I stirred the pot a bit by bringing up those comments.

But love the convo.
I saw a new interview today with Gunn about Superman where the interviewer talks about how the movie is unabashedly comic booky, and Gunn says he finds it pretentious when comic book films shy away from that. I liked Superman btw, I think there’s a chance I’ll like it even more on a second viewing. But Gunn does make me roll my eyes sometimes. IMO being a gatekeepy comic book fan, snubbing your nose at massive films that got millions of people excited about the character is what ends up feeling even more pretentious. Just had to say it. I just never care for filmmakers bashing other filmmakers. I don’t like it when Tarantino does it either, and I love Tarantino. Nolan made a dry cheeky comment about Returns once, that’s true. But he also always called Burton’s first film visionary and brilliant. That’s the key— he may not even be the biggest fan of Batman 89, but he still understood its importance.
I liked Superman for the record and I dig the Guardians films, so obviously it doesn’t matter and it’s natural for different filmmakers to like different things. But I do think it’s an interesting thing here, because the whole premise of Donner’s Superman movie was the verisimilitude- bringing Superman into our world, ‘You’ll believe a man can fly’, etc. Then Nolan emulated that with his Batman films- with a character honestly even more naturally suited for that type of cinematic representation. So you have all that history with two iconic versions of the characters following that tradition, and now you have the creative figurehead of DC doing the polar opposite- we jump into a world full of metahumans and it’s just Tuesday for the people in this universe. And you absolutely feel the difference in the two approaches. I accept that both are valid. Always have. But I also am aware at the end of the day, which one always has the potential to resonate with me more. It’s not just about “I want my superheroes to be REALISTIC dammit!”— nah, it’s because the whole style of filmmaking is different, and usually more emotionally engrossing for me. Maybe it’s just because I came to these characters through movies and TV first and he clearly was reading comics as a kid. Regardless, we would not be where we are now with the “anything goes” state of this genre that Gunn has made a career playing in without all the key films that paved the way.
Like I said though, ever since Snyder’s universe took off, I’ve been thinking that DC desperately needs a new visionary will try something new and not feel beholden to what worked in the past. So we got that and I think Gunn seems to be the guy for the job, to a T. For better or worse.