Kevin Roegele said:
X1 was the promising beginning, X2 reached the pinnacle of action and characterisation, and X3 was about as good as a rushed and basic third installment can be.
X1 had the creativity but not the budget; X3 had the budget but not the creativity; X2 was when it all came together.
I do not agree. X3 did have creativity, it just upset many fans with its risk-taking, character-killing storyline.
X1 didn't follow any comicbook storyline (so no-one was offended by the story structure), but the X-world was very diluted and restrained. Singer was able to let loose a little more in X2 but the Weapon X and God Loves Man Kills stories were completely changed (fans weren't that offended because no key characters died, except Jean, who dies anyway in the comics and it was done with a foreshadowing of her coming back).
X3 tried to give us everything that Singer hadn't given us before (for reasons of his budget or creative decisions) so we got Angel, Beast, Juggernaut, Danger Room, a Sentinel, fastball special, flying Storm and the Blob-like Phat. As in X2, we got two parallel storylines (Gifted and Phoenix Saga) which were completely changed, but the difference is that key characters were killed off or cured. Singer showed a small world of a few characters sneaking around in the dark at Liberty Island or Alkali Lake, Ratner's X3 opened up the X-world considerably.
Whether or not you liked X3, there was creativity in it.
Singer is favoured more by many film-lovers because he lays down subtle hints and infrastructures, implying that something more is coming. So he doesn't offend people as much because he doesn't take the risks, he hints that the big moment and the risks are coming in the future. Which is what he did with SR. It's quite a deceptive technique - promising but never delivering. Singer would have needed another 30 X-movies before he would have got round to half the stuff we'd seen in X3. X3 does have a lot packed into it, but they did it to please the fans, not to piss them off. And remember it was Singer who moved Cyclops aside for most of X2, who showed Wolverine/Jean lust moments, who made Rogue a vulnerable teenager, who made Jean/Phoenix a non-cosmic earthly woman... he set up most of the movie mythology that carries forward into X3.