Superman Reboot Writers Workshop

I like that idea too.

To me, the climax of any new Superman film with that type of realism should have him making some sacrifice of some sort for the human race, which more or less convinces humanity that he is very much on their side and not an alien who they should be scared about.

SR touched on this slightly when Superman exhausted his energy getting New Krypton into space and then fell back to earth, watched by the masses in silence. They they crowded outside the hospital under the belief that he was dying. In a new Superman film, I agree we should see some nervousness towards his presence on Earth until people are convinced of his good intentions.
 
I remember there was a few of you guys here saying you were trying to work on one. Hows it all going guys?
 
Well, I'm still working on it, though nowhere near done. I have the basic outline for the story, and the themes but now it's just a question of which characters to keep and which to save for the second part.

Since it's Superman's very early days , i've decided to keep Lex out all together for this one. Luthor's in Metropolis but his character isn't featured in the story. Perry has more of a smaller role where as Jimmy has more of an emerging character.

Rereading Superman's first appearance reminded me of how raw the character was and how much of the classic myths were not in place yet, so I want the story to have that same rawness and freshness.

I've decided to tell the origin ala Batman Begins and Lost in flashbacks . The flashbacks would be pertinant to the main story and serve as parrallels to what the characters are going through in the present day. This way the aspects of the origin further the story as opposed to begin something to get over with to get to the overall story.

For example , Since my script focusses mainly on Clark first year as Superman and how his idealism meets reality, the flashbacks would focus on how Jor El and Johnathan shape his world views. Therefore Jor El's teachings in the FOS, Johnathans talking about his destiny , Johnathan's death, would be shown in the flashback to sort of serve to mirror to the main story.
 
I'm still toying with it with some other writers. The basic storyline is set, we know where the characters are going over three scripts, the major villain element is pretty solid, just deciding on the supporting villain, how much of a role I want them to have in the entire "franchise", specific action details, and how the Krypton elements should be handled. I'm actually considering making an attempt to honor some previous abandoned concepts without directly ripping them off. We'll see how that goes.
 
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nice ideas guys, please keep you updated on how its going. One aspect i kinda would like to see the next go around for superman is to have both kents still alive and living when he is superman. It would be nice to have the kent family around. I did like that about lois and clark show. I dont think we really need to have the kents dead/not around like the Reeve films did.
 
Perhaps they should Abrams the whole idea. Do a Superman centric Crisis. Don't introduce any other heroes. Don't have any grandiose team ups or LL plots. Just reboot while also carrying on the same cast. Supes V. Anti-Monitor or something. Just an idea.
 
nice ideas guys, please keep you updated on how its going. One aspect i kinda would like to see the next go around for superman is to have both kents still alive and living when he is superman.

Agreed.
 
SUPERMAN STARTS indeed.

This stuff writes itself.

I've put this off for far, far too long. This time, you all need to keep on me until it's done.

Close to finalizing story treatments for three separate scripts that include damn near anything a traditionalist Superman fan would want in terms of characters and situations (Streaky, is that you?), that honors Pre and Post Crisis alike, and honors the stuff that's come before in terms of adaption and lore without directly referencing it. I've gone through and read so many classic and definitive Superman stories, viewed the cartoons, serials, TV shows and movies, etc, in the last few months, and while what this is shaping into is not all that much like any of them...it is all the same, pure Superman. I'm loving the concepts we've come up with for the various elements of the mythology, the way we've blended Pre-Crisis and Post-Crisis, the realism we've tried to bring to everything, and we have, in discussing the ins and outs of the Superman lore, found a few new angles for things that still simultaneously feel tried and true. We are definitely taking the mythology in a different direction, but its also one that's always existed.

There are a few of you here that I will be approaching about borrowing elements of your story and character ideas, because they just gel so well with what I'm shooting for, but I don't want to outright use someone else's ideas. I also want to talk to those of you who are actually writing scripts, so no toes get stepped on. Also talking to some professional artists about doing some concept art and moving storyboards for the "films", which is exciting, as well as discussing filming some of this as an indie project, which is even more exciting.
 
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Starting writing SUPERMAN STARTS last night. 15 pages in, 125 to go, give or take. Going to try to do about 5 or so pages a day, but schedule may prevent that. I was a little worried about jumping right into the crux of the issue, but not anymore. Anyone know anything about budgeting scripts and action? I don't want this to get ridiculous.
 
Awesome. I want to read this script.
 
I`ve written the first 35 pages and that deals with Smallville, him helping people around the world and some introduction to other characters as well. Don`t seem to have the time to write the rest with school and all the stuff. Now i have two film guys as roomates so that should be some help. I`m really proud about what i`ve done with Smallville and ,IMO, it is better than Geoff John`s Secret Origins, at least the first issue. I dealt with Smallville and the discovery of the powers in a much better way.
 
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Let me guess. You didn't just cram it all together? :)

I like the passion Johns has for his characters, but he's a bit overrated.
 
Yeah. Just the way I organized the script. It flows better than Secret Origins and is is written better while still using similar elements.
 
Starting writing SUPERMAN STARTS last night. 15 pages in, 125 to go, give or take. Going to try to do about 5 or so pages a day, but schedule may prevent that. I was a little worried about jumping right into the crux of the issue, but not anymore. Anyone know anything about budgeting scripts and action? I don't want this to get ridiculous.

Who are your villains?
 
The modern classic Superman villains. Lex Luthor, Intergang, Braniac, The Parasite, Bizzarro, Mxy, Metallo, Toyman, and various Kryptonians. Considering a version of the Doomsday storyline later on, we'll see.
 
Ok, let's all write out scenes where/how we would introduce Superman in the movie..
Here is mine..
7:15 AM...Metopolis...
A man in a grey suit walks down a crowded street. He walks against the apparent flow of foot traffic on the sidewalk. His face is obscured by a "Daily Planet" newspaper, held in his right hand, two inches from his face. The only thing that can be seen of him is the top of his head, and the slicked hair that covers it. In his left hand is a classic leather briefcase.
Subtley, it is revealed that though he walks against the flow of people walking the same sidewalk, the man deftly avoids bumping into anyone, though he could not possibly see them with the newspaper in his face....?
The man walks down the block, and the scene slowly turns to pandemonium...fire hoses, fire trucks, and barrier tape suddenly cover the scene... an apartment is on fire, and the man is walking on the sidewalk adjacent to the apartment. The man folds his newspaper, tucks it under his arm, and looks up at the 5 story apartment, as the camera moves to a view from behind the man. We have not seen his face yet, but we see the thick frames of his eyeglasses wrapped around his ears. From behind, we see the man look at the apartment, then at the fire crews on the street. The man turns his head so that his right ear faces the apartment. Close up on his right ear, and we hear what the man hears...the whimpers of an infant who has been left behind in the fully engulfed fire.
Still behind the man, we see him look to the left and the right. He sees the back entrance of the apartment just to his left. He gives another look to the left and to the right; he realized no one pays any attention to him. From behind, we see the man casually walk up to the door of the apartment, and grasp the doorknob in his hand. The knob is so hot from the fire behind it, smoke starts to roll off the man's hand. The man stands up, and squares his shoulders underneath his grey suit. We see for the first time the man is much taller and broader in the shoulders than we realized. The man turns the still smoking doorknob, and steps into the building, and the door shuts behind him as he is engulfed in flames.
The camera view then switches to a view outside the apartment, at window level. The camera tracks along the multiple windows of the apartment, at street level. The camera follows the partially obssucred movements of the man, as we see him walk through the apartment, from right to left. Windows burst from the heat, wall studs fall to the ground, but the man makes constant, slow, steady progression through the apartment. We catch glimpses of the man, and it is apparent his clothes are on fire, buring from his body, but he does not change his slow, steady, deliberate pace through the apartment. The camera speeds up, and moves to the opposite side of the apartment, focusing on the door opposite of the one the man walked into.
A small explosion/flashover blows the door out of it's frame. Flames pour out of the door frame. The camera pans to the small concrete porch of the apartment. From the smoke, flames and chaos, a red boot steps from the smoke, flames, and chaos, followed by the other boot. THE FIRST EIGHT NOTES FROM THE CLASSIC SUPERMAN THEME SLOWLY PLAY OUT. The camera pans up, along the red boots, to muscular thighs in blue tights, to the red trunks, up to the \S/ emblem on the broad chest. The camera stops moving up. The man has a red bundle cradled to his chest. His large hands tenderly unwrap the bundle, to reveal the infant previously heard crying. The infant is completely unhurt. The infant smiles, and reaches up to the face of the man. The camera follows the infant's arm and hand up to the man's face. We see the square jaw, blue eyes, and shock of black hair that we all know. The man steps off the porch, and hands the infant to his mother, with EMS just behind her. We see that the red that bundled the infant was the man's cape. The camera pulls back, and we see Superman in all his glory, standing on the porch of the apartment.
The mother thanks him in sobs.. She asks, "Who are you?"
The man looks up at the crowd that has gathered in stunned silence...
"I am....
...someone who will always be where I am needed."
The man looks up to the sky, raises his right hand, places his left hand at his side, and rises quickly out of frame....
 
man i would have to think about this for a bit. Pretty much all mediums takes animated to live action has used some really great first public saves.
 
Clark and Lois go to the circus for a writing on the Metropolis circus and animals get loose and wreak havoc and Clark turns into Superman for the first time and fights lions and stuff like that.
 
My idea initially started as a teaser for SR. My idea was to do it without showing Supe's face in the original.
 

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