BlackLantern
Eternal
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I don't see why they wouldn't be in some odd way...its the same universe....you see Clyde from GTA 3 in San Andreas
I love this notion that "It can't be Tommy, he would be 60!" When we have Liam Neeson running around punching wolves in the snow in movies.
I don't see why they wouldn't be in some odd way...its the same universe....you see Clyde from GTA 3 in San Andreas
I love this notion that "It can't be Tommy, he would be 60!" When we have Liam Neeson running around punching wolves in the snow in movies.
The difference being, Tommy isn't Liam Goddamn Neeson.
This pretty much sums it up.
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Tommy was awesome. He rocked the hell out of those Hawaiian shirts.
I suppose it will be someone new. The fact that he talks about wanting to get out of his line of work suggests a criminal past, though, so it'd be kind of neat if they tied that past to one of the previous games, i.e. Tommy trying to escape the cops in Vice City by moving to Las Venturas.
sealab 2021 is far and away the best thing adult swim has ever done.ever.
I've been turned off by the art style.
Hound55 said:He's a proctologist at a leper colony...
Didn't realize Liam had played so many badass characters. I still need to see Rob Roy.
Got to say I agree.His personal and therefore Universal's stance on 3-D:
"I’m not a believer that every film should be 3-D,” said Meyer, acknowledging his own fiscal concern over Universal’s expensive upcoming 3-D film 47 Ronin, led by Keanu Reeves. “I think there’s a place for it; I think certain films lend themselves to it. Warner Bros. did Journey to the Center of the Earth; that movie would have never worked had it not been 3-D. The only thing that made that film palatable at all was the 3-D aspect.”
“None of us would be able to do, or afford, what Jim Cameron was able to do with Avatar,” Meyer continued. “Avatar was everything money could buy, and we can’t afford to be in that business. He spent a lot of money, he did a brilliant job… you were inside that movie, and that’s what made it work. You were surrounded by that film. I think 3-D has a limited capacity, but a capacity. I don’t think all films should be 3-D and we should be careful about falling for that.”
On the well-publicized financial disappointments Scott Pilgrim, Land of the Lost, and Cowboys & Aliens?
Movieline put the question to Meyer: Why did the aforementioned Universal event films fail?
“Cowboys & Aliens wasn’t good enough. Forget all the smart people involved in it, it wasn’t good enough,” Meyer said, without pause. “All those little creatures bouncing around were terrible. I think it was a mediocre movie, and we all did a mediocre job with it.”
“Land of the Lost was just awful,” he continued. “I mean, there was no excuse for it. The best intentions all went wrong.”
“Scott Pilgrim, I think, was actually kind of a good movie. [Addressing a small section of the audience, cheering.] But none of you guys went! And you didn’t tell your friends to go! But, you know, it happens.”
“Cowboys & Aliens didn’t deserve better. Land of the Lost didn’t deserve better. Scott Pilgrim did deserve better, but it just didn’t capture enough of the imaginations of people, and it was one of those things where it didn’t cost a lot so it wasn’t a big loss. Cowboys & Aliens was a big loss, and Land of the Lost was a huge loss. We misfired. We were wrong. We did it badly, and I think we’re all guilty of it. I have to take first responsibility because I’m part of it, but we all did a mediocre job and we paid the price for it. It happens. They’re talented people. Certainly you couldn’t have more talented people involved in Cowboys & Aliens, but it took, you know, ten smart and talented people to come up with a mediocre movie. It just happens.”
The Wolfman producer Stratton Leopold, who happens to be a Savannah native, showed up to wrap the chat.
Leopold, amiably introducing himself: “I’m Stratton Leopold…”
Meyer, good naturedly: “It’s one of those movies, the moment I saw it I thought, ‘What have we all done here?’ That movie was crappy.”
Leopold: “I said the same thing before the reshoot. I said, ‘Why are we spending all of this? Let’s shoot two scenes to create some sympathy for the [hero] and that’s it,’ but…”
Meyer: “We all went wrong. It was one of those things… like I said, we make a lot of bad movies. That’s one we should have smelled out a long time ago. It was wrong. The script never got right…”
Leopold: “The cast -”
Meyer: “—was awful. The director was wrong. Benicio [del Toro] stunk. It all stunk.”