She's one of my favorite characters as well second only to Superman, and I've always been in favor of the battle skirt. Other than that, in TWO YEARS Joss himself said he never so much as completed an outline never mind a full script, so I'm not sure what Timm means. And personally I think Millar is overrated so his opinion doesn't hold too much weight with me. Not to mention I'm a HUGE Whedon fan and absolutely love Buffy, Angel, Firefly and Serenity and am eagerly anticipating Dollhouse. So I was disappointed with everything I heard him say when he seemed such a perfect match. I've started my own Wonder Woman script, and have sent it to a few people so far, some hard core WW fans, others novices all seemed to enjoy it so far and I don't find it hard to write at all. When it's done I fully intend to post it on here.
Now here's what mainly turned me off
Some plot points from Whedon's Wonder Woman.
http://www.avclub.com/content/interview/joss_whedon
VC: Can you say anything about the plot you had in mind for your version of the film?
JW: Well, I'll tell you one thing that sort of exemplifies my feelings. The idea was always that she's awesome, she's fabulous, she's strong, she's beautiful, she's well-intentioned, she thinks she's a great big hero, and it's Steve Trevor's job to go, "You don't understand human weakness, therefore you are not a hero, and you never will be until you're as helpless as we are. Fight through that, and then I'll be impressed. Until then, I'm just going to give you **** in a romantic-comedy kind of way."
There was talk about what city she was in and stuff, but by the end, she had never actually set foot in America. Wonder Woman isn't Spider-man or Batman. She doesn't have a town, she has a world. That was more interesting to me than a kind of contained, rote superhero franchise. I think ultimately the best way I can describe the kind of movie I was wanting to makeit was a fun adventure, not gritty, or insanely political, or anything like that. There was meat to the idea of, "Well, why aren't you guys better? What's up with that?" Her lack of understanding of how this world has come to this pass.
My favorite thing was the bracelets. I mean, the bracelets are cool, but how do I make that work? In the original comic book, they needed them because they fire guns on Paradise Island. I don't think I'm going there. So, I thought about it for a while, and I realized, "Oh, right, this is how this works." So in my version, she left Paradise Island with Steve, who was a world-relief guy bringing medical supplies to refugees, which is why he was so desperate to get off the island. She goes with him, and the moment she sets foot on land outside of Paradise Island, somebody shoots her in the chest. And it hurts. [Laughs.] She's just so appalled. And obviously, she heals within a few hours. She pulls the bullet out herself, and kind of looks at it like, "What the hell is this?" She heals, but she's appalled and humiliated, and the next time someone shoots at her, she puts her bracelet in the way because she's terrified of getting shot. It's just a reflexive thing. She has these bands that they all wear, just a piece of armor, and she puts it up. And then she gets good at it. By the end, it's kind of her thing, but it's because she got shot one time and didn't think that it was awesome. I think that is probably not the feeling the producers wanted to have. Though honestly, that could have been their favorite thing. I don't know, because when I asked Joel Silver, point blank, "Well, if they don't want what I'm doing, what do they want?" he said, "They don't know."