Salò, or the 120 Days of Sodom (1975)
Any internet list or discussion around the most disturbing/controversial films ever made inevitably includes this film.
Loosely based on the Marquis de Sade's novel
The 120 Days of Sodom, and directed by Pier Paolo Pasolini,
Salò is difficult to pigeonhole but has elements of drama, satire, arthouse, and horror. The story centres around four corrupt men of high social/professional standing ('the Duke', 'the Bishop', 'the Magistrate', and 'the President') in Italy during the final year of WWII. These men have 18 male and female teenagers kidnapped and taken to a luxurious villa outside a small rural town, where they are subjected to four months of the most extreme and relentless violence, sadism, physical and psychological torture, sexual abuse, rape, and murder. I won't detail more - but here's the Wikipedia link if anyone's interested
en.wikipedia.org
Pasolini's intention was to explore the themes of political corruption, consumerism, authoritarianism, nihilism, morality, capitalism, totalitarianism, sadism, sexuality, and fascism. Despite the film's notoriety it is fantastically well-made. The camerawork, lighting. and shot composition of the scenes inside the villa (where almost the entire film takes place) are beautiful (highlighting the ugliness of what's being depicted onscreen all the more).
Salò has been called 'the sickest film ever made', whilst paradoxically appearing on critics' lists of the greatest/most significant films ever made. Its reputation was enhanced by director Pasolini's own brutal murder three weeks before the film was released (and inevitable rumours that he was punished/silenced by present-day elites). Its viewing is still seen as a 'rite of passage' for fans of extreme films.
Very well made, and I absolutely believe Pasolini's stated reasons for making it - but it's not a film I can say I in any way enjoyed watching. 5.5/10