“He absolutely is [a perfectionist]. But he’s also a genius,” Skarsgård said. “‘The Northman’ was the first time I worked on something that was so meticulously stylized, and you almost had to see it as a dance between the camera and the actors, because the camera was constantly moving, and so were we. If the timing was slightly off, then we’d have to go again. I’ve never been more tired than after those six months.”
Per Skarsgård, the film includes “long, intense fight scenes with 40 stuntmen and horses and 200 extras,” captured by the “Lighthouse” and “Witch” director’s usually meticulous precision.
“To shoot it all in one shot means you do this four-minute take, and then a horse deep in the background looks the wrong way and you have to do it all again,” Skarsgård said. “You’re so exhausted that you want to cry. You feel like you finally got all the choreography of the fight worked out, but then you have to go again and again and again. There’s always something in the background that wasn’t quite right. The flip side of that is when you finally get it, it feels like winning gold at the Olympics