I was pretty surprised that was even attempted to be honest.
Ignoring a good amount of mcu trailers(See ironman 3/TDW) do the serious/dark pull the wool over my eyes thing. That anyone see's a trailer like the MOS ones and doesn't think that there will be plenty of stuff that simply isn't the trailers is beyond me. humorless and murder and death death death. I look at xmen movies with their end of times trailers...then think of all the fun and optimism. Every transformer(s) trailer vs their movies.... No way man. As for how antip that movie was, i vaguely recall the early tracking not even hitting 100, and this is after ironman films would dance backwards over that line, neither here nor there I suppose.
There's so much moving the goalposts in this discussion. Critics don't hate dark, serious superhero films. There are many fitting that description that have been very well reviewed (Logan, Days of Future Past, Nolan's Batfilms and others disprove this). That's an odd argument to make in the first place since snobby critics have a reputation for showering dark, depressing films with praise and not liking upbeat popcorn films.
It's not about 'serious'. I think a non serious cbm in this day and age would have a hard time getting through. None of these are films spoofs, even ant man is 'serious'. Deadpool is a debate, but even still.
Cutting to the chase it's all of the above and in particular when it comes to SUPERMAN. How many pundits and studio heads are speaking of 1. Otimistic 2.Hopeful 3. Inspiring 4.humor 5.joy. 6.Cynicism....
It's not about how serious a film it is. Even donner's was serious.
Bringing up Logan and Batman, films that are seemingly allowed to be like their accepted source material in a discussion as to why a 'grim dark' superman is getting over criticized for just that and for not being like it's so called material, seems like the best way to un prove ur point tbh. No one here is calling the dceu films master pieces and beyond criticism, that something is a large factor, and ironically even a poor film could get a pass on having fun or being material accurate. A factor. There are people here that argue the only criticism comes from form/writing/performance alone. As usual, one takes alot of believe, the other not so much.
I just found out MOS(one of these steaming plies) got the same and or better avg scores than fresh films in the same genre, that should suggest after the blogger gave the film a positive score, there was something missing. The head of RT, the real head is on record criticizing mos for 'good movie, just not a good superman one', on film. And now it's nothing but tweets about what these films have been missing? And they go on to explain what that thing is? A factor!
I mean does anyone think, if they produced a Superman film as 'good' as Logan with the same plot(as much as they could), tone, hopelessness and death and R rating, lack of bright(more so than even supermans) costume, that it would get the same or better score? Or would there be a dissent that it's a horrible direction for superman. People here actually believe preconception to tone and such don't factor heavily...great, but then go on to claim people that do the names. It's a bit much* imo.
But that's just my opinion.