The Amazing Spider-Man The Official ASM THEATRICAL TRAILER Thread! - Part 1

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Explain to me how that's a "cop out"?
Everyone knows the origin, it'd be more than understandable if they wanted to explain their version of it as quickly as possible so they could get on to the story they want to tell and fully flesh it out. It worked with TIH and could work just as well with this new reboot.
 
It's cop-out because it's a reboot to a new franchise, not related to the previous films. If you dare leave the origin out, you're going have the previous movie geeks saying that this is a semi-Spider-Man 4 film. Not to mention, they completely screwed up Spider-Man's origin in the previous movies.

I don't want to look at Alex Ross f---ing paintings, when they have such wonderful actors in the roles. I want to see their talents put to use, this isn't a graphic novel, it's a live action film. Meaning, I want to see human beings acting, not being painted on the opening credits.

And please don't bother mentioning Marvel Studios movies, they're bad examples of how to produce a good movie.
 
©KAW;22055051 said:
It's cop-out because it's a reboot to a new franchise, not related to the previous films. If you dare leave the origin out, you're going have the previous movie geeks saying that this is a semi-Spider-Man 4 film. Not to mention, they completely screwed up Spider-Man's origin in the previous movies.

I don't want to look at Alex Ross f---ing paintings, when they have such wonderful actors in the roles. I want to see their talents put to use, this isn't a graphic novel, it's a live action film. Meaning, I want to see human beings acting, not being painted on the opening credits.

And please don't bother mentioning Marvel Studios movies, they're bad examples of how to produce a good movie.

Agreed. Especially with the Marvel Studios films. They are good but could be much better if they weren't more concerned with crossovers than making a good solo film.
 
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Explain to me how that's a "cop out"?
Everyone knows the origin, it'd be more than understandable if they wanted to explain their version of it as quickly as possible so they could get on to the story they want to tell and fully flesh it out. It worked with TIH and could work just as well with this new reboot.

It would be just to confusing. Like KAW said. People would confused just like they did with TIH and think it a quasi sequel to the other movies rather than what it really is, a reboot.

Plus, Nolan rebooted the films and told the origin over, despite the fact it was seen, though not entirely, already and wa was known. Nolan jsut made huge improvements and showed huge amounts of what wasn't shown in the Burton/Shumacher films and it worked beautifully.

Why can't people accpet that that what Webb and Sony are doing with Spider-Man. Retelling the origin, the right way.
 
©KAW;22055051 said:
It's cop-out because it's a reboot to a new franchise, not related to the previous films. If you dare leave the origin out, you're going have the previous movie geeks saying that this is a semi-Spider-Man 4 film.
Not if you present the origin in a way that shows it's a completely different story. Which isn't difficult in the slightest. Once again, they did it in TIH and pulled it off quite well.
Not to mention, they completely screwed up Spider-Man's origin in the previous movies.
Beat that horse. Beat it good.

I don't want to look at Alex Ross f---ing paintings, when they have such wonderful actors in the roles. I want to see their talents put to use, this isn't a graphic novel, it's a live action film. Meaning, I want to see human beings acting, not being painted on the opening credits.
Who said it had to be alex ross paintings...? Where did that come from? You could, once again, quite easily use the actors in the opening credits and show that it's a completely different continuity...like TIH. Once again
And please don't bother mentioning Marvel Studios movies, they're bad examples of how to produce a good movie.
:funny:
Yeah, okay. You can dislike them all you want, but with the MCU films already being the ninth highest grossing film franchise with each of them garnering a respectable amount of critical and fan acclaim..
Yeah, you're firmly in the minority on that one. But you're used to that.
Look, at the end of the day I'll probably be glad that they went back and retold the origin. But my main point is: it would be perfectly sensible if they didn't and just went on with their story. It wouldn't be "confusing" to people if the opening credits consisted of their rendition of the origin, as it would be different enough for everyone to know that it's a different story.
No one short of the braindead would be confused.
 
Juicy J, I'm not sure to what extent you mean when you say "origin" (as in at what point will the story actually take off). Can you please elaborate?
 
I am going to make a long post. So, pls, forgive for my grammar and English aren't exactly that good, but I am still learning it. Also it is not my first language, ASL ( American Sign Language) is. I know that I always make many short posts cuz of my grammar, IDK why, but whatever lol.

Okay, after saw the poster from yesterday and had a long thinking about it this morning when I was working. I was wondering what the heck, exactly, Sony is trying to do? Hell, I still has no idea how does this movie works. Re-tell origin? " The Untold Story"? What's up with the new tone? If I were GA person, I would thought it is still remake and showed it something differently than before. Yes, sadly, it would turn me off.

I noticed that the poster is too dark for Spider man. Surely, I love this poster, it is pretty badass to me but whatever.

So, again, when I was working, suddenly something really hit me.

Wayy back to the early 60's when the first Spider man comic ever to release: AF# 15. I believe that Stan Lee did really amazing job on Spidey. He made damn good story, good supporter cast , the main character. He broke many " superhero rules". He made Spider man to become more relatable. Peter Parker is a every-man like us. He has many problems that we are dealing them too...unlike Batman or Superman. He is just A GUY except that he has this amazing Spidey power. Anyways, I think that, IMO, Stan Lee made a small or big mistake. He put colourful theme in Spidey comic book. I don't know how to explain that. i will re-post it later. I know that Spidey is colourful and light-heart but PP ( Peter Parker) isn't. For me, seems somehow it looks....wrong? I mean, come on, look at Peter Parker...he is struggling with his life. He hates to be a superhero/ Spider man, and never asked for it. Yet.. Spider man controls PP. You know how many time he tried to quit but he failed. He addicted to it and obsessed with the quote " Great power, Great responsiblty". It is like drug to him. Also I noticed that when Peter tried to deal with his everyday life problems like homework, relationship, bills, etc then he just cant deal with it so he look for a qiuck fix: by switching to Spider man and deal with it. Why? I guess that Spidey's problem, somehow, is WAY wasy to deal with it THAN Peter's problem.

So what I see :

Spider-Man= light-heart, witty, colourful
Peter Parker= Dark, depressing, has a hard life

The tone of this movie= PP's feeling

Also I think that poster has many symbols...for me... it looks like the black spider shadow tries to control PP. Ya know what I am trying to say?

Anyways, the my point is that I believe that this movie is trying to make us to feel like what it is like to be PP AND Spidey ( POV/ 3D that helps too) and explore deeper what it makes SM/PP so famous- is that he is relatable

He is you except that power.

And my other point about Stan Lee: I feel that he " kinda" failed to make PP...ugh.. I dont know how to explain that lol. I will try to think other better way to say then re-post it later. Also I would like to talk about the mask later.... I feel that it hides the Peter's problems. Idk how to explain that too lol.

and yep. lol
 
Juicy J, I'm not sure to what extent you mean when you say "origin" (as in at what point will the story actually take off). Can you please elaborate?

I mean the spider biting him, Pete trying to exploit his powers to gain money, letting the burglar go, having the burglar kill his uncle, and the killer eventually being brought to justice by Spider-man.
That's the origin in a nutshell.
You could make the argument, "Well that's a lot of story points to cover in just the opening sequence", which is a fair point, but remember: the opening credits are a good 4-5 minutes. That's more than enough time to tell the origin, and a competent film make could definitely get it done and do it justice.
Welcome to the hype, by the way ;)
 
If the origin was done at the beginning it will cause an amount of confusion as to whether or not it's a reboot. If this came much later or the spider-Man films weren't as big as they were then it could work, but neither of those are true. This film is looking to very much be an origin film, dealing with things the Raimi films glossed over or left out and using a villain that will steal less screen time from Spidey.

And if you ask me, Spidey's origin is too good to just show in quick flashback.
 
Not if you present the origin in a way that shows it's a completely different story. Which isn't difficult in the slightest. Once again, they did it in TIH and pulled it off quite well.
Oh, they plan on doing that in its entirety, like it's suppose to done.

Beat that horse. Beat it good.
Yeah, and you keep ignoring the fact that Spider-Man doesn't let people fall to their death and wouldn't let Uncle Ben's killer go scott free without a goddamn fight. :dry:


Who said it had to be alex ross paintings...? Where did that come from? You could, once again, quite easily use the actors in the opening credits and show that it's a completely different continuity...like TIH. Once again
No, no cheat sheet movie making, I've seen enough horrible comic book films afraid of some good character development. I don't want scenes swinging by like a recap of a sitcom's two-part episode. I actually want to see some good performances for once in a Spider-Man film, starting from the origin story.
:funny:
Yeah, okay. You can dislike them all you want, but with the MCU films already being the ninth highest grossing film franchise with each of them garnering a respectable amount of critical and fan acclaim..
Yeah, you're firmly in the minority on that one. But you're used to that.
Look, at the end of the day I'll probably be glad that they went back and retold the origin. But my main point is: it would be perfectly sensible if they didn't and just went on with their story. It wouldn't be "confusing" to people if the opening credits consisted of their rendition of the origin, as it would be different enough for everyone to know that it's a different story.
No one short of the braindead would be confused.
I don't mind being in the minority, and don't care about how much they make at the box office, nor how many people are easily pleased by their mediocrity. Transformers 3 made over a billion bucks, that doesn't stop it from being a piece of crap. Marvel Studio films are mediocre, and I sure as hell don't want another Spider-Man film following behind anyone of them.
 
If the origin was done at the beginning it will cause an amount of confusion as to whether or not it's a reboot. If this came much later or the spider-Man films weren't as big as they were then it could work, but neither of those are true. This film is looking to very much be an origin film, dealing with things the Raimi films glossed over or left out and using a villain that will steal less screen time from Spidey.

And if you ask me, Spidey's origin is too good to just show in quick flashback.

Ya, at this moment, I still have no idea what is Sony trying to do with this movie. I dont think so that it is 100% reboot too.
 
I mean the spider biting him, Pete trying to exploit his powers to gain money, letting the burglar go, having the burglar kill his uncle, and the killer eventually being brought to justice by Spider-man.
That's the origin in a nutshell.
You could make the argument, "Well that's a lot of story points to cover in just the opening sequence", which is a fair point, but remember: the opening credits are a good 4-5 minutes. That's more than enough time to tell the origin, and a competent film make could definitely get it done and do it justice.
Welcome to the hype, by the way ;)

Thanks for the welcome JJ.

I understand your point in the possibility of quickly establishing the main essential origin points, but it seems that the difference in this films origins are all "in the details". Judging from the descriptions of several scenes I'm not sure if that would work at least in 4-5 minutes (maybe if they went the Goodfellas route and made a 10 minute opening, but at that point, why even bother?)

You've got Peter breaking into Oscorp where he is bitten (have to establish why he's there/answers to parents death), Peter waking up the next morning and discovering new powers, Peter beating up some guys on the train, Peter beating up Flash at school..then uncle ben coming to speak w/him and then from there you get Peter exploiting his powers (building webshooters and designing his suit) and the whole thing with uncle ben. Bear in mind though, from what has been shown, Peter actually probably makes his suit before catching uncle ben's killer and giving him a wedgie (correct me if i'm wrong though). Are all of these little scenes and details something one wants to be quickly establish or completely omit within 4-5 minutes?
 
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©KAW;22055903 said:
Oh, they plan on doing that in its entirety, like it's suppose to done.

Yeah, and you keep ignoring the fact that Spider-Man doesn't let people fall to their death and wouldn't let Uncle Ben's killer go scott free without a goddamn fight. :dry:
I don't know where you've got the idea from that I worship the Raimi films and ignore it's missteps. I don't. They were flawed and overall I'd give the trilogy about a C in terms of portraying what I want from a Spider-man movie. They had a lot of good things in them, a good bit of bad, and a handful of things they absolutely butchered - what I like to refer to as the good, the bad, and the venom.
But that's not the point. The point is that no matter what the topic is or where the discussion is going, with you it always comes back to the same. Damn. Thing.
No, no cheat sheet movie making, I've seen enough horrible comic book films afraid of some good character development. I don't want scenes swinging by like a recap of a sitcom's two-part episode. I actually want to see some good performances for once in a Spider-Man film, starting from the origin story.
It's not cheat sheet movie making. It's breezing through the part of the story that's already been told and that everyone has seen.
Everyone knows the origin. EVERYONE. If it wasn't for the fact that this movie appears to be (smartly, may I add) retelling his origin and reintegrating new elements from the comics to weave into a larger overarching story, I'd be furious that they didn't go this route because as I've said: Spider-man's origins have already been portrayed on screen. If you're not going to do anything new with it, there's no sense in showing it again.
Discussing this is pretty much a moot point because they appear to be doing something drastically different than before, but I take issue with you saying what I've suggested is a cop out because it's NOT.
It's smart to not show the audience the exact same story from ten years ago. Get the origin out of the way, and tell the story you want to tell.
Simple as that.
Not a "cop out" in the slightest :whatever:
I don't mind being in the minority, and don't care about how much they make at the box office, nor how many people are easily pleased by their mediocrity. Transformers 3 made over a billion bucks, that doesn't stop it from being a piece of crap. Marvel Studio films are mediocre, and I sure as hell don't want another Spider-Man film following behind anyone of them.
Hmm, and yet all three transformers movies have been critically panned and are known to be mindless, turn-your-brain-in-at-the-door action flicks.
The Marvel Studios films, however, aren't, and have been well received by critics, fans, and the general audience alike despite your accusations of them being mediocre.
So, comparison fail.
Thanks for the welcome JJ.

I understand your point in the possibility of quickly establishing the main essential origin points, but it seems that the difference in this films origins are all "in the details". Judging from the descriptions of several scenes I'm not sure if that would work at least in 4-5 minutes (maybe if they went the Goodfellas route and made a 10 minute opening, but at that point, why even bother?)

You've got Peter breaking into Oscorp where he is bitten (have to establish why he's there/answers to parents death), Peter waking up the next morning and discovering new powers, Peter beating up some guys on the train, Peter beating up Flash at school..then uncle ben coming to speak w/him and then from there you get Peter exploiting his powers and the whole thing with uncle ben. Bear in mind though, from what has been shown, Peter actually probably makes his suit before catching uncle ben's killer and giving him a wedgie. Are all of these little scenes and details something one wants to be quickly establish or completely omit within 4-5 minutes?
Anytime, hope to see you stick around.
You appear to be under the impression that I feel like them telling the origin in this movie is a waste of time - it's not, because as I said, they appear to be doing something bigger with it than, "Pete gets his powers and learns responsibility, and then fights the bad guy". In my original post I expressed that, although admittedly not to clearly.
Since they appear to be using it to aid the overall story of the film, I'm interested in seeing how it is portrayed.
And yet if they didn't take this route, as I said to Kaw earlier, it almost demands that you breeze through the origin if you're going to do nothing more interesting with it than what was already done ten years ago. As I said, no one is going to respond well to sitting through the same story they saw 11 years ago only with different actors.
 
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I don't know where you've got the idea from that I worship the Raimi films and ignore it's missteps. I don't. They were flawed and overall I'd give the trilogy about a C in terms of portraying what I want from a Spider-man movie. They had a lot of good things in them, a good bit of bad, and a handful of things they absolutely butchered - what I like to refer to as the good, the bad, and the venom.
But that's not the point. The point is that no matter what the topic is or where the discussion is going, with you it always comes back to the same. Damn. Thing.
You were so close, now if I can get you to admit that the origin story and Spider-Man as a character was also butchered, that'll be nice. Giving the movies a C, I have to say, you're much too kind. And you seem to like it when I bring up the same damn thing, because you're responding to my posts, every damn time.

It's not cheat sheet movie making. It's breezing through the part of the story that's already been told and that everyone has seen.
Everyone knows the origin. EVERYONE. If it wasn't for the fact that this movie appears to be (smartly, may I add) retelling his origin and reintegrating new elements from the comics to weave into a larger overarching story, I'd be furious that they didn't go this route because as I've said: Spider-man's origins have already been portrayed on screen. If you're not going to do anything new with it, there's no sense in showing it again.
Discussing this is pretty much a moot point because they appear to be doing something drastically different than before, but I take issue with you saying what I've suggested is a cop out because it's NOT.
It's smart to not show the audience the exact same story from ten years ago. Get the origin out of the way, and tell the story you want to tell.
Simple as that.
Not a "cop out" in the slightest :whatever:
Sounds like cliff-notes to me, I'm not with breezing through Spider-Man's origin, even if they have to retell parts already seen in the previous film. I think it's compelling enough to be retold several times over with different tone, style and voice. Just make damn sure that they leave out the elements that screwed up the core of the character in previous movies.

Hmm, and yet all three transformers movies have been critically panned and are known to be mindless, turn-your-brain-in-at-the-door action flicks.
The Marvel Studios films, however, aren't, and have been well received by critics, fans, and the general audience alike despite your accusations of them being mediocre.
So, comparison fail.
Good for them, I find Marvel movies every bit as turn-your-brain-in-at-the-door action flicks as the Transformers. With Avengers already looking like a Michael Bay film. When you can make Natalie Portman seem like a horrible actress (and she was in Thor), something is serious wrong with the quality of the work coming from your films.
 
And yet Kaw you keep watching the marvel studio movies.You don't have watch them you know.I am sure you will be the first to see Avengers and Transformers 4
 
basically if you were given a straight choice between;

a) how peter parker becomes spider-man
1. loner nerd
2. spider bite
3. experimenting with powers
4. letting killer escape
5. uncle ben murder

and

b) the slow deterioration of conners in mind and body
1. introduction to family
2. experiement gives him his arm back
3. happiness of being whole again
4. personality change
5. lizard first change
6. coping with the monster inside
7. full on lizard change


two extremely complex storylines and every minute spent on 'a' is a minute taken away from 'b' and vice verser. so what do you choose because I don't think you can have both. one storyline will be fleshed out with the other storyline paired down or both will be watered down.
 
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