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The Naked Fun in The Superhero Cinematic Civil War Thread - Part 61

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Another person who I would NEVER have pegged to watch Rambo.
Don’t get me wrong, I ain’t got time for any of the sequels. They are absolute garbage.
But the first one is very different in tone and message. It’s basically about a vet having a PTSD-fueled mental breakdown. It’s much more a drama than an action movie.

That’s why the sequels are actually disgusting. First Blood is a sad look at how America fails its vets. The sequels essentially say “it’s ok that we failed them, because they can be revered for being the killing machines that they are.”
 
Don’t get me wrong, I ain’t got time for any of the sequels. They are absolute garbage.
But the first one is very different in tone and message. It’s basically about a vet having a PTSD-fueled mental breakdown. It’s much more a drama than an action movie.

That’s why the sequels are actually disgusting. First Blood is a sad look at how America fails its vets. The sequels essentially say “it’s ok that we failed them, because they can be revered for being the killing machines that they are.”

The 80s were filled with adult movies becoming kids cartoons and video games for some reason.
 
Would you guys judge me if I told you I never watched one Indiana Jones movie? Or a Ghostbusters movie? Or even Rambo? :sneeze:
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The first two, yes absolutely :o
Rambo, I enjoyed as a kid, but as others have said, the only one worth watching at this point in your life is First Blood
 
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The first two, yes absolutely :o
Rambo, I enjoyed as a kid, but as others have said, the only one worth watching at this point in your life is First Blood
Rambo II is not a good movie, but it is kind of fun if you watch it as 80s shlock as opposed to a sequel to First Blood. That is the only other one I would argue has any entertainment value
 
nah you good...except for maybe First Blood.

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By the way, Brian Dennehy was one of the all-time greats.
He was so great as the tough guy who intimidated you just with his personality. He was a hefty guy, but there was something in the way that he carried himself that made you feel like he could squash you with his bare hands. But he also always seemed smart and calculating so he could break you physically or mentally. That’s why he was so good as a heavy villain. But he also could play the kind and compassionate type like in Cocoon.

He always reminded me a lot of my dad. My dad was a cop who did community policing before it was a thing. He inserted himself into communities and built relationships with people. He didn’t arrest people very much and he never had to pull a weapon because he treated people with respect. But he also had a similar physical presence in that you knew that if he ever were to fight someone it wouldn’t end well for that person.

I guess my relating Dennehy to my dad is one of the reasons I have always loved his work.
 
By the way, Brian Dennehy was one of the all-time greats.
He was so great as the tough guy who intimidated you just with his personality. He was a hefty guy, but there was something in the way that he carried himself that made you feel like he could squash you with his bare hands. But he also always seemed smart and calculating so he could break you physically or mentally. That’s why he was so good as a heavy villain. But he also could play the kind and compassionate type like in Cocoon.

He always reminded me a lot of my dad. My dad was a cop who did community policing before it was a thing. He inserted himself into communities and built relationships with people. He didn’t arrest people very much and he never had to pull a weapon because he treated people with respect. But he also had a similar physical presence in that you knew that if he ever were to fight someone it wouldn’t end well for that person.

I guess my relating Dennehy to my dad is one of the reasons I have always loved his work.

He sounds like a good man.

But that’s yet another thing we have in common my friend. My dad was also a cop. Did 20 years for the NYPD.
 
By the way, Brian Dennehy was one of the all-time greats.
He was so great as the tough guy who intimidated you just with his personality. He was a hefty guy, but there was something in the way that he carried himself that made you feel like he could squash you with his bare hands. But he also always seemed smart and calculating so he could break you physically or mentally. That’s why he was so good as a heavy villain. But he also could play the kind and compassionate type like in Cocoon.

He always reminded me a lot of my dad. My dad was a cop who did community policing before it was a thing. He inserted himself into communities and built relationships with people. He didn’t arrest people very much and he never had to pull a weapon because he treated people with respect. But he also had a similar physical presence in that you knew that if he ever were to fight someone it wouldn’t end well for that person.

I guess my relating Dennehy to my dad is one of the reasons I have always loved his work.
I like to imagine Dennehy and Farley are somewhere re-enacting this:

 
I'm on Defenders when it comes to reaching Daredevil before season 4 Born Again, a unique sequel series that allows them to pay less and man... I forgot how boring this show is.
One of their biggest mistakes was making Madame Gao, built up as this mysterious, proficient badass that should’ve been the main antagonist to our characters, only second fiddle to Sigourney Weaver’s character, who spends about 2/3 of the series not doing much else except walking around/standing and speechifying before getting unceremoniously offed by Elektra. A lot of the money spent to pay for her being in the show could’ve been used towards more epic and exciting action set pieces instead of…whatever it is that we got.

I mean, how the f**k do you waste Sigourney Weaver?
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Lol both of those seem like poor choices.
-Favreau seems like more of the kind of guy who likes having the freedom to be able to do whatever he likes and not be tied down to something for a super long period of time, so probably not him.

-Filoni is a creative person, not a businessman, and despite any misgivings I might have with his not so good live action efforts and catering/kowtowing to giving fans what they want, is too much of a valuable asset where he is to give up that position, so not him.

-Kevin Feige, whatever you think of him, is way too busy overseeing the MCU and trying to put that back on track, so definitely not him.

-JJ Abrams, after all the backlash that he got for TROS, is the most likely to not come back.

-Emma Watts seems like the best and most likely choice. She has tons of experience heading up and overseeing the making and developing of many films, and once before worked at 20th Century Fox (now 20th Century Studios), so it would be like kind of a reunion for her.

-Hannah Minghella is already overseeing a lot of the animated feature stuff over at Netflix, which is probably why that platform has gotten so much great animated content, so she’s way too invaluable to leave that position.

In regards to the combo option, if it absolutely had to come to it, I could see a similar situation to George Lucas/Kathleen Kennedy with Lucasfilm where Dave Filoni is the creative ideas guy and face of the company but Emma Watts is there beside him guiding, influencing and challenging him to make the best decisions possible on what to develop and produce so the company tries new and different things as well and not just over-rely on and constantly call back to what we have seen before.

I would prefer just Emma Watts, but Dave Filoni/Emma Watts is probably the next best option if they absolutely had to do it.
 

Robocop getting an animated series might be the most wild of them all given how graphically violent the movie is, but at the same time I can't really blame them. That design was begging to be made into action figures.

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Would you guys judge me if I told you I never watched one Indiana Jones movie? Or a Ghostbusters movie? Or even Rambo? :sneeze:
Absolutely, you useless **** :funny:

Just missed them or zero interest in any of them?

Never too late. I met a huge Arnie fan a while back who was in his 40s and had never seen Predator! (has now after I gave him a continuous boatload of grief :D)
 
Ghostbusters is up there with Back to the Future as staples that defined my childhood. Every 80's kid wanted to be a Ghostbuster. At it's peak it was the biggest thing in pop culture.
They played the Ghostbusters music in my school canteen every year - no way anyone hadn't seen it, everyone loved it. Was exciting back in those days when TV was much more limited with 4 channels, when everyone would have seen the same new big movie the night before.
 
Never too late. I met a huge Arnie fan a while back who was in his 40s and had never seen Predator! (has now)
I can believe it. Predator is the one Schwarzenegger movie that I don't associate as a traditional "Schwarzenegger movie". Even though he's literally on the poster and his name is above the title, we all know who the real star of that movie is:

You guessed it, biceps. :o

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I can believe it. Predator is the one Schwarzenegger movie that I don't associate as a traditional "Schwarzenegger movie". Even though he's literally on the poster and his name is above the title, we all know who the real star of that movie is:

You guessed it, biceps. :o

FnP8.gif
It's actually neither.
It's sweat shaving. :o

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The first two Predator movies are interesting, because they were both basically inserting a Predator into a genre of movie with a star of that genre. The 80s action flick with Arnold in the first one, and a Lethal Weapon style cop movie (starring Danny Glover!) with the second one.
 
Last Blood is like if they said "Hey, let's put Sharknado in a theater!" Visually looks like they used a DSLR, it's the worst possible version of a "Rambo's Logan" story. The ending fight sequence is hilariously bizarre cause Rambo lays all these traps, and regardless where he was in the prior scene, every trap that gets sprung, Rambo comes in from out of nowhere like a RKO from Randy Orton. So terrible. Waste of 90 mins of my life lol!

I think the obvious plot for a Rambo's Logan story should have been another situation with a vet is happening in a town like in First Blood, and this guy is taking out anyone coming after him, so Rambo takes it upon himself to save the town and the soldier from himself and it becomes like a spy vs spy type thing between Rambo and this other guy as they try and take each other out (Rambo obviously not trying to kill them). Would have been way better than what they ended up doing
The way Last Blood is shot makes it look like a Christian horse girl movie in the ranch scenes. I also don't think it is morally correct for Rambo to have short hair.
 
I can believe it. Predator is the one Schwarzenegger movie that I don't associate as a traditional "Schwarzenegger movie". Even though he's literally on the poster and his name is above the title, we all know who the real star of that movie is:

You guessed it, biceps. :o

FnP8.gif

I feel like most people confuse Predator with Commando and vice versa.

Which is funny because Predator is actually a commentary on Regan-era war movies because it uses that setup and flips it on its head with a badass alien hunter.
 
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