When it opened on Broadway in 1987, "there was a slew of interest in doing a film," says the savvy impresario also behind the record-breaking runs of The Phantom of the Opera and Cats. But delays got in the way.
Mackintosh, however, believes the wait was fortunate. For one, technology has improved to the point that actors are actually performing the sung dialogue and songs live rather than miming to a pre-recorded track, as is usually the case with movie musicals. For another, there is a whole pool of stars these days capable of carrying a tune.
"We have found actors who naturally express themselves through music," says Mackintosh, who opted for mostly big names. "Did a Hugh Jackman exist 25 years ago, someone with that experience both on the stage and in the cinema?"
Jackman also believes the moment is right, given the popularity of TV's American Idol and Glee. "I think, generally, among younger people, musicals are cooler," says the Tony-winning actor, whose recent one-man Broadway show allowed him to get in shape vocally for the demands of his role as ex-convict Jean Valjean.