explode7 said:^ I see u prefer WETA over Sony.
Matt said:See, your post was good until right there. Suddenly everything you said is worthless, because lets face it...Jurrassic Park 3 sucked ass.
Matt said:That's because WETA's effects are better than Sony's.
TheBat812 said:no, all three LOTRs, "I, Robot", "King Kong", "Chronicles of Narnia", etc. All incredible visual effects, regardless of the quality of the actual movies.
Really i thought ILM did LOTR... Maybe I'm mistaken
I do like a majority of Zemeckis' work. Back to the Future, Forrest Gump, and I'm a sucker for the Polar Express. What Lies Beneath was also pretty passable for me, as I'm pretty fickle when it comes to thrillers and their effects on me. As for Spielberg, I really think that a couple of his last films are my favorites, but then again, my tastes vary from a lot of people's. I loved Minority Report, and I almost cried my eyes out at the end of A.I. The other sad thing is that if Alexander Salkind wasn't ultra-patient, then the first Superman film (and likely the second) would've been directed by Spielberg. He would be a dream pick. As would Cameron and Jackson because they're both doing other stuff at present.Fatboy Roberts said:You're mistaken.
Thanks for the welcome, Lovski
Kap: I think Zemeckis has lost it, myself. Whatever he had once--it's atrophied. Spielberg is ALWAYS the a #1 choice, but I don't know if THIS Spielberg even wants to do it. You offer this to Spielberg back in 85 and it's the perfect match.
Verbinski's a good choice, but there's no way he's taking this now that he's got his own huge franchise to see to fruition. This reminds me of when everyone wanted the Wachowski's to get Superman after Matrix 1. No one's saying that after 2 and 3, although they appear to have ghost-directed "V for Vendetta" rather well.
I really have no problems with either Jackson or Cameron, but I wouldn't see them taking the job. I CAN see the 5 I listed concievably taking the job if offered, though. But I can't deny, if reality didn't factor in, I'd be saying Jackson, Cameron and Spielberg all day long. Great picks
All really great picks. I'm especially liking Francis Lawrence since his direction and visual style in Constantine really surprised me. Johnston, to me, is iffy though. He didn't really wow me.Fatboy Roberts said:So there we go. My picks:
Brad Bird
Joe Dante
Francis Lawrence
Joe Johnston
And just for the hell of it:
Frank Darabont.
All good choices though I'd replace Zemeckis with Ridley Scott. Give them a script by Frank Darabont or Paul Dini and I'd be happier than the proverbial pig.KaptainKrypton said:Spielberg, Zemeckis, Verbinski, Cameron, or Jackson. Spielberg can still direct wonderfully in my opinion. Zemeckis knows how to make great dialogue in his films. Verbinski did something I thought was impossible and made a movie about an amusement park ride slighty entertainable. If Jim Cameron stuck with the source material and had input on the dialogue, then the film would be sharp. Most people don't realize that is the strength of his films like I do. The Terminator films in particular have great dialogue (spare III, though). Peter is a great director of very large films (even if they can be a bit long-winded). No matter which director would do it, the writing would determine the overall quality because all of these directors know how to work in the visual medium well, but a poorly written film can't be saved by a shiny exterior in my opinion.
Unfortunately, it looks like I may not be seen around the HTF realms anymore
Fatboy Roberts said:Weak sauce, man. The guys who run that place sometimes make me scratch my head.
You can still READ that joint, right? if not, let me know, I can post pertinent info over here--but typically, this board and the bluetights board scoops that place by like a week or so.