Spidey was no longer in full time education, did not mean he was now any further away from the perspective of the readership. Also consider the portion of the audience who had been w/ Spidey from the start- or even reading for at least 15 years. It would be likely that they would no longer be in education, and that they themselves were now adults facing adult decisions in their lives.

Spider-Man might have been defined as a teen, but a teen did not define who Spider-Man was.
It was his character, his resolve and how he dealt w/ the holes in the road that defines who he is.
Not that that he was 17.

And while the stories during the 1980s certainly include the best moment of Spider-Man's history, Spidey kept gradually growing up to the point where he ended up getting married to Mary Jane. Granted, Spidey was always about growing up and Mary Jane certainly is Peter's perfect match, but since it's also a coming of age story, but usually marriage is the end of that story. But, thanks to the dark and gritty trend of the late 80s and early 90s, it got to the point where Spidey was so emersed in the "adult world," not to mention that the bulk of his supporting cast was either ignored or killed off, that by the time the writers got to the "Robot Parents storyline" they suddenly realized how far they swayed from who Spider-Man was and ever since then they've been trying to "get back to basics"--either through the "Clone Saga," then the "Reboot," "Ultimate Spider-Man," and very likely "One Year Later" when the concept of Spidey as a teenage superhero hasn't been the norm for at least 30 years. And of course, they feel they can't age Peter Parker any further because it will move him even further from him being a teenage superhero, especially if it involves divorce, becoming a widower, becoming a father, having an affair, having out of wedlock kids, having his kids get married, etc. so the whole idea that he's learning to grow as an adult becomes moot.

Most of the 80’s early 90’s dark arcs were good, sometimes great like KLH and the DeMatties/Buscema run on Spectacular. I don’t think any of that stuff ever deviated from who Spidey was.
Maybe it deviated from what you consider a Spidey comic to encapsulate, but the core character of the comics was solid and the same guy from AF#15. He was still the same Peter Parker but he had grown up and experienced life. Consequently the arcs were configured in a different tone to the stuff from 1960’s to bolster this. Sure there was some dodgy writing like his parents coming back as robots, but you can’t knock stuff like how Harry died. It was logical conclusion to the decisions and path Harry had taken in his life, and great storytelling too.

Status quo these days is a bit of a mess, but the progression of Peter Parker as a human, and the progression of his life inc growing up mentally- which he has done, are not the root of the problems.
That’s actually one of the best things about Spider-Man comics.
 
Spider-Man was never really a teenager (Well the 616 version anyway), read the Lee/Ditko days and actually tell me this person acts like a teenager. He provides to his home, making gadgets to fight crime and shouldered huge responsibilities. Peter Parker was never a teenager, he was an adult trapped in a teenager body, and now he's an adult in an adult body.
 
I never understood Marvels problem with
Peter becoming a father. Being a parent does not make you look old now a days. With as many young parents there are in the world now a days I can only see him becoming more relatable if anything.
 
I don’t think so, there was still plenty that could be related to by all sections of the readers.
Just because Spidey was no longer in full time education, did not mean he was now any further away from the perspective of the readership. Also consider the portion of the audience who had been w/ Spidey from the start- or even reading for at least 15 years. It would be likely that they would no longer be in education, and that they themselves were now adults facing adult decisions in their lives.

Yes, but there were still new readers coming in who were also teenagers along with the long time readers, so it wasn't as though they were having difficulty in continuing the attract the younger crowd like they do today. Also, even though the readers got older and Spidey didn't, they could still appreciate the character even if he was still between 18-21 because they could remember what it was like at that age. Sure, there's nothing wrong with Spidey having to face adult decisions, that's been the cornerstone of his character since day one. Having him no longer be a student (and the thus roughly the same age as most of his readers) and involved with a seperated but still married woman moves him into makes him an adult and consequently no longer uniquely a teenage superhero pretending to be an adult, which was part of the characters appeal in the first place IMO.

Spider-Man might have been defined as a teen, but a teen did not define who Spider-Man was.
It was his character, his resolve and how he dealt w/ the holes in the road that defines who he is.
Not that that he was 17.

And I agree, how Peter Parker handled balancing his problems was more important than what his specific age is. However, I don't think one can readily dismiss the importance of the character actually being a teenager. Why? Well, put aside the whole "he's the same age as the audience" concept and think what would Spider-Man had been like if everything else had been the same except he started off as an adult who was an underappreciated chemist picked on by his fellow blue-collar workers? You would still have the lesson of "With Great Power there must come greater responsibility" but it probably wouldn't have been as effective. By making Spider-Man a teenager, someone who was never really appreciated by his peers, someone who articulated the same emotions and feelings as teenage reader who too felt misunderstood, it makes his story all the more significant. Also, he doesn't come across as such a pathetic sad-sack if he had the same problems as an adult than he does as a teenager. Plus, by starting out as a teenager, his experiences help to mature him mentally as well as physically, something that can't be communicated well when he's a full blown adult. You've also got the ultimate adolescent power fantasy, in which a teen simply by putting on a costume can be mistaken as an adult (just like Captain Marvel). Likewise Spidey's classic villains are all older than he is--the idea of a young kid outsmarting and defeating enemies who are not only stronger, but older and supposively more experienced is classic "David and Golitah," which works better if the hero is "just a kid" as opposed to being an adult.

Most of the 80’s early 90’s dark arcs were good, sometimes great like KLH and the DeMatties/Buscema run on Spectacular. I don’t think any of that stuff ever deviated from who Spidey was.
Maybe it deviated from what you consider a Spidey comic to encapsulate, but the core character of the comics was solid and the same guy from AF#15. He was still the same Peter Parker but he had grown up and experienced life. Consequently the arcs were configured in a different tone to the stuff from 1960’s to bolster this. Sure there was some dodgy writing like his parents coming back as robots, but you can’t knock stuff like how Harry died. It was logical conclusion to the decisions and path Harry had taken in his life, and great storytelling too.

Hey, I believe that J.M. DeMatties was one of the best writers that ever wrote for Spider-Man. "Kraven's Last Hunt," "The Child Within" and "The Death of Harry Osborn" were fantastic stuff. What I was saying is that, rather that the tounge-in-check tales with equal amounts of comedy and tragedy in the vast majority of Spider-Man stories, making Spider-Man "dark and gritty" was becoming more and more common place. Yeah, it's fine to do it once in awhile, but month after month? It wasn't so much as deviation but becoming the norm. It's also one of the reasons why the writers came up with the Clone Saga in the first place: to get Spidey out of the constant dark and gritty stories that were becoming all too commonplace in comics.

Status quo these days is a bit of a mess, but the progression of Peter Parker as a human, and the progression of his life inc growing up mentally- which he has done, are not the root of the problems.
That’s actually one of the best things about Spider-Man comics.

Obviously I'm all for Peter maturing as a character, but the focus should be mental growth rather than physical growth. I can accept the fact that Spidey is now an adult and married even though I think it's way past what the character intended to be. Might as well continue instead of attempting to constantly turn back the clock which has only resulted in worse problems. I'm just saying that Peter Parker/Spider-Man works better as a teenager, although that doesn't mean there haven't been great stories when he was an adult.

Guybrush said:
Spider-Man was never really a teenager (Well the 616 version anyway), read the Lee/Ditko days and actually tell me this person acts like a teenager. He provides to his home, making gadgets to fight crime and shouldered huge responsibilities. Peter Parker was never a teenager, he was an adult trapped in a teenager body, and now he's an adult in an adult body.

Well of course he wasn't your atypical teenager--that was the whole point. This was a guy who was arguably a gifted prodigy who, thanks to his being an orphan and not having enough money had to go to a public high school where he was mocked on a daily basis. This was a guy who, even though he could take care of himself, was still treated as if he were still a little kid by his doting aunt. This was a guy who BECAUSE he was a teenager believed he wasn't being taken seriously by most people, especially those who were the same age as himself, despite being incredibly brillant in science and, eventually, having all these amazing super powers. The sterotypical adolescents believes they know more than their parents, adults, and even other kids. Well, here was a adolescent who actually did and plus had the power to do somthing about it by donning a costume, cut-loose, and laugh in the face of danger. Again, adolescent power fantasy.
 
I personally think the whole Spider-God thing needs to be jettisoned altogether. It was a horrible idea to begin with that should never have been utilized. I'd retcon it by saying it's all some form of manipulation by a new (Perhaps Alien?) villain to get Parker to side with him by utilizing trickery. This could explain in continuity Peter growing more and more darker. As I recall, in the 80's before the advent of Venom, the comics were in this very same rut. All that needs to be done is create new villains that are both complex and interesting. Oh, and it wouldn't hurt to make Venom more delusional due to his cancer affecting his brain since he's been without the symbiote for quite some time counteracting the effects of his affliction.
 
Every character in the comic book industry can be made into a viable character again with an excellent creative team. Take a look at what DC did with their weekly 52 series. They took some of the best writers in the industry and let them go to town on a lot DC's lesser known characters. They actually made Booster Gold interesting. Booster Gold!

So, trust me, Spider-Man is going to be just fine. And a lot of the griping that I've read here is more of an opinion than it is so much that Spider-Man is really passing the point of no return. If the character were to be doing that then we'd know. The character wouldn't have just had a new movie released and it was the number one movie two weeks in a row. The character is doing just fine.

Creatively in the comics I have to say that there were definitely some speed bumps in the way but for the most part, ever since coming back to the comics game back in 2002 the Spider-Man comics have consistently been very well done. Artwork and writing both. JMS did Sins Past and The Other was pretty horrid. Reggie Hudlin had a craptacular run on Marvel Knights. And Jenkins Spectacular run was solid, minus the whole organic webbing storyline. There were a few clunkers but there was a HELL of a lot more quality than there wasn't.

And ever since the unmasking the Spider-Man titles have been non-stop quality and delivering solid stories. From Peter David's Friendly Neighborhood to Sacasa's Sensational...it's a great time to be reading Spider-Man. Though it's sad that all the Spidey creative teams will be leaving after One More Day, but I'm going to try and enjoy these guys while I can.
 
Spidey can come back, I mean heck let's look at Batman.

In the sixtes to early seventies that character had not only jumped the shark, but had caught a shark....with his leg, and sprayed it with Bat-shark repellant. Batman comics pulled a complete turn around and by the late 70's to 80's, Batman was a completley different character then he had been ten years previous.

The same thing happened with him in the movie, and he still bounced back.

The basic rule of thumb is, time cures everything. I wouldn't be surprised if, in ten years people are making jokes about Sins Past like they do about Batman comics in the 60's or Shumacher's Batman movies. Characters like Spider-man and Batman are too old and have been around too long for a period of a coupple of years to damage the character permanatley. Spidey will bounce back....the hard part is waiting for when that will happen.
 
What is this quality everyone says exists since the unmasking? I think the books've only just STARTED to improve, but have otherwise been refried crap.

As fer the spider-god crap, aside from Miss Arrow it's all been pretty much forgotten an' written out of the series.
 
Wow, we havent had a "the Spidey books suck and im leaving" thread around here in over a MONTH.

I guess we were about due, lol. :cwink:

Hehe... :woot:

Hmm, I think the Clone saga was pretty good. I'm a big fan of it.
You say that you had enough the big events in Spidey's life. But your favorite stories are Kraven's Last Hunt, and the J.M.DeMatteis run in the Spectacular. Those are all of big events in Spidey's life. :cwink:
The Clone saga is just continue that. JMD wrote Shrieking and the best stories of the Clone saga. I loved all of it. OK, almost all.
You want to make an end of the one big events of a year but it's absolutly neccessery. If they stop it we receive a Mackie era again, where nothing happened. That was the worst era in Spidey's life.

There are always good stories and bad stories. I will buy every and all Spider-Man story and I'll read the good ones three times, the bad ones just once. It's all.
 
You want to make an end of the one big events of a year but it's absolutly neccessery. If they stop it we receive a Mackie era again, where nothing happened. That was the worst era in Spidey's life.

I'll hardly call MJ "dying" and going to live on the street and working as a dish washer as "nothing happened". Stuff happened, they were just terrible both character wise and story wise.
 
Anyway, I digress, when I said they retconned his supporting cast I meant how Flash's entire history with Pete has been "forgotten," and Pete/MJ haven't really brought it back and they're back to square 1 with Flash being a bully and a tool from the '60s. Liz went from a friend to someone who betrayed Pete and he turned his back on her and the only people he talks to now seems to be MJ and May, which isn't bad but there is no supporting cast.

It retconned that Ben Reilly ever existed, retconned Norman Osborn's brilliant death from the '70s (though he wasn't brought back in a terrible way coughAuntMaycough) and worst of all it erased Pete and MJ having a daughter. In the few years after it they were dealing with depression in the wake of losing her, at least in the good run of Spider-Man: Unlimited where he and Dr. Conners even got in afight when Conners accidentally mocked Peter in anger about not being a parent and not knowing what it's like.

Since then he thought he'd find her, didn't and now he just acts like it never happened and he and MJ just go on right as rain and have never even thought about trying ot have a child again, which I'd like to see.

I think we're kind of confused on the meaning of the word "retcon" here. Sins Past was a retcon - it revealed something to be true about a past event that was previously unknown and/or forced some kind of new event or interpretation into previous continuity that was previously unmentioned. The return of Norman Osborn is also a retcon.

What is NOT a retcon:
Flash's memory
Liz Allen in any way, shape, or form
Ben Reilly's death
Baby May
 
Yes, but there were still new readers coming in who were also teenagers along with the long time readers, so it wasn't as though they were having difficulty in continuing the attract the younger crowd like they do today.

I don’t know how you came to the conclusion that ASM has a problem continuing to attract the younger audience these days, if this is the case however, I don’t think Marvel particularly cares.
ASM sales figures are consistently high plus the arcs these days tend to be more focused on the life/death repercussions of PP/SM recent decisions, so Marvel probably don’t care if there is not a significant percentage of the sales coming from the teen market.
Point is- ASM is selling well and possibly the current storylines are not aimed specifically at teens.
USM is designed for the teens and is filling that role.

Also, even though the readers got older and Spidey didn't, they could still appreciate the character even if he was still between 18-21 because they could remember what it was like at that age. Sure, there's nothing wrong with Spidey having to face adult decisions, that's been the cornerstone of his character since day one. Having him no longer be a student (and the thus roughly the same age as most of his readers) and involved with a seperated but still married woman moves him into makes him an adult and consequently no longer uniquely a teenage superhero pretending to be an adult, which was part of the characters appeal in the first place IMO.

Well apart from his clearly definable attributes in terms of his characteristics, Spidey appeals to many readers for a variety of reasons. I my perspective is that he probably lingered in college too long.
The character needed to progress, needed a writer who was not scared to evolve PP/SM beyond what Lee&Ditko created. Marv Wolfman was the guy who did that. He took Spider-man to the next level and the series was all the better for it, it gave ASM a realistic importance back that it had been lacking for a few years. Seriously it would be dumb if he stayed in college forever, none of us would be able to relate to him now or ten years from now.

And I agree, how Peter Parker handled balancing his problems was more important than what his specific age is. However, I don't think one can readily dismiss the importance of the character actually being a teenager. Why? Well, put aside the whole "he's the same age as the audience" concept and think what would Spider-Man had been like if everything else had been the same except he started off as an adult who was an underappreciated chemist picked on by his fellow blue-collar workers? You would still have the lesson of "With Great Power there must come greater responsibility" but it probably wouldn't have been as effective. By making Spider-Man a teenager, someone who was never really appreciated by his peers, someone who articulated the same emotions and feelings as teenage reader who too felt misunderstood, it makes his story all the more significant.

My last point stands. In contrast to your ideal scenario of having PP remain a youth forever, one of my favourite things about ol webhead is that he did age. Exactly how much more this will happen is questionable, but that’s another story. It gives the series a greater resonance and realism if it is a journey through someone’s life instead of a dumb cartoon scenario were no one ages (Simpsons?).
Also PP/SM is still unappreciated/ misunderstood- he’s on the run from the authorities right now!

Also, he doesn't come across as such a pathetic sad-sack if he had the same problems as an adult than he does as a teenager. Plus, by starting out as a teenager, his experiences help to mature him mentally as well as physically, something that can't be communicated well when he's a full blown adult.

But the point is we saw that evolution in the comics, and now Peter IS an adult.
Staying in the same status quo, age wise forever would have been dumb. I would not say his problems now are the same as when he was a youth, they are more an evolution of his decisions as Spider-man.
This takes us up to current ASM, which I think is pretty stupid because he would not be where he is now, it’s JMS fault and his crap writing.

Other problems he still encounters which I think are correctly written is the money problems he has from time to time. Since this is something we can all relate to. Well, I say that but how much exactly has MJ made during her various high profile careers?… You would think they would have enough money now to have a pretty nice nest. Well anyway, that is probably something we can all relate to no matter where we are in life.

You've also got the ultimate adolescent power fantasy, in which a teen simply by putting on a costume can be mistaken as an adult (just like Captain Marvel). Likewise Spidey's classic villains are all older than he is--the idea of a young kid outsmarting and defeating enemies who are not only stronger, but older and supposively more experienced is classic "David and Golitah," which works better if the hero is "just a kid" as opposed to being an adult.

Well, that angle of the old David and Goliath scenario does probably work better in the context of kid in a costume being mistaken as an adult,- but there’s so much MORE to Spider-Man than that.
What about how in those days Spidey was basically mocking his enemies in battle because he was nervous of screwing up, and how these days he has evolved into a highly trained and confident super powered professional, able to deal w/ way more dangerous and delicate situations than when he was 16.
What about the story of Peter’s personal life, and the story’s of the supporting casts lives? …what happened to Harry, Betty and Flash and co. That’s the stuff that I think makes Spider-man comics absorbing and unique. The MU is like a real world were times passes. By contrast Batman is 29 forever- how boring.

Hey, I believe that J.M. DeMatties was one of the best writers that ever wrote for Spider-Man. "Kraven's Last Hunt," "The Child Within" and "The Death of Harry Osborn" were fantastic stuff. What I was saying is that, rather that the tounge-in-check tales with equal amounts of comedy and tragedy in the vast majority of Spider-Man stories, making Spider-Man "dark and gritty" was becoming more and more common place. Yeah, it's fine to do it once in awhile, but month after month? It wasn't so much as deviation but becoming the norm. It's also one of the reasons why the writers came up with the Clone Saga in the first place: to get Spidey out of the constant dark and gritty stories that were becoming all too commonplace in comics.

True, in the eighties that stuff seemed to be one of the predominant themes in the comics.
Times changed and that era was left behind. Like you say it’s cool to have some dark arcs if there is a point to them, but Spidey is essentially a hipster- a feel good read.
It’s supposed to pump you up not depress you.

Obviously I'm all for Peter maturing as a character, but the focus should be mental growth rather than physical growth.

..and I believe in a bit of both. So that the series has a more realistic gravity.

I can accept the fact that Spidey is now an adult and married even though I think it's way past what the character intended to be.

This is true, but by Marv Wolfman taking that first step away from Spidey’s initial blueprint it only meant he could become a potentially more interesting and engaging character than before.

Might as well continue instead of attempting to constantly turn back the clock which has only resulted in worse problems. I'm just saying that Peter Parker/Spider-Man works better as a teenager, although that doesn't mean there haven't been great stories when he was an adult.

Fair enough.

I think he is great to read when he was a teen and also now, but I am glad he has aged.
I don’t think it’s the case that he is better as a youth or adult, although we both have a different perspective on his aging, what is most important is the person who the writer is.
Look at DeMatties and Stern- those guys have written arcs that are easily as good as Stan Lee’s stuff, yet they focused on Spidey in a different stage of his life. In fact a big part of what made them so good was that they knew how to write PP/SM as good as an adult as Stan wrote Spidey as a kid.

Well of course he wasn't your atypical teenager--that was the whole point. This was a guy who was arguably a gifted prodigy who, thanks to his being an orphan and not having enough money had to go to a public high school where he was mocked on a daily basis. This was a guy who, even though he could take care of himself, was still treated as if he were still a little kid by his doting aunt. This was a guy who BECAUSE he was a teenager believed he wasn't being taken seriously by most people, especially those who were the same age as himself, despite being incredibly brillant in science and, eventually, having all these amazing super powers. The sterotypical adolescents believes they know more than their parents, adults, and even other kids. Well, here was a adolescent who actually did and plus had the power to do somthing about it by donning a costume, cut-loose, and laugh in the face of danger. Again, adolescent power fantasy.

What about adult power fantasy? It still does it for me. I can still imagine what it would be like to be PP, it’s just now since he is an adult we can also have others layers to the central characters life that did not exist when he was a teen. That is of course when he is in the hands of a good writer.
Which he is not right now.
 
I'll hardly call MJ "dying" and going to live on the street and working as a dish washer as "nothing happened". Stuff happened, they were just terrible both character wise and story wise.
Oh, we knew that MJ didn't die. We knew this just the Marvel last try to shock us. Peter lived on the street was almost good but it was short and I read same in the Captain Marvel with Rick Jones... and it was Mackie only one good idea during almost two and a half year long. OK maybe the Osborn-Parker relationship. It's two. Yeah, nothing happened. :csad:
 
I really really think JMS and Quesada are trying to fool us BIG time. Everybody thinks MJ is going to die or disappear from the comics somehow. But i'm willing to bet my whole bank account (thats not saying much) that MJ isn't going anywhere. JMS isn't stupid enough to destroy a character who is just as important to Spiderman's history as J. Jonah Jameson. Aunt May's different, she's an old woman, and she has to die sooner or later. But what would Spiderman comics be like if not one but TWO of Peter's true loves had died or gone away? First Gwen then MJ? I dont think so, if MJ died, Peter would be a bachelor for the rest of his comic life. Trust me, MJ aint goin' anywhere.
 

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