Freddy_Krueger
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In Rocky II, how did they up the ante? Clubber Lang killed Apollo Creed.
I think you're thinking of Rocky IV and Ivan Drago.
"If he dies, he dies."
In Rocky II, how did they up the ante? Clubber Lang killed Apollo Creed.
YOu know, I thought the fighitng in BB was really effective, b/c cinematically Nolan portrayed how Batman CAN take down many men at a time b/c his techniques make him elusive and hard to see and you can't quite pin down what he's doing, where he is or how many people he is.
I thought it was very effective.
In SR, we know how Superman lifts things...
And save planes, and save people falling, and catch big signs, and blows giant fireballs, and rescue a yatch, etc.
For the sake of not discussing BB's action forever, let's accept it worked for Batman.
Let's see the plane sequence done with a bunch of blurry shots instead of the masterpiece it was.
That is why Superman's reboot doesn't need to be ala Batman Begins.
Call me ignorant, but I took the thread title to mean that, like Batman Begins, the Superman mythos should be boiled down to the core of the characters and start from scratch. Not that it should use the same style of cinematography.
But that's just called "reboot." What is the "Batman Begins" part doing in there at all?
Batman Begins is far from being the first reboot in history. It is an example of it only. And thus I assumed naming that specific movie had a purpose. But apparently it was a random name.
Not necessarily a random name considering that other than Superman, the most widely recognized superhero is Batman.
Plus, it's not just a reboot, it's a character-driven movie, and a good film on it's own.
Like SR.
Ditto. I didn't really understand any of the character's core motivations. They just weren't convincing to me.well, SR was more of a character-driven movie......the only problem was that I didn't care for the characters........
And save planes, and save people falling, and catch big signs, and blows giant fireballs, and rescue a yatch, etc.
For the sake of not discussing BB's action forever, let's accept it worked for Batman.
Let's see the plane sequence done with a bunch of blurry shots instead of the masterpiece it was.
That is why Superman's reboot doesn't need to be ala Batman Begins.
But that's just called "reboot." What is the "Batman Begins" part doing in there at all?
Batman Begins is far from being the first reboot in history. It is an example of it only. And thus I assumed naming that specific movie had a purpose. But apparently it was a random name.
Like SR.

well, SR was more of a character-driven movie......the only problem was that I didn't care for the characters........
Ditto. I didn't really understand any of the character's core motivations. They just weren't convincing to me.
Lois moving on was totally fine with me. It's plausible, and it added some drama to SR. (Gosh knows Luthor wasn't exactly holding up his end of the conflict..) But to pigeonhole themselves into making the boy Superman's? Gah, I can't believe they actually went with that. If there's going to be a sequel, they're going to have to deal with the kid being Superman's son and it's a very, very delicate thing to handle.
But Superman should also have a regal, alien in nature look. Law has that. And Superman SHOULD have innerconflicts. Go read my Superman plot outline. Law would work perfectly in that type of movie.
Yes, he lifted or held up many different things.
I don't think it was a masterpiece...not even the most entertaining sequence in the film.
But a reboot ala Batman Begins was not referring to the cinematic techniques of shooting the film but rather rebooting the story and getting down to the essence of the character and approaching it in that way.
But the story does need a reboot, otherwise a sequel would have already been greenlit and progress made, perhaps even a script. The story and continuity is what needs to be rebooted, not the cinematic techniques of shooting the action sequences.
NOt so much a name at random but an example of a great recent comic book movie that rebooted continuity from a previous film franchise and is spawing what looks to be an awsome sequel.
Except SR wasn't good it was boring and complete rubbish. But yes it was driven by characters who were inacurately portrayed and extremely boring and underwhelming in almost every way imaginable.![]()

Yes...dealing with the son seems to be what they had in mind.Ditto. I didn't really understand any of the character's core motivations. They just weren't convincing to me.
Lois moving on was totally fine with me. It's plausible, and it added some drama to SR. (Gosh knows Luthor wasn't exactly holding up his end of the conflict..) But to pigeonhole themselves into making the boy Superman's? Gah, I can't believe they actually went with that. If there's going to be a sequel, they're going to have to deal with the kid being Superman's son and it's a very, very delicate thing to handle.
Another broken record.....but I did not find SR to be a good movie.
Luther pleasuring elderly women was just all apart of his master plan.That Luthor and the swindiling old ladies thing was beyond extremely pathetic. If we're not careful of the specifics, we could get a reboot with the kid being the next Man of Steel. Horrible all around.
t:I just read "Superman: What happened to the man of tomorrow?" in Alan Moore's collection of DC stories, and he hints that even though Superman is supposedly dead, he lives on in his son. Except, Moore's story was supposed to pretend that it was the last Superman story ever (it was his editor's last stint), so he didn't have to figure out the ramifications of what his story was.Yes...dealing with the son seems to be what they had in mind.

Yes. Your point?
Any reason?
What way? Long explainatory monologues?
The story doesn't need a reboot.
They want a reboot because of the same reason they weren't happy with SR: it didn't make as much money as they wanted.