GhostPoet said:
Just on the subject of Rogue...which Rogue are you using to compare the movie version to? There are plenty of comic versions of Rogue out there.
You keep talking about canon from the cartoon and comics. Which one? There are lots of alternate storylines in the comics...which "canon" are you refering to?
Why can't you just admit that the movies are just another one of the MANY alternate storylines and not based in any one comic series alternate reality?
Are you purposedly ignoring everything I said or did you just get confused with all the other dialogues taking place at the same time? Yes I can in fact admit that the movie(s) are an "alternate reality" as you put it. I've stated very clearly several times now (first to you and later to Fat_One) that I viewed this movie from 3 different viewpoints.
Endeavor yesterday at 6:45PM said:
I did mention the previous 2 movies in my post.
I'm looking at X3 from different angles: As a stand alone film, as part of the trilogy (taking into account X1 and X2 continuity) and as part of the broader X-Men franchise (including the cartoons and comics).
For me, this film comes up short in all categories.
Only one of those perspectives makes a comparison to the comics and cartoon's stories (or their versions of said stories). Again, that's just
ONE of the mindsets I judged this film by, but not the only one. I can still enjoy a film that deviates from the source material. I wouldn't be a fan of X1 and X2 if that were not the case.
But this particular point which you chose to scrutinize speaks directly to a critique based on the source material. Now that we're on the same page (I hope) let's discuss it further and specifically answer the part of your question that asked 'which version of Rogue' I was referencing. (
Please don't even bother answering to this if you're going to go back to the old and tired 'but this is just a movie' and 'you have to accept it's an alternate version' type of comment. That's understood and in this discussion irrelevant since I've made it painfully clear that we're now talking about how X3 measures up when compared to the source material... ok?) Which Rogue version was I comparing it to? Try this: All of them. Yes we've had several interpretations of the character. In the comics she started as a middle aged woman and was quickly retconned into an introverted troubled girl. Throughout the years she blossomed into a strong woman in more than just physical strength, but still a troubled woman who was as much cursed as blessed. We've seen her reinterpreted as Superman with big breasts and as a feisty goth girl. But at her core, Rogue was always the same. Yes she hates her powers, yes she's lonely, yes she's wished things were different but she has never in any of her incarnations been a coward, a sellout or taken the easy way out. This 'cure' scenario has presented itself in the comics many times, in one way or another, even before the Whedon storyline. Rogue has always been tempted, but never gone through with it voluntarily. The issue was handled differently in TAS (the 90s animated series) than in the comics, but in the end Rogue rejected Dr. Adler's cure in Muir Island because she realized that her powers, although troublesome to her, contributed to the greater good. So she made that self sacrifice...
She made the Hero's choice... And that's the thing about Rogue, now matter how the story starts, whether she's a villain, a brat or a punk, she always ends up being a Hero. Can you say the same about Rogue in X3, the movie that was supposed to 'close the storyarcs' for all these characters? Now you might argue that X1 and X2 Rogue were also different than the comics and cartoon versions (even though that would be cheating since now you're comparing X3 to the previous movies and we've established that this discussion is specific to the comics and cartoons..). But even in those films you see a slow progression into the Rogue that had to pull through at the end. You see her getting more comfortable with her power by actually actively using it, you see her willing to take on Magneto and showing an inkling of that 'i'm going to kick your ass' personality. But in X3, the movie that's supposed to evolve her story and close her arc, what do you see? She sells out because she wants to be able to touch her boyfriend. That's it.
It's as bad as replacing Cyclops with Wolverine, as bad as turning Phoenix/Jean into a goon and as bad as taking the redemption part away from the Phoenix storyline by making her need a savior... it's that bad.
So yeah, when compared to the source material, this film doesn't pass the grade in my class because not only does it violate the principle of any good reinterpretation (it doesn't keep the core themes intact) but the stories it does tell don't end up being anywhere near half as interesting as the original concepts.
'Nuff Said