Alexei Belyakov
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Completely agree. But, it wouldn't be the first time they made a bad decision twice!

Completely agree. But, it wouldn't be the first time they made a bad decision twice!
That's exactly why I expect them to announce 2013 anytime soon.
First Class was first and foremost a learning experience in how not to release a movie.
Most people would dissagree, but had First Class opened the summer in May, it woulda made Thor numbers. Same goes for 3D conversion which has definitely been boosting the 2011 line-up's BO.
To see Thor break $180 Domestic, and First Class still stuck under $145 just bugs the **** outta me. First Class is such a better movie.
What's the difference? Even if it was a 2013 release, Wolverine still wouldn't be opening the summer.
Just last month, however, Fox announced that the film would have a new director: James Mangold, who previously worked with Jackman on “Kate and Leopold.” According to Jackman, however, Mangold was not the only one gunning for the job
“There were a number of directors who wanted to do this because we have the best script yet, but his take was the strongest,” Jackman told MTV News of Mangold. “He’s phenomenal, he’s going to really knock this one out of the park.”
While the project has a new director, it is retaining the name given to it during Aronofsky’s watch: “The Wolverine.”
So The Wolverine will join The Avengers and The Amazing Spider-man in 2012?
hey alexi, what do you think of hugh jackman's comments here? he sounds like he is aware that orgins was aweful and has learned his lesson.
http://www.mtv.com/videos/movies/675455/hugh-jackman-talks-new-wolverine-director.jhtml#id=1667785
do you think hugh is being his usual optimistic self or do you think that james mangold can really do something with this.
im hoping that like with ghost rider 2 - this is will be a reboot-follow up and not a sequel. i think that is what will happen.
I myself am hoping james Mangold can continue the work of getting this franchise back on track that Matthew Vaughn started with X-Men First Class.
You won't get a complete Wolverine reboot but I think It's safe to say you
can Ignore X-Men Origins:Wolverine.
My hope for The Wolverine Is to now have 4 quality films In the franchise(X-Men,X2,First Class and The Wolverine) and If we can get Wolverine In Full berzerker fury on screen that will determine how Truthfull Hugh Jackman Is being.
We now have an EXACT date - in this video, Hugh says it starts October 15.
http://www.ew.com/ew/package/0,,20399642,00.html
This is kind of a funny story whether you know what a 'Gigantor' is or not. Deadline reports that director Bryan Barber is so fed up with losing out on directing jobs that he has bought the rights to 'Gigantor' from an elderly man, and is placing himself at the helm of a $60 million live-action adaptation. He's being smart with the live-action approach. The animated robot route didn't play out very well for the similarly themed 2009 film, 'Astro Boy.'
[snip]
With very little to his name as a director besides the crime/musical, 'Idlewild,' Barber has found it exceedingly difficult to tap into the big projects in Hollywood. He was in talks to direct 'The Wolverine' -- now helmed by '3:10 to Yuma' director, James Mangold -- but lost out even after pouring $50,000 of his own money into a presentation for 20th Century Fox that gave them a good idea of his vision for the film. They liked it enough to reimburse him for the troubles, but no further than that.
“You could actually just tell a story about this amazing character from the start, just the way they do when you really read a comic,” Mangold said via telephone Friday. “You don’t have to spend the first hour saying how they were born; you can actually just find them in an emotional space, in the middle of action, and what happens is you’re not crowded with cutting to nine other action heroes. You can really make a movie about this dude.”
Eventually, that media buzz died down, enabling Mangold to get a better look at what he might be making if he agreed to helm “The Wolverine.”“I spoke to Darren a bit about it before I ended up taking it on,” he revealed. “But I will tell you that when Darren stepped off, I was in the middle of doing a lot of other things, and when it was brought up to me, I actually didn’t even consider it for the very reasons you’re talking about. It was, oh, who wants to do that, and follow that, and I could hear all of the media swirl about it.”
“Several months went by and I hadn’t even really read it, and later when they came back to me and I kind of took it in, and a lot of that hand-wringing had kind of died down,” he explained. “What I saw was some really promising material, and to me an interesting character played by a great friend of mine who’s a terrific actor, Hugh Jackman.” (Mangold previously worked with Jackman on “Kate & Leopold,” an unconventional romantic comedy he wrote and directed in 2001.)
Mangold said that he was intensely drawn to the locale of the film, which was not just markedly different from the first film, but an environment in which he felt like audiences hadn’t seen a superhero movie take place. “It’s a kind of adventure following such a unique character also in a really unique environment,” he said. “I mean, the fact that half of the characters in this movie speak Japanese, this is like a foreign-language superhero movie that’s as much a drama and a detective story and a film noir, with high-octane action as it is anything like a conventional tentpole film.”
Mangold also said he was keenly aware of the conventions of the genre he would be exploring, and felt he’s been able to turn it into a more unique story than most other superhero movies demand.“Mark Bomback and myself have done a tremendous amount of writing on the movie,” he revealed. “There’s not a page that hasn’t been worked and reworked and rethought and story-boarded. So it just is what it is; I mean, you kind of the part of connecting to the movie and developing the scenes and finding the locations and devising the action is all about not only making it good, but also in the process making it your own.”
“I think part of the reason I’m doing this picture has been because it isn’t to me a conventional superhero movie. It isn’t an origin story, so I’m freed from that burden, and it also isn’t a save-the-world movie, which most them are. It’s actually a character piece; I actually think it has more in common with ‘The Outlaw Josey Wales’ and ‘Chinatown,’ what we’re doing, than the conventional, ‘will Wolverine and his compatriots save the world from this thermonuclear device’ question.”
Ultimately, however, Mangold insisted that “The Wolverine” would focus on the ideas that are at the core of the character, even as he delivers a visceral, intense, and entertaining film.Mangold said that he wants to take advantage of those fish-out-of-water opportunities, and then combine them with storytelling, and of course, action sequences which maximize the influence of the world around the characters. “I think that this movie is much more an intense psychological and action-packed character piece, that’s much more about Logan getting lost in this very unique and insulated world of Japanese culture, gangster culture, and ninja culture,” he said. “The fighting is going to be unique because it’s all influenced by Japanese martial arts.”
“I think more than anything, it’s a character piece, asking really interesting questions that are what pulled me in about what it means to be immortal. What is it to live forever, when you lose everyone you’ve ever loved? Either you watch them get killed, or you just lose them by attrition. What is it to feel the burden of saving mankind through all of its mistakes, over and over and over again. What’s the toll it takes on you as a living being that is somehow living this Frankensteinian, eternal life? And there’s a lot of interesting dramatic questions we’re going to deliver on as well as some really inventive action.”
In fact, Mangold said that because he’s unfettered by considerations of back story or ensemble plot lines, he’s optimistic that his film will finally deliver the Wolverine story that fans have been asking for since he was first brought to the screen. “I like to think that we’re out to make that Wolverine movie that people have been looking forward to seeing, which takes on some of the darker and more intense aspects of the character, and his own journey, that have not necessarily been possible in the origin story that they did or obviously when he’s sharing so much time as a character with so many others in X-Men.”
http://blogs.indiewire.com/theplayl...ne_a_dark_character_piece_like_eastwoods_the/“It really just was a simple choice,” he admitted. “Do you want to jump on board and take this thing on, with such a cool environment and a world, and this moment when they might actually explore the character? [And] there was so much intriguing in there that I thought could be mined and something really interesting done with it.”