After a lot of sound and fury (especially from your's truly) about this film, the day of release is upon us. Does NEXT AVENGERS deliver on the goods, or is worthy of the nickname "Avenger Babies"?
I managed to rent this during a very long lunch break at work so I got to see it sooner than I expected, and had some time on the commute to stew a bit over it.
Coming into this flick, INVINCIBLE IRON MAN stood as the worst animated DTV from Marvel & Lion's Gate. After NEXT AVENGERS, it still is. But probably because the expectations were a lot higher. I expected a B+ quality product from IIM and instead it was average, C+ level fodder with clunky CGI effects and long gaps in story (not to mention a sucky villain). NEXT AVENGERS is superior to that at least, but is not as enjoyable as ULTIMATE AVENGERS 1 & 2, or DOCTOR STRANGE, or any of the DC animated DTV's besides SUPERMAN: BRAINIAC ATTACKS! (which was so bad I have yet to see beyond the first 20 minutes, not even to bash it). Even TEEN TITANS: TROUBLE IN TOKYO was miles ahead of NEXT AVENGERS. The best moments and bits about NEXT AVENGERS come in spite of the kids and despite some fun details, this simply reeks of a product conjured together in some board meeting of executive hacks trying to imagine what kids want from the perspective of guys pushing 40 (at least). The result is cookie cutter superhero action that could be found in many pilots, accepted and rejected, out there.
From here on out, FULL SPOILERS! If you want to be surprised, PROCEED NO FURTHER!
The trailer in which an elderly Tony Stark tells "The Last Avengers Story" to the young cherubs he looks after is in fact the opening sequence of the movie. At 78 minutes there is some dead space but fortunately the plot keeps moving. It just is all over the place and these "bold new characters" come off as tired cliches who can be pushed aside at a moment's notice in favor of a "true" character, such as Iron Man or Hulk. The latter appears in the second half of the story without much fanfare, as if by obligation.
12 years after, seemingly, the fall of the Avengers by Ultron, Tony Stark has raised their children (James, Azari, Torunn, and Pym) in relative isolation. He has trained them in how to use their powers somewhat and they spend their time either playing games of tag (Pym & Azari), mourning a missing father (Torunn), or lazing without any sort of direct focus (James). The fact that James is the son of Captain America and Black Widow is hardly a surprise pairing because Craig Kyle has worked on the screenplay or production of all of these DTV's including ULTIMATE AVENGERS that started it. Pym of course is the son of Hank Pym & Janet Van Dyne, and is apparently unworthy of a first name, as he is called nothing but "Pym", even in the credits. Azari's father is of course Black Panther, and while due to the fact that FOX owns the rights, they can't say that his mother ("the queen") is Storm, he does have electricity based powers. Torunn is of course the warrior girl daughter of Thor and...uh, Thor. I guess Norse Gods produce asexually.
Right from the start, these kids are tired stereotypes we have seen a million times before. The target audience for this flick may very well confuse this with TEEN TITANS, which was by far superior. At least when that show was being fluffy and stupid, it was trying to be so in a new or bizarre way. This stuff verges on stock. A black male hero with electricity powers has become a tired cliche; it is as if a black character can have no other non-physical powers besides electricity. Pym is the annoying jokey character who actually makes you yearn for Beast Boy at his worst. Torunn is the "fish out of water" not unlike Starfire, with a warrior's heart and an awkward dialect. James goes through all of the stock motions of young leadership, from laziness to awkwardness to emo-ness to finally chest-beating heroism when the plot demands it, you will swear you saw this movie already.
What I fail to understand is how these stock cliches seemed at all original to professional writers and cartoon people who have worked in the biz for years now. Why not twist some of those cliches? Instead of Torunn being all she-warrior, why not make her a shy bookworm (and a tech geek)? Why does Azari have to be a boy? Why not throw in more gimmicks for James from Black Widow besides the red hair (such as wall-crawling or even the "Widow's Sting") instead of the cliche Cap energy shield? Why not make Pym a stoic professional, the opposite of his emotional, often unstable father? Or even make him the rebel instead of the Hawkeye kid? I could go on and on, and this is on the fly. Why when there was a wealth of young hero characters from the comics to use, from MC2 to YOUNG AVENGERS, do they just create these stock stereotypes, go through the motions and then pretend it is original? This stuff was played out in 1998, much less 2008. For god's sakes, if you're going to make original characters, make them ORIGINAL. Don't just feed us the same cyphers and then pretend it's unique. It isn't. And even children will see it.
Not only are these kids often annoying, especially Pym, they are often inept, especially James. He is the one who accidentally summons Ultron to their home and begins the entire chain of events, of which half the time only luck or Ultron's underestimation of them allows them to live. But, I am getting ahead of myself.
The plot gets underway when a damaged Vision intrudes on their paradise and gets Stark's attention. The kids snoop when they shouldn't and James ends up accidentally triggering Stark's "Iron Avenger" robots, which attracts Ultron's attention. Quite why Stark had robot copies of his dead friends is unknown; in theory they could be seen as a last-ditch defense, but then Stark goes on about how Ultron can "corrupt" technology, hence why he never used them. So why have them at all? This brings Ultron to the area, which is hidden in the arctic. Iron Man seemingly wages a last ditch battle to allow the kids a chance to flee to safety with what is left of Vision. Over the course of 12 years, Ultron has taken over much of the world, including "Ultra-City" which is where New York City used to be. The kids decide to rescue Stark, which of course fails and allows them to be rescued by Clint Barton's son, Francis, who also goes by Hawkeye and in true "rebel" in animation fashion, has white hair and black clothes. Ooooo, trendy. He has a thing for Torunn, but it goes nowhere.
Hawkeye runs a stock "rebel" group that exists in every single post apocalyptic story known to man. He was unaware of fellow Avenger babies and is resentful that they never helped him out before. Fortunately, he decides to rescue the kids when they waltz right into Ultron's lair and into his trap. Ultron has this weird lair that seems to move about like a puzzle assembling itself, which looks cool but allows intruders to enter and exit easy; probably the worst design choice since the Death Star's "HIT ME HERE!" target in the original STAR WARS. Conveniently, among Hawkeye's rebels is an elderly Betty Ross, who figures the best idea is to find Bruce Banner and manipulate the Hulk into tearing Ultron a new one.
And guess what? That works. Completely. So how the hell has Ultron taken over the world and no other Avenger in over a decade could figure that out? Stupid, stupid, stupid.
The kid characters naturally resolve their dilemmas in predictable fashion. James becomes a true leader, even claiming his father's cracked shield. Torunn eventually learns her father Thor really is looking out for her (just not enough to actually, like, come down and fight and be COOL and stuff). Pym turns out to save the day in the end anyway. And Azari....well, his background story was admittedly left on the cutting room floor by the production team, so he does little but offer a balance between Pym's foppishness and Torunn's warrior-credo. At one point Torunn loses her will to fight when she loses her Norse sword, which is supposed to be dramatic unless you are over 5 and thus have no clue she will get it back in the end. Pym spends the entire movie shrinking until the plot requires him to go "giant size", but instead of being dramatic, it comes off with a "what!? Um, ooookay" kind of appearance. The battles look entirely more generic than they should and the fact that they are all exclusively against robots almost seems like a white flag to the soccer moms of America.
The Hulk's insertion comes off as completely obligatory because enough is not done to connect him to the Avengers. Tony simply calls him "a monster" and in the context of the show may never have been an Avenger. The entire film was moving towards the kids avenging their parents, but they DON'T. They goad the Hulk into doing it for them. And most of the final round against Ultron is off-camera, a dramatic NO NO. Could you imagine the JLU crew being so foolish? They had Superman fight Darkseid THREE ****ING TIMES and still managed to make it awesome EVERY TIME.
There are other niggles. At some points the kids seem to know their parents were actually the Avengers and other moments this knowledge surprises them. The animation is barely a notch above Saturday morning TV and you can see where frames of animation were chopped for some running sequences. Ultron has taken over much of the world, but when a threat emerges for him, he has no option but to appear personally and "corrupt" Iron Avenger robots that happened to be there; he has no drones of his own. Even DOCTOR DOOM in FANTASTIC FOUR: WGH had Doombots. Heck, even Dr. Doom in the Roger Corman FF movie had Doombots.
Perhaps the biggest shocker and spoiler is that in this film, Ultron's creator was Iron Man. They completely stole part of Pym's legacy from him and could have done so much more with that kid if they kept his father's dark secret. Instead they decided to strip away most of his heritage, keep him an annoying dweeb who tries too hard to be funny (and fails every time) for more Iron Man fame. It also provides a dues ex machina for why Ultron bothers to capture Iron Man rather than just kill him, but the movie offers a PERFECT resolution for this when Ultron seeks to interrogate Stark about the "new kids on the block" to get data. That makes perfect sense. Why screw up Ultron's creator for no damned reason!? Hank Pym is only well known for a few things and NEXT AVENGERS robbed him of that.
I also said that before something akin to the movie's best moments likely being in spite of the kids, rather than due to them. This much is true. Ultron creator issues aside, there are a lot of tidbits for fanboys to pick out. This is easily the best version of Vision we have ever gotten, from design to lines to acting from Shawn MacDonald. Tom Kane, who voiced HOMER in the 90's IRON MAN series, also does a good job with Old Man Stark. There are allusions to past comics, even to the point where Torunn robs her father's "Ultron, we would have words with thee" line from the Busiek/Perez run. Quinjets, Clint's personality, Jocasta, and more all get nods and mentions. Which is fun on it's face, until you realize they are alluding to things that we have never seen faithfully transfered in any media form, and thanks to tripe like this, or the Ultimates, we never will. Ever. Rather than deliver a 616 Avengers product, they tease us with hints and nods along a generic kiddie adventure. Why it is rated PG is beyond me; I've seen Disney get away with far more violent and dark stuff at G (HERCULES comes to mind, as does TARZAN).
Y'know what really gets my goat? Usually what has plagued the Marvel/LG animated films has been focusing so much on the hero(es) that the villain is either non-existent or an afterthought. ULTIMATE AVENGERS just had aliens to slaughter before the Hulk fight at the end. ULTIMATE AVENGERS 2 had Herr Kleiser, but he was always a Red Skull Lite and had an anti-climatic death. Mandarin and the Elemental Warriors in INVINCIBLE IRON MAN were almost afterthoughts. And while DOCTOR STRANGE at least had Baron Mordo and Dormmamu, they seemed to be dispatched too quickly (and had only bare bones motives).
But here, we have a friggin' awesome depiction of Ultron. He has an excellent design. His voice by Tom Kane is actually robotic and menacing without being cheesy. He gets some great lines and quite a few moments of butt-kick, from his fight with Iron Man, to first meeting the kids, to Round 1 against the Hulk. And being an evil robot, he really doesn't suffer from lack of a backstory beyond what is given. Marvel LG FINALLY, after two damn years and 4 movies, gets a Marvel Villain right (or close to right), and they give him almost no one worthy to fight. His final battle is anti-climatic and too brief. Wouldn't it have been awesome had he fought the actual Avengers, maybe in a loose adaptation of ULTRON UNLEASHED? Wouldn't it have been great had they adapted an actual Avengers story to put him and the Avengers in, instead of this standard fast-food adventure ready-made for coloring books? This was an Ultron in search of a better movie.
More positives? Hmm. Half of the voice cast for the kids are actually teenagers themselves so it came off as genuine that way, even if they don't all have the best experience under their belts. The design work for the character models, scenery, and the flashbacks to the REAL Avengers is great. Tom Kane puts in an incredible performance, and naturally Fred Tatascione has reprised his role as the Hulk for the 3rd, soon to be 4th time, and has it down. Hulk and Iron Man both looked cool, too. The music is kind of stock, generic heroic-sounding, but it could be worse. Vision was great as well, stealing almost every scene he was in. Again, both he and Kane's Iron Man screamed for a better film.
I also called how the final shot would end at least 10 minutes before it did. That is never good. What is worse is when not only does Hulk all but steal the movie, the kids barely fight him for it. Again, if the executives were so intent on having Iron Man and Hulk have major roles, why NOT do a mainstream Avenger film? Both were founding Avengers (unlike Cap, who was made a founder retroactively, Black Widow, or Black Panther).
Most kids would rather watch adventures of the ACTUAL heroes than kid versions. Most kids don't think of themselves as kids, but wanna-be adults and they know when kids characters are either talking down or being spun for them. I was in college before I liked Robin and saw him as beyond Batman's annoyance. I never liked episodes where kids saved heroes like ATTACK OF THE OCTOBOT from 90's Spidey or I'VE GOT BATMAN IN MY BASEMENT from B:TAS. Even JLU is guilty of this, having a random kid save some of the League from the General in PATRIOT ACT. Adults who have failed to reconnect with their inner child can never make anything that pleases them. All they do is cater to a cliche of what they hear kids like, usually from other old fogies. Produce a genuine cartoon and it doesn't matter if it stars adult heroes or leather winged rock monsters, audiences will come and remember for generations. NEXT AVENGERS will be forgotten by a commercial break.
Buried under network executive expectations and miscued dreams is a true Avenger cartoon that is dying to get made. All the allusions and details in this one show that the writers & the producers love that stuff and would probably love to do a non-Ultimate version. But they don't have the stones to even try, and that is why they will never be fit to shine Bruce Timm's shoes. He had stones. He was willing to tell a million fanboys why it was for the best putting on Hawkgirl and John Stewart and won them over. He took a spandex-full, Golden Age premise and made it work for 5 seasons. He took the time to sow the seeds before reaping the harvest. All Marvel LG wants is a lazy harvest without the work, the investment. Bruce Timm had faith in characters like Hawkgirl and B'Wanna Beast, but Marvel LG has no faith in Earth's Mightiest Heroes to carry a movie without Ultimatizations or tweenie runts.
Instead, all Avenger fans have is Cap's 1966 Xerox "cartoon", and UNITED WE STAND from '99. The ULTIMATE AVENGER films remain a near pinnacle for Marvel LG, but toned down Ultimate versions are not the same as 616.
NEXT AVENGERS is the equivalent of a present that has a lovely bow, wrappings, and card, but beneath all that is the same tie that you got a few years ago. There is a lot of potential, but in this flick, the details are better than the actual movie, and that is a damn, damn shame. The Marvel LG crew seriously needs to hire some producers and writers who have some stones if they want to make anything beyond mass market mediocrity.
The things I liked about the movie were Ultron, Iron Man, Vision, and to some degree, Hulk. The rest was just tripe, teasing us with an Avenger cartoon that will never be. If these things interest you, give it a rent.
'Nuff Said.