Roger I respect you immensely and I agree that (in theory) two of the characters in the comic book (NOT graphic novel, sorry, there is no such thing) are interesting, or suggest interesting things - Manhattan and Rorschach. And it seems to me that, along with some visual splendor, won you over.
Watchmen, the comic book, is badly written and childish. And for a long time it got away with it, because none of the real arbiters of taste, on any level, seemed willing to step up and stop its momentum. So comic geeks (it is, in a way, the Citizen Kane of comic books, using every means at its disposal to tell a story - only, it's not good, unlike Citizen Kane - and actually represents, in many ways, a step back, or an ending) worshipped it to the top, till it became seemingly stuck there - respected. Time Magazine, hardly a bastion of good taste or sound aesthetic judgment, but a fair barometer of general cultural opinion, listed it in their top 100 novels of whatever, from wherever. Which again is fascinating as a novel is a very distinct art form and Watchmen is not a novel, but the point is, they put it there. Its place seemed secure, and would have remained so, except -
This movie. And the most intelligent, literate, respected film writers - other than you - have seemingly relished the opportunity to get off their chests just how plain bad, or at least not very good, this particular sacred cow actually is, and has always been. It really is badly written and childish; AO Scott's saying a college kid deep in Nietzsche and other such poses common to young people would love the comic, and the movie, is spot on. And so such people did, and still do. Alan Moore is an emperor with no clothes, IMO. And I for one am grateful this clunker of a movie was released so that such arbiters of taste as we still have in this nation (Anthony Lane, come on down) had occasion to correct a longstanding error. This bad, juvenile art very nearly entered the canon. Me, I want Frank Miller and Alan Moore, and the legions of fanboy man-children currently freaking out on messageboards all over the net, OUT of the canon, where they belong. I don't know which review said it (many have included variations on it) but those people need to grow up - as do Miller and Moore, two grown children who really are writing comic books for a reason, but - merely my opinion - would have been better served by staying within their limitations.
But yes I would like to thank Mr Snyder (whose 300 I loathed, but whose zombie movie was fun) for giving the culture the opportunity to put this particular work in its proper place. Watchmen is like something I'd have written at 18 or 19, only I'd have abandoned it because I'd have seen how childish and embarrassing it all really was. Moore didn't, he persisted, and got away with it for 20+ years. Good on Anthony Lane, Walter Chaw, AO Scott and others for taking this charlatan and his arrested-development fan(boys) down a peg.
End rant.
Ebert: Is it so bad to have a comic book that might appeal to a college kid deep in Nietzsche? For starters, we could use a lot more such college kids.