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The killers in this were obsessive fans of the Stab movie franchise. They were so unhappy that they didn’t get the kind of movie they wanted with the last Stab, which became their twisted reasoning for these new killings — to help steer the franchise back to what they liked and wanted to see. Deranged entitlement is 100% an implication there. It is clear as day. BatLobster nailed it on the head with how we see this in fandom all the time. You as a mod here obviously see this all the time with superhero movie fans. Everyone has their own preferences for what they like to see with their favorite franchises, and are unhappy when things don’t line up with their preconceived notions or preferences. They blame the studios, filmmakers, writers, actors, etc. The “fans” in this new movie took their love for horror movies too far — just as Billy and Stu did.
Did you need Richie to say the word “entitled” to drive that concept home?
How is Jill “wanting to be special” and feeling jealous of her cousin (who became famous for being a murder victim while Jill was a little kid) any stronger of a motivation? Or Mickey, who was already a killer before meeting Mrs Loomis, wanting to go to trial and blame the movies for his crimes?
All of the Ghostface killers have had irrational desires and twisted viewpoints of themselves and the world around them, blaming other people (Sidney) or things (movies) for their actions. The new motives here are right in line with that.
Because they don't tell what the deeper motive for why like revenge or fame. Those motives do. Not seeing a movie and being unhappy with it can be part of it, the warped view, but that doesn't make someone snap. It doesn't justify going on a Machiavellian killing spree. I can't speak to entitlement because the rest of the movie isn't indicating this. There's nothing connecting to that. The meta scene at the Meeks house mentions the crazed fan angle as is, and it stops there. That's surface level and the difference between that and the others is that it wasn't. There's no real thru line to indicate entitlement in the movie. I guess it's technically entitlement of these crazed fans, but an implication isn't what makes a movie when the other movies used the motivation as the thematic point of their movies. And the rest of this movie is also this sister estrangement story and Billy being the father of Sam. That secret doesn't really align with they were thematically exploring. I just don't know what the exact theme of this movie is. It just seems a hodge podge of Scream like elements but never really coalesces.
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