He saved people when it was convenient for him to do so. He wasn't actively searching for people to rescue.
It seems he saved people when they needed saving, and then moved on. Not when it was "convenient". There's nothing in the movie that shows him only saving people when it was convenient. Other than the obvious convenience of him being there and aware of the incident, which Superman shareswiththefilm version.
He was also trying not to expose himself. If he flew around actively trying to find people to save, he’d pretty much already be Superman.
Hiding from humanity is part of an active choice he made as a character. His exhile is not just because he is "lost", it's an actual choice he has made and continued to make as a character until he developed beyond that.
As for finding people to save and looking for opportunities to do so…he seemed to be working dangerous jobs. Why do you think he was doing those things?
No it isn't. That implies that he was intentionally seeking out people in need of help, which he wasn't.
No, me saying “Seeking out people to save” would imply that.
“Actively saving people” means that he was, at different times, taking part in the act of saving people.
We're pretty much splitting hairs here, because we KNOW that he did it. We see it happening during the film.
Clark was purposeless. Lost. Traveling from place to place without caring
But just because he is somewhat lost does not, in itself, make him a passive character throughout the film.
MANY heroes are "lost" in some respect at the beginning of their journeys. Seeking purpose and meaning. It’s a major component of the beginning of
the classic hero quest in both literature and film.
For instance, Ra’s Al Ghul talks about how Bruce Wayne is “truly lost”, and Bruce’s actions at the beginning of BATMAN BEGINS reflect this.
And it's not like Superman stays there. This is just where his characterization begins.
No it isn't. Bruce, in BB, had a clearly defined and understood purpose: to understand how criminals think. It's not a plan that requires him to be at any particular place at any particular time. After all: crime and criminals are everywhere.
Superman also had a clearly defined and understood purpose. Hide what he could do from the world while still contributing to it as best he could. It is not a plan that required him to be at any particular place at any particular time.
When it comes to disasters and fighting crime, yes. When it comes to finding answers, becoming Superman, and making something of himself? Not usually.
He does seek out his own answers in the film. There are several sequences dedicated to this. And I think it's difficult to argue that he takes no action in terms of becoming Superman and making something of himself as his character arc unfolds.
The happy ending doesn't really jive with what came before it. That being, lots of death, collateral damage, and a man in emotional agony.
You might as well complain anytime a happy scene follows a serious one, or takes place several scenes after a serious one.
It’s not like we go from “Superman in grief” to “Happy go lucky Clark”.
There’s a serious scene that bridges the events to Clark starting work at the daily planet. Actually, there are two of them. Between Superman and the military and Superman and his mother.
Sure. But that "something else" shouldn't directly contradict what we were lead to believe about Krypton's culture.
And it doesn’t. At no point during the film are we expressly told “No one can make any other choices or acquire other skills”. In fact, the film clearly shows us that Kryptonians can do this, via Jor-El.
He also flat out said that he's just as much a victim of Krypton's stereotyping as anyone else. That's why he didn't travel with Kal-El to Earth.
But the film SHOWS us that he is not entirely beholden to it.
Yeah, no, that's lame. And it wasn't luck that allowed Jor-El to beat those soldiers. It was skill. Skill that Jor-El, as a scientist, shouldn't have possessed.
Guess what? It being lame doesn't make it any less logical.
How do you know it wasn't a combination of luck and skill? Do you have a cinematic skill/luck measuring device that you utilize for fictional work?
I don't know what that has to do with what I said.
You said: "a character's flaws shouldn't contradict the internal logic of the film."
I'm pointing out that, over the history of storytelling, character flaws are shown to affect a character's effectiveness in relation to other, potentially weaker or less intelligent or capable characters.
It's not an issue with the film's internal logic. It's a basic of character interaction.
Why? How? And how do those classes allow him to stand up to people who were born and bred to be fighters?
Why? Because at some point he wanted/needed to learn how to fight.
Maybe he somehow did a stint in the Kryptonian military at some point. The armor would suggest something along those lines...he seems familiar with Zod...there are all kinds of possibilities.
How? We are shown how.
Just because the movie does not go into a detailed explanation of this does not mean the outcome is invalid from the logical standpoint.
And if the explanation is that simple, why couldn't it be expressed through a few lines of dialogue? We were on Krypton for what...twenty minutes? Twelve more seconds wouldn't have made a difference.
I don't know. Ask the writer. My guess? Because the movie was already somewhat heavy on exposition and putting more exposition into not broader story ideas but interpersonal relationships and fairly straightforward character traits would not do the film much of a service.
Perhaps they didn't think people would question an action trope that has been seen and accepted in, oh, thousands of other films over the years. A "weaker" character defeating a "stronger" character in a dramatic confrontation.
Also, writers and filmmakers like to “show” sometimes, not have to explain every little thing via dialogue.
The soldiers had armor, weapons, and years of experience.
It's not a math problem. None of these things would preclude an actual soldier, in real life, from potentially being defeated by someone without these things, or a fictional soldier falling prey to someone less skilled.
Stranger things have happened. Even in the real world.
I don't. But if the Lucius Fox of the film is gonna beat the Batman, I'd like a better explanation than, "Because he can."
We’re not discussing Lucius Fox. We’re discussing a specific character and context. Jor-El.
And it doesn't make sense, which is why we're having this conversation.
It makes perfect sense. You just don’t accept the logical explanation that is presented, because for some reason, you think there’s a hard and fast “rule” in the film that precludes it. When there isn't.
It's also reasonable to assume that Zod, as someone who has probably spent years training, is able to productively channel rage and use it to make himself even more formidable, especially against someone who shouldn't be on his level.
And that’s entirely possible, but in this instance, he did not do so.
In this instance, he was defeated in combat.
Sort of like he is defeated in combat later in the film, even though he should technically be more skilled than Superman. He obviously has some flaws as a combatant and a character. His ego and his rage seem to be among them, per what the film shows us.