DarKJediKnight
Civilian
- Joined
- Dec 5, 2008
- Messages
- 888
- Reaction score
- 0
- Points
- 11
And we're back to the 'realism in a comic book film' again, which again is tackled numerous times.
The TDK voice was computer enhanced.The Batman voice Bale is putting on ISN'T working , he needs to tone it down drastically because it was bad in this film.
That's a good point, and I have to agree with you. I liked Bale as Batman in BB a lot more than in TDK. Hell, I thought he even took a step backwards in his portrayal of Bruce Wayne. I still think he was best as Bruce, but I loved his portrayal in BB more for both characters/sides.Overall i have been a bit disapointed with Bales Batman, i remember back in the day thinking he was perfect for Batman , he was good in BB but not great, and in TDK he took a step backwards.
TDKR imo is going to be the film that decides whether Bales Batman becomes the true clear cut Batman portryal , or if the Micheal Keaton debate is still going to linger
fact of the matter is our suspension of belief is based on the constructed universe presented in the film. star wars presents us with a universe where we can accept the impossible science of a lightsaber. blade runner presents us with a universe where free thinking artificial intelligence working on off world colonies can exist. the dark knight presents us with a universe where a grief stricken rich boy can dress as a bat to wage a one man war on crime. but despite how outlandish that sounds, it does not present us with a universe where cell phones emit sonar and computers can pull fingerprints from a digital scan of a shattered bullet.
As I said, to me it's not so much the 'realism' stuff I have a problem with, it's how Nolan will overly convolute a plot, when a simpler way would suffice. My best example is Gordon 'dying' and then returning. While it's a twist is highly unnecessary and doesn't advance the plot in anyway except to show how important Gordon is - something everyone already knew. It's completely forgotten and never addressed again for the whole film.
I think it has to do with bullets & finger prints & cellphones being more common things that we interact with and are more familiar with, so they're harder to buy when they're doing things we KNOW can't happen. Very few of us are base jumpers or engineers of military grade weapons like the tumbler or microwave emitter. So there it was easier. That's my take on it anyway.
So what? Just because it provided something awesome doesn't justify it. I can think of a really great scene involving Optimus Prime and Megatron doesn't mean I have to shoehorn it into a plot when it doesn't belong. The whole scene was really unnecessary, and didn't really factor into the rest of the film. You could've have a lot of scenes like the ones you described without it. It've been one thing is Gordon had come back in the third act and the ripple effects of the scene had perminated the whole film, but it seemed like a flimsey set-up for the tension in the car chase scene - which, as I say, could've been done much simpler.Two things:
1. Gordon's "death" provided some great moments. The little Cop family on the roof of Police HQ trying to contact Batman. Barbara Gordon's breakdown, and blaming Batman for bringing the craziness of the Joker on Gotham. The sense of urgency that literally nobody and nowhere is safe in Gotham.
Dent: "Rachel, you're not safe there"
Rachel: "This is Gordon's unit. He vouched for these men"
Dent: "And he's gone"
2. Aside from Gordon saying why he did it, and the scenes where he's reunited with his wife and son, what more did you want from it? Apart from anything else, I also loved how it showed how dedicated and smart Gordon was, taking matters into his own hands. Protecting his family, and helping smoke out the Joker. Plus I don't care what anyone says, that moment where he is revealed to be alive by pulling a gun on Joker and saving Batman at the same time, "We got you, you son of a *****", was sheer awesome sauce.
So what? Just because it provided something awesome doesn't justify it.
I can think of a really great scene involving Optimus Prime and Megatron doesn't mean I have to shoehorn it into a plot when it doesn't belong. The whole scene was really unnecessary, and didn't really factor into the rest of the film.
This, again, was kind of the spoof we got on South Park when they did their Inception episode. Basically making the point that just because something didn't have to be really convoluted to be cool.
So basically your saying your ignorance about certain items like that is what makes it easier for you to accept the outlandish? Not the fact that the outlandish is done in a comic book movie?
Yes. Especially in a film that's trying to be hyper-realistic(Nolan's words, not mine). Now if a film is going for a more live action cartoon vibe then things get even easier to accept. That's what Burton & Schumakers films were.
I think it has to do with bullets & finger prints & cellphones being more common things that we interact with and are more familiar with, so they're harder to buy when they're doing things we KNOW can't happen. Very few of us are base jumpers or engineers of military grade weapons like the tumbler or microwave emitter. So there it was easier. That's my take on it anyway.