Shock (AKA Schock, AKA Beyond the Door II ~ 1977)
The final film of director Mario Bava (assisted by his son, Lamberto) - a supernatural/psychological horror starring Daria Nicolodi in what is pretty universally hailed as the best performance of her career. Widow Dora Baldini (Nicolodi) moves back into the suburban villa she shared with her late husband, Carlo. She's now remarried to Bruno and has a young son, Marco. Soon after moving in she begins to have strange visions, which Bruno believes are hallucinations due to her breakdown following the death of Carlo, and the electric shock treatment she received whilst in psychiatric care. Her son, meanwhile, begins to behave aggressively towards her, and display unnerving behaviour, such as stealing her underwear from a drawer and shredding it. Bruno's absences (he's a commercial airline pilot) leave Dora and Marco in the house alone for prolonged periods, and Dora's experiences become increasingly bizarre, convincing her that the late Carlo is both haunting the house and possessing Marco. Despite Bruno's continued assurances that none of it is real, Dora becomes increasingly frightened and paranoid, wanting to believe Bruno but at the same time unable to refute the 'evidence' of her own eyes. Is she being genuinely haunted, or is she simply going mad?
This is filmed very differently to Bava's 'trademark' style. Gone are the gorgeously vivid colours and gothic atmosphere; instead the whole thing is very stark. The house, whilst luxurious, is clearly modern for the time both in design and decor, and a lot of the action takes place in brightly lit rooms or outside in the sunshine. But the camerwork and lighting are terrific, with unorthodox angles and practical in-camera effects (including one standout that was 'homaged' directly (and pretty well) just a few years ago in Annabelle). The rest of the cast are fine, including John Steiner as Bruno, and the great Ivan Rassimov as Dora's doctor (although it's always odd seeing him play a good guy). But this is Nicolodi's film, no question. Small wonder that years later she named it as her favourite role. It does suffer from being predictable at times (part of the resolution you'll probably see coming from very early on), and it's nowhere near as atmospheric as Bava's gothic horrors. Also, the Goblin-esque soundtrack (by a band called Libra - which apparently contained some former Goblin members) sometimes doesn't fit with what's onscreen. Nevertheless, whilst I prefer my ghosts in dark castles and mansions, this is a fine film for Bava to go out on. Some nudity and gore. 7/10