Sadly, the costume's ceramic neck brace meant BatKeaton couldn't technically turn his head, with the unfortunate side effect that he could only fight crime taking place directly in front of him. This is a design flaw that probably gets circulated around the Gotham underground fairly quickly.
"I dunno about this drug deal, Fingers. What if the Batman attacks?" "We step two feet to his immediate left or right and he'll think we disappeared." "Ah, okay."
Additionally, BatKeaton's got a pretty sweet car that looks to be powered by an actual jet engine:
On the downside, trying to cut a tight corner with a car over 15 feet long can be tricky. When driving this Batmobile, you technically need to shoot out a Batarang and wrap it around a lamppost every time you want to make a hard right. Alternatively, you could just get out and walk.
BatKeaton might need elevations in his boots to look tall. Sure, he has to wear plastic muscles. But still: When it comes right down to it, he's a bada**. Given that almost everything he does is scored to a fruity Prince song, that's saying something.
unlike other Batmen (who refuse to get involved in relationships because it would distract from their war on crime), BatKeaton's all about the pu**y: That crime stuff can just chill out for a night, he'll get to it tomorrow. He freely reveals his identity to his girlfriends, romances them with candle-lit meals at Wayne Manor, and then makes them watch him sleep upside-down after he's bedded them. That's a little creepy, admittedly, but one could argue that after you've managed to bed '80s-era Kim Basinger, you can pretty much go ahead and do any g*ddamn thing you'd like.
I agree totally!Damn Straight.
That's something i'll never forget. If one thing however I wish we had just one more Keaton Batman film, Returns left you or me for this example wanting to see what more was in store for Keaton's Bruce Wayne/Batman especially after you see the Bat-Signal come into the sky and Catwoman rise into frame at the end. For me Keaton and Batman from The Animated Series will always be my favorite takes on the character of Batman.
Looks Great.
The gold works better on the belt, glad you decided you change it from the yellow.
Keaton's Batman was a very interesting take on the character, different than the comics(especially his Bruce Wayne) but very interesting and another great way to also portray Batman/Wayne. The only thing I really disliked about Keaton was his hair, ugh.
http://www.cracked.com/index.php?name=News&sid=2111&pageid=4
Coolness of Costume
'80s Batman succeeds where his predecessor, '60s Batman, fails, trading in dance tights for a bodysuit with big plastic muscles all over it, sparing star Michael Keaton the need to actually develop any. Sadly, the costume's ceramic neck brace meant BatKeaton couldn't technically turn his head, with the unfortunate side effect that he could only fight crime taking place directly in front of him. This is a design flaw that probably gets circulated around the Gotham underground fairly quickly.
"I dunno about this drug deal, Fingers. What if the Batman attacks?" "We step two feet to his immediate left or right and he'll think we disappeared." "Ah, okay."
For all its mobility issues, though: no nipples. And at least the damn costume's black, not silver.
A**-Kicking Ability
In the big final fight scene in Batman, our hero climbs to the top of a bell tower to fight three hulking goons so he can stop the Joker from putting the moves on Kim Basinger. As is the law with these sorts of movie fights, all of the three goons possess a different fighting style, each deadlier than the last: One's a ninja, one's a fistfighter, and the other's just this really humongous dude swinging a big metal chain around like a lunatic.
After beating up all three goons, BatKeaton makes short work of the Joker, pimp-slapping him around the bell tower and growling a lot of cold s*** about how Joker killed his parents, so it's on:
BatKeaton might need elevations in his boots to look tall. Sure, he has to wear plastic muscles. But still: When it comes right down to it, he's a bada**. Given that almost everything he does is scored to a fruity Prince song, that's saying something.
Those Wonderful Toys
In the scene mentioned above, where BatKeaton beats up three goons in a bell tower, we neglected to mention the coolest part: At one point, Ninja-Goon administers a Mortal Kombat-style flying kick to the Caped Crusader. BatKeaton picks him out of the air by extending a hidden metal plate from the palm of his glove (left), which connects with Ninja-Goon's genitals and sends him, crumpled and whimpering, to the ground.
That's right: BatKeaton invented a gadget whose only purpose is to hit you in the balls.
Additionally, BatKeaton's got a pretty sweet car that looks to be powered by an actual jet engine:
On the downside, trying to cut a tight corner with a car over 15 feet long can be tricky. When driving this Batmobile, you technically need to shoot out a Batarang and wrap it around a lamppost every time you want to make a hard right. Alternatively, you could just get out and walk.
Smoothness with the Ladies
For a short guy with no muscles, BatKeaton scores positively epic amounts of a** during his Bat-tenure in Batman and Batman Returns, including Kim Basinger and Michelle Pfeiffer in a catsuit. Must be that impressive wingspan on the cape.
Plus, unlike other Batmen (who refuse to get involved in relationships because it would distract from their war on crime), BatKeaton's all about the pu**y: That crime stuff can just chill out for a night, he'll get to it tomorrow. He freely reveals his identity to his girlfriends, romances them with candle-lit meals at Wayne Manor, and then makes them watch him sleep upside-down after he's bedded them. That's a little creepy, admittedly, but one could argue that after you've managed to bed '80s-era Kim Basinger, you can pretty much go ahead and do any g*ddamn thing you'd like.
Here's a better picture
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Keaton's Batman voice was perfect. Bale kinda overdid it in BB. I hope he reduces it a little bit in TDK. Though it didn't really bother me that much.
Not well, IMO. It felt very phoned in. Although I don't blame Bale really, I blame Goyer. Goyer writes these scripts filled with one-liners and cornball exposition dialogue and then hands it over to a director, Christopher Nolan, who is used to dealing with complex, subtle and under the radar type plots and characters: and that is what we get. The movie has a definite lack of focus, and moreover so does Bale. Bale could never get the dicotomy between Bruce and Batman right. He often makes jokes, when we know damn well Batman doesn't have a sense of humor. He had this forced, almost comical tough guy voice. I think fanboys get caught up in the fact that he was big and could play an irresponsible socialite well. In reality though he only got a scant few aspects of Batman right, and missed the boat on the really big ones: the tortured psyche, the eccentric qualities, the almost aloof demeanor and behavior, the something "off" about him. Batman isn't some glorified ninja, he's a genius who has been racked with guilt over his parents death, has a "minor" superiority complex and has a wee bit of trouble truly relating to the average joe. Bale's Batman was tough no doubt, but he didn't carry that slight bit of insanity Keaton brought to the character.Bale acted the part as well...
Not well, IMO. It felt very phoned in. Although I don't blame Bale really, I blame Goyer. Goyer writes these scripts filled with one-liners and cornball exposition dialogue and then hands it over to a director, Christopher Nolan, who is used to dealing with complex, subtle and under the radar type plots and characters: and that is what we get. The movie has a definite lack of focus, and moreover so does Bale. Bale could never get the dicotomy between Bruce and Batman right. He often makes jokes, when we know damn well Batman doesn't have a sense of humor. He had this forced, almost comical tough guy voice. I think fanboys get caught up in the fact that he was big and could play an irresponsible socialite well. In reality though he only got a scant few aspects of Batman right, and missed the boat on the really big ones: the tortured psyche, the eccentric qualities, the almost aloof demeanor and behavior, the something "off" about him. Batman isn't some glorified ninja, he's a genius who has been racked with guilt over his parents death, has a "minor" superiority complex and has a wee bit of trouble truly relating to the average joe. Bale's Batman was tough no doubt, but he didn't carry that slight bit of insanity Keaton brought to the character.
In my mind Keaton was still leaps and bounds beyond the second best Batman, Christian Bale. I also think that Bale will have to really step up his game if he hopes to survive the next film with praise. Bale has lost a lot of size, and that was his major contribution to the bat-films: an actor who could create a physically intimidating pressence onscreen.