TheCorpulent1
SHAZAM!
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Brother I has always just been a different name for Brother Eye. It's read as "Brother Mark One."
Yeah, the Greek gods are morons.
Well, it's easier to simply consider the fact that, they're "Gods". What does that entail? They're simply really powerful humanoids? Do they posses the ability to be able to actually be multiple beings at once? Makes about as much sense as them being dreams who've achieved existence due to enough people believing in them, which is what the "Gods" are as stated in Sandman.
He wasn't a god, true...but he was pretty much the most badass guy in the whole Bible. That man was SO WISE...he was like Buddha, but for Jews...Jewddha...Solomon wasn't even a God, they might as well have the wisdom of Socrates or something ?
Hokay. I knew I was gonna regret dropping that ****ing book. So there are apparently two sets of gods. One is the Olympian set of gods (which, along with the former Kang-Daddy of the Jews, gives Mary her powers, apparently), and one is the magical set, which apparently now powers Freddie.Yes, but the "gods of magic" featured in the Trials of Shazam miniseries are literally different people than the classic Olympians featured in the old Captain Marvel, Wonder Woman, and current Countdown series. The "gods of magic" deal more exclusively with the rules and enforcements of magic and, again, it's been emphasized in that series that they are not connected to the actual gods that people worshiped, even though they are called by the same names and are associated with the same personas and histories. Atlas holds up the world, Hercules has his labors, Achilles has his heel, etc.
Yes, that would be awesome.I'd like to see them clear this up by someone saying "But that makes no sense!" and Hercules or somebody being like "**** you, we're gods."
As I read this, knowing an explanation would be forthcoming later down the page, my head began to hurt pre-emptively...This will certainly never create problems down the line, so sir.![]()
80-page monthly...now that there's an idea that should happen.It would have worked so much better as an 80pg monthly, or 32 page bi-weekly.![]()
So you're saying I should read Trials of Shazam?It honestly comes across a bit better in execution than in summary...which is also pretty telling, when you think about it. But it's really not as if you're reading the story and all of a sudden WHAT THERE ARE TWO SETS OF GODS NOTHING MAKES SENSE![]()
Hmm. You know, I think you've hit upon the reason for every poor decision he's made as DC's EIC.Hmmmm, this completely contradicts what we just said, but f@#$ it. if magic is good enough for Quesada and marvel its good enough for me! PRINT IT!
But why would they do that? I'm not arguing here, I just don't see WHY they'd decide to be two completely separate sets of gods, when the old ONE set worked just ****ing fine, and was a lot less confusing.Do they posses the ability to be able to actually be multiple beings at once?
They've been doing that since The OMAC Project, but now I'm starting to wonder if there are actually two different Brothers now. Because in Countdown, Brother Eye is this really hammed-up, techno-supervillainous, big scary planet-eating badass with big Silver-Agey plans, and his OMACs are too. It's like they're Silver-Age-ified versions of the original Infinite Crisis versions. And then over in BATO, Brother I is secretive, working with a shadowy cabal and a corporation, possibly connected to the Salvation Run prison planet, definitely not planning anything involving Apokolips, or Bludhaven, or Buddy Blank, or Karate Kid.Anyone else catch in Batman&Outsiders they kept calling Brother Eye "Brother I?" Does DC even have editors?
Pre-Crisis, the Marvels and Black Adam got their power from the classic Olympian ones that were the same people across all the books, and even into Vertigo. The Gods of Magic are entirely a new, Winick-made invention which were explained by the whole "Tenth Age of Magic" shenanigans going on in the DCU.Here's my question: Which one used to power the Marvels, back before Infinite Crisis? Was it these magical ****ers? Or the real ones? Also, if these magical ****ers are all about the rules of magic and whatnot, how is that gonna play into what Giffen's doing in that new book about Hell? I thought HE was defining the rules of magic?
Ahh...maybe? If you really disliked the first few issues, I can't imagine the next few are going to that much better. And if you liked the old Captain Marvel stories at all in any way...well, proceed with caution. But you never know. The first TPB volume (out of two) is out already, and I'd say give it a look-through in the store.So you're saying I should read Trials of Shazam?
Well, it's easier to simply consider the fact that, they're "Gods". What does that entail? They're simply really powerful humanoids? Do they posses the ability to be able to actually be multiple beings at once? Makes about as much sense as them being dreams who've achieved existence due to enough people believing in them, which is what the "Gods" are as stated in Sandman.
I think Alan Moore uses a simillar idea in Promethea, although i haven't read much of it. IMO its a clever twist of Plato's and George Berkleys' Idealism theory, where the physical reality is a disstorted reflection of the true reality, which actually amounts to nothing more than ideas in our head. In other words when we see a glass we only think we are seeing a glass, when we are actually recieving the idea of a glass. In Promethea it is the Immateria where all these ideas come from. Shazam's and Sandmans Gods work in the same way, i suppose.
See, I love all that. I love it when stories play with esoteric ideas like that. And Gaiman's American Gods, for one thing, gave a really cool idea for why a god can literally be two gods.Yeah, you simply gotta take into account that, this whole thing is based on some metaphysical mumbo jumbo. It's all open to interpretation.
Which is basically the opposite of what Trials of Shazam should have done.Well, the good thing is (depending on your preference), it's all pretty much open to whatever now. The next writer can do pretty much whatever they want.