Kokoryu1
Violence Advocate.
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Actually, it is very, very, hard. First off, let's point out the obvious; the comic had hundreds of issues, spanning years to develop and fully flesh out great, complex subplots and histories for each of the major players. The movie, on the other hand, has between 90 to 180 minutes (though I'm betting it won't go much beyond 2 hours) to tell its story from start to finish, covering the central plot, introduce the major characters and all subplots. Then, there's the part where what works in comics doesn't necessarily translate well into other mediums, making it unwise to give a direct translation, especially given the different eras between the original and the adaptation where social norms and politics have changed.
That's very poor logic. Using that philosophy, things would never improve. Take for example, our internet connection. If we didn't try fixing things that weren't broken, we'd all still be using dial-up. Come to think about it, we wouldn't even have internet since we'd still be swinging from tree to tree, picking berries to eat. Considering monkeys haven't become extinct, it's clear that our pre-hominid ancestors' lifestyle clearly wasn't 'broken' and thus they shouldn't have 'fixed' it by evolving.
Interesting point.
1. As far as evolution, that's a natural process. As humans we have little say over whether we grow a third eye for night vision or if we men lose our nipples for lack of use or necessity. We do have reign over our creative process. If we drew an ipod on the Mona Lisa, is that desecration or modernization?. If I rewrote the bible and Moses was emailed the ten commandments from a blogger called the Burning Bush is that sacrilage or artistic license? If Citizen Kane were remade and Rosebud was now a pimped out Coupe de Ville, is that vision or being comtemporary? And please don't try do disavow my examples here. After all you did try to extrude a wanton disregard for change and deevolution from my "If it ain't broke" comment.
2. Terrorism is even MORE relevant today than it was in 1982 when G.I.Joe The Real American Hero line was first introduced. So yes of course times have changed. Until April, 18. 1983, when it really struck home, terrorism was something we saw on tv happening elsewhere. It barley touched the majority of us at home.
3. Maybe you misunderstood what I said. Would it have been too difficult to have Larry Hama script a condensed and sensible version of the comics without writing a story that included every single plot involved in the comics to be made into a screen play? Why not use the first few issues as a basis for the first movie and other stories arcs for subsequent film? As the paying public aren't you worth a little effort by the studios?
4. I never expected a complete and utter translation of the comics. No one does. With budgetary constraints and other variables constantly present that would be impractical. However, successful examples of translations do exist as well as failed attempts. Batman Begins was an excellent Comic translation. Almost dead on. Almost. Some of his back story was edited, Yes. But not so much that you barely recognized the finished product. Fantastic four is a bad example because they mangled the story line too much and involved too much camp. The Crow was and is, in my opinion, the best comic book / movie translation ever because they kept to the core of what drove Erick Draven. Punisher was a horrid translation because they altered his story far too much, read Punisher # 1 and his limited MAXX series and you'll understand actually why he became the Punisher. Transformers was a bad translation in general because of poor story. Had they kept more of the original Tf comic in a better story it would have been. Iron man ,from what info I've been privy to, is going to be an excellent translation because the story is updated for modern times but doesn't dissolve Tony's character with a non sense history that the comic reading populace doesn't recognize (I won't comment on Spiderman and Daredevil because I know so little about them as Batman, Iron Man and Punisher were and still are my favorite comics aside from G.I. Joe). Starship Troopers is my final shining example of too much change. Robert Heinlen would be disgusted if he had seen that trash. Where were the powered suits of armor that were so integral to the story? Why were Key members of the story changed? So much was missing from that farce that to call it Starship troopers is an insult to the Heinlen name. Read the book then watch the movie and you'll see exactly what I mean. So could they have done a decent translation? Most assuredly. This rubbish they're pushing off is completely run of the mill and so diluted that you could literally replace any of the characters rename it and the general public would be none the wiser.
5. Change is fine if only to contemporize a property but a complete altering of it to fit someones "Vision" is unnecessary and will alienate the fanbase. And that is why this endeavor will ultimately fail and may well doom the franchise in doing so.
If you need a hammer and are given a rock, do you accept it? They can both drive a nail but it's not what you expected and you know that inherently the original is better suited for the task at hand. Accept no substitutes.