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Tron Legacy

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Glad to hear that you loved it. Judging from the reviews so far, it seems to have the same reaction the first had on audiences way back when. I guess the movie will hit most of the right notes for fans of the original than anything else. I used to love Tron as a kid, but now I can only see it as nostalgic goofy fun. Bunker posted something a few pages back that he just wants a prolonged Daft Punk music video. Hit the nail on the head.:o

Yup I just saw the first one a few months ago and it definitely had a lot of cheesy stuff in it, but also some incredible visuals...I don't think Tron Legacy will be goofy though. I'm not reading these reviews as they tend to spoil everything for you. I also don't want to have any negative thoughts in my head regarding the film :woot: I wanna go in as fresh as possible.
 
Got the soundtrack today (3.99 download from Amazon!), and it really is amazing. "Finale" is just spectacularly epic. "Sea of Simulation" pretty impressive, too (but you only get it on Amazon).
 
Got the soundtrack today (3.99 download from Amazon!), and it really is amazing. "Finale" is just spectacularly epic. "Sea of Simulation" pretty impressive, too (but you only get it on Amazon).
Oh really? If the entire album's that cheap I'll go for it. Yay Amazon!
 
Score is indeed very cool. I love that they've been working on the score so long that it was actually incorporated into the marketing, dating back to the very first trailer. I think my favorite track is "The Fall," simply because of its short yet epic assault on my ears. I really like the main theme as well. It's particularly great in "Finale," which is a very good piece. Makes me want to be a hero or something... :woot:
 
The big question, though = Oscar-worthy (at least nomination-worthy)?

I figure if there's going to be any kind of wildcard nomination in the score category, it'll probably go to Trent Reznor for The Social Network, but I'm pulling for this.
 
i think it could go possibly for visual effects manily for the look of the tron world and the young jeff bridges

and possibly the music
 
i think it could go possibly for visual effects manily for the look of the tron world and the young jeff bridges

and possibly the music

That's, uh, all I was referring to. Even if the film were on track to get unanimous critical praise, I doubt the Academy would consider it for anything outside of those two categories.
 
The big question, though = Oscar-worthy (at least nomination-worthy)?

I figure if there's going to be any kind of wildcard nomination in the score category, it'll probably go to Trent Reznor for The Social Network, but I'm pulling for this.

Between Tron, TSN, and Inception, I can't pick a favorite score. All are so ****ing good.
 
Yea they will probably get noms in production stuff/costumes.
 
some more reviews and its currently 75% on RT

Empire Magazine Reivew 3/5

A triumph of art direction, sound design and Gallic phat beats, but could do with a script upgrade and fun.exe patch.

Film4 Review 2.5/5
An embarrassing and unhappy compromise between the bland, lacklustre characterisation of The Phantom Menace and the achingly naff would-be cool of The Matrix sequels.

Guardian [UK] Review 3/5

It is often beautiful to look at, and could come to represent the fashion tropes of its era as faithfully as its predecessor did. And the silliness somehow adds to the enjoyment rather than detracting from it. It's the best kind of bonkers.

This is London Review 3/5

This reboot may not be as revolutionary as it thinks, but it's definitely worth a second glance.

Time Out Review 3/5
Appropriately, the sequel suffers from almost the same problems as the original: while it's visually dazzling, thematically intriguing and fronted by the single coolest man in the universe, it's also empty, derivative and rather directionless
 
Pretty much getting decent reviews. Of course the more nerdy sites are creaming, but the general sites seem to like it enough
 
Between Tron, TSN, and Inception, I can't pick a favorite score. All are so ****ing good.

Add Deathly Hallows to that, and I'd say Black Swan as well, and those are my fav scores of the year too. I'd personally give Inception the edge over them all, but that's just preference. I just think it evokes the most from me, in both listening to it by itself and listening to it in the context of the film (obviously, can't say about Tron yet). I can't wait to see how the Tron score works in the film, as I already really like it without even seeing it matched up to the visuals and the emotions of the movie. It's interesting when things work out like that, because I was slightly underwhelmed and disappointed with Mansell's Black Swan score upon my first listen, but once I saw the film, I completely fell in love with it. It's a character in the film, just as much as Zimmer's score is in Inception I'd say. But yeah, overall, very good year for scores indeed. :up:
 
aside from the people that demand the first movie being seen in order to get this film, am i going to be lost at all having never seen the first one? or should i watch it before? im thinking of watching it either way im just unsure how much of the new movie is going to rely on knowledge of the first film
 
Between Tron, TSN, and Inception, I can't pick a favorite score. All are so ****ing good.

There's been an insane amount of great soundtracks this year. Including those 3 mentioned.

Black Swan
127 Hours
How To Train Your Dragon
Let Me In
Scott Pilgrim vs The World
Deathly Hallows Pt. 1
 
iTunes Bonus Tracks
"Father and Son" 3:12
"Outlands, Part II" 2:53

Amazon MP3 Bonus Track
"Sea of Simulation" 2:41

Special Edition Bonus Disc
1. "ENCOM, Part I" 3:53
2. "ENCOM, Part II" 2:18
3. "Round One" 1:41
4. "Castor" 2:19
5. "Reflections" 2:42


Gotta keep up with these bonus tracks. lol
 
The big question, though = Oscar-worthy (at least nomination-worthy)?

I figure if there's going to be any kind of wildcard nomination in the score category, it'll probably go to Trent Reznor for The Social Network, but I'm pulling for this.

So am I. I'm a huge fan of Reznor, but I think he's fallen into a rut recently. I didn't like How to Destory Angels (just sounded like NIN with less interesting vocals) and his Social Network soundtrack was rather forgettable, IMO.

But I can't get enough of Daft Punk's Tron music.
 
If anyone has free time to kill today (I don't, unfortunately...), the TRON ARG has a "first one here wins" exercise happening RIGHT NOW.

http://www.flynnlives.com/digitalpulse/

East coast is on and running. You have to get to the place shown in the .pdf, find the TRON sticker, and call it to get instructions.
 
iTunes Bonus Tracks
"Father and Son" 3:12
"Outlands, Part II" 2:53

Amazon MP3 Bonus Track
"Sea of Simulation" 2:41

Special Edition Bonus Disc
1. "ENCOM, Part I" 3:53
2. "ENCOM, Part II" 2:18
3. "Round One" 1:41
4. "Castor" 2:19
5. "Reflections" 2:42


Gotta keep up with these bonus tracks. lol
Where Can I get the special edition?
 
Thought I'd type up some more thought's on the film for you guys, I'll try and avoid spoilers, but there might be some mild one's in there too.

First off, I've never seen security like this at a cinema screening. 3 guards surrounded the screen like we were about to meet the president or something. They even made me and my friend turn our phones off in front of them. Madness.

Just to point out, my friend who I went with had never seen the original film and had little concept of Tron, so he's quite a good comparison to me, who list's Tron as one of my favourite films.

It would be easy enough to lavish praise on the design and special effect's of the film, but I think you'll see for yourselves. My eye's were literally bouncing across the screen scanning every detail, and it is immense. Even my mate, who is very much the average film goer, remarked on the beauty of design within this film.

Joseph Kosinski is a director to watch I think. Some of the camera movements were stunning, and not at all what you would expect. The film oozes creativity from every pore on that respect.

The story is actually rather well thought out, or at least I thought so. Apparantly the majority of the critic's disagreed. I mean, there's motivations for each character, and, refreshingly, the main characters dont always make the right decisions. The main problem I have for the film is pacing. There's a rather large buildup in the real world, followed by a lenghty non-stop series of action scene's set in the Arena, but once Sam meet's Flynn, the film grind's to a halt. Now, personally, I have no problem's with longer than normal films. These scene's are needed in order to build character, but for your average moviegoer, it might drag the film down a little too much. The film naturally picks up pace in the third act, but it's a lenghty wait inbetween the begining action scene's and the later one's.

Acting is fantastic across the board. I've read a lot of reviews that say Garrett Hedlund is the weak link, but his characterization barely allow's for much deviance. He play's the material well, but the character himself is stuck in "moody teenager mode" for much of the movie, and it's kinda hard to put in a show-stopping performance with it. Bridges is the man, as always. I find it incredible to think that he played Flynn and Clu. The two are so isomorphically different I doubt any actor other than the Dude could pull it off. The real suprise for me was Wilde, who I've never seen act in anything before. Of course I knew she was stunning, but was she just eye candy? No sir. She actually has a vital role to play, and she potrays a kind of childlike innocence that's inherently charming. Loved her in this. Sheen plays up the camp factor, but he does it with such brilliance you kinda wish he'd have more screen time. Aside from Clu, the other antagonist is Rinzler, whose kinda like this films Darth Maul. He even wields a double bladed lighsabre-y thing. It's a shame (and you'll see why I say this) that he wasnt given more time in the movie.

The action is intense. It really get's your blood pumping. The lightcycle chase is an amazing piece of action cinema. Say what you will about story and pacing, but the action is A+.

Finally...the soundtrack. I'm listening to it as I write this, if that's any indication as to it's quality. I'm a relatively recent Daft Punk fan, but I can see why they were chosen for the film. The real beauty of the score is the way the track's mesh so well with the film, yet stand on there own as powerful electro/orchestral hybrid's. I read somewhere also that they edited the action to the music, as opposed to the other way round, and it shows. Stunning in every sense of the word.

For those who wondering, you in no way have to see the original in order to understand this film. My mate wasnt sure if it was a remake or a sequel, but he had no problem following the actual story. There are shout out's for sure, but it doesn't compromise the film.

Simply put, the film rocks. I know a lot of people are going to disagree with me, but I dont care. I've the got the sequel I wanted. It's everything you would want out of a Tron sequel and more.
 
Thought I'd type up some more thought's on the film for you guys, I'll try and avoid spoilers, but there might be some mild one's in there too.

First off, I've never seen security like this at a cinema screening. 3 guards surrounded the screen like we were about to meet the president or something. They even made me and my friend turn our phones off in front of them. Madness.

Just to point out, my friend who I went with had never seen the original film and had little concept of Tron, so he's quite a good comparison to me, who list's Tron as one of my favourite films.

It would be easy enough to lavish praise on the design and special effect's of the film, but I think you'll see for yourselves. My eye's were literally bouncing across the screen scanning every detail, and it is immense. Even my mate, who is very much the average film goer, remarked on the beauty of design within this film.

Joseph Kosinski is a director to watch I think. Some of the camera movements were stunning, and not at all what you would expect. The film oozes creativity from every pore on that respect.

The story is actually rather well thought out, or at least I thought so. Apparantly the majority of the critic's disagreed. I mean, there's motivations for each character, and, refreshingly, the main characters dont always make the right decisions. The main problem I have for the film is pacing. There's a rather large buildup in the real world, followed by a lenghty non-stop series of action scene's set in the Arena, but once Sam meet's Flynn, the film grind's to a halt. Now, personally, I have no problem's with longer than normal films. These scene's are needed in order to build character, but for your average moviegoer, it might drag the film down a little too much. The film naturally picks up pace in the third act, but it's a lenghty wait inbetween the begining action scene's and the later one's.

Acting is fantastic across the board. I've read a lot of reviews that say Garrett Hedlund is the weak link, but his characterization barely allow's for much deviance. He play's the material well, but the character himself is stuck in "moody teenager mode" for much of the movie, and it's kinda hard to put in a show-stopping performance with it. Bridges is the man, as always. I find it incredible to think that he played Flynn and Clu. The two are so isomorphically different I doubt any actor other than the Dude could pull it off. The real suprise for me was Wilde, who I've never seen act in anything before. Of course I knew she was stunning, but was she just eye candy? No sir. She actually has a vital role to play, and she potrays a kind of childlike innocence that's inherently charming. Loved her in this. Sheen plays up the camp factor, but he does it with such brilliance you kinda wish he'd have more screen time. Aside from Clu, the other antagonist is Rinzler, whose kinda like this films Darth Maul. He even wields a double bladed lighsabre-y thing. It's a shame (and you'll see why I say this) that he wasnt given more time in the movie.

The action is intense. It really get's your blood pumping. The lightcycle chase is an amazing piece of action cinema. Say what you will about story and pacing, but the action is A+.

Finally...the soundtrack. I'm listening to it as I write this, if that's any indication as to it's quality. I'm a relatively recent Daft Punk fan, but I can see why they were chosen for the film. The real beauty of the score is the way the track's mesh so well with the film, yet stand on there own as powerful electro/orchestral hybrid's. I read somewhere also that they edited the action to the music, as opposed to the other way round, and it shows. Stunning in every sense of the word.

For those who wondering, you in no way have to see the original in order to understand this film. My mate wasnt sure if it was a remake or a sequel, but he had no problem following the actual story. There are shout out's for sure, but it doesn't compromise the film.

Simply put, the film rocks. I know a lot of people are going to disagree with me, but I dont care. I've the got the sequel I wanted. It's everything you would want out of a Tron sequel and more.

If you want you can just send me this answer via private message. The Soundtrack has a track named Flynn Lives. Which Flynn survives the movie ? That has me curious
 
What soundtrack is TSN?
The Social Network? Trent Reznor? What question are you asking? :funny:

Okay, the ARG thing is finished and I played along for the online component, and I have NO IDEA wtf just happened. :funny:

http://www.flynnlives.com/digitalpulse/

Moreover, what I want to know is how do they code for that stuff? I was entering in numbers on my cell phone keypad and it interacted in real time with the website. And then when I got the right combination, a bunch of popups appeared and moved around on my screen, then disappeared one by one.

And then a picture of a pager appeared with a phone number which I called, and the voicemail left me with a mysterious code I have no idea what to do with because Unfiction is blocked at work. :funny:
 
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