DACrowe
Avenger
- Joined
- Aug 24, 2000
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I decided to take a moment to reflect on the character that caused me to start posting here years ago (to see why you see/skip to the bottom). I haven't read a new Spidey comics in years. I haven't even read a regular superhero comic in years, but I still love this character.
The usual theory writers suggest is relatability for children upset at authority figures and confused adolescences. While those are partially true, Peter Parker is not an empty vehicle for the reader. A shell of a character for readers to insert themselves. He has become popular because the character has taken on a life of his own. Peter Parker is the quintessential everyman. This plays into the relatability quality many cite. However, I'd distinguish this as a unique character trait in the genre. Some will say Batman is the most realistic because he doesn't have superpowers (if one ignores his God like intuition and mastery of every field of study and combat known to man).
However, Peter Parker is the most human. While his life is one unending melodrama/soap opera complete with colorful villains in underwear, he has the depth and range of emotions removed from many popular characters. He grows from a boy to a man. Beyond that coming of age story, he experiences the lessons of life such as love, loss, tragedy and opportunity. Until recently, he has not been a static character. And like a real uman, no single moment defines his life. His Uncle Ben died and he honors his memory by initially becoming Spider-Man. But it becomes a release for him and a choice he makes everyday. He doesn't do what he does because he was born with powers and was told to be a Christ-like figure by a father's ghost from a dead planet. His arc doesn't begin and end with the murder of his parents in an alley after a movie. He is a character who is constantly in flux. He goes through high school, college, drops out of graduate school, takes on real jobs, dates, falls in love, experiences tragedy, moves on, gets married, etc.
Not one of these things define him. They as a cumulative whole define him. He lives the American experience in an unusual, fantastic way. But while fantasy, the character is never lost to it. The death of loved ones nor the colorful tights define him. His ability to grow, change and evolve defines him. The experience defines him. That gives him a timeless quality that I was reminded of when I read Neil Gaiman's superb "Marvel 1602," recently. The character is timeless because he is not just wish fulfillment for high school geeks. He is the archetypal character of the everyman that has lived as long as there have been stories. But he is a wholly singular interpretation of it, because it was grafted on the American 20th century children's genre of comics. And like that genre (and like everybody) he has grown in unexpected, unpredictable but entirely familiar ways. Perhaps, that's why I lost interest in his current comics. While I admit, giving time to read comics is a drain I no indulge often, there is something missing in the current Marvel iteration of the character. A character who is static, redundant and unable to move on. From a corporate and financial standpoint it makes sense. From even a mythic standpoint it makes sense (if one presumes that comics will be a medium for future generations....which I don't), but for the character himself? Not really.
Anyway, this was post #20,000, so I decided to write this little thought over a few minutes.
The usual theory writers suggest is relatability for children upset at authority figures and confused adolescences. While those are partially true, Peter Parker is not an empty vehicle for the reader. A shell of a character for readers to insert themselves. He has become popular because the character has taken on a life of his own. Peter Parker is the quintessential everyman. This plays into the relatability quality many cite. However, I'd distinguish this as a unique character trait in the genre. Some will say Batman is the most realistic because he doesn't have superpowers (if one ignores his God like intuition and mastery of every field of study and combat known to man).
However, Peter Parker is the most human. While his life is one unending melodrama/soap opera complete with colorful villains in underwear, he has the depth and range of emotions removed from many popular characters. He grows from a boy to a man. Beyond that coming of age story, he experiences the lessons of life such as love, loss, tragedy and opportunity. Until recently, he has not been a static character. And like a real uman, no single moment defines his life. His Uncle Ben died and he honors his memory by initially becoming Spider-Man. But it becomes a release for him and a choice he makes everyday. He doesn't do what he does because he was born with powers and was told to be a Christ-like figure by a father's ghost from a dead planet. His arc doesn't begin and end with the murder of his parents in an alley after a movie. He is a character who is constantly in flux. He goes through high school, college, drops out of graduate school, takes on real jobs, dates, falls in love, experiences tragedy, moves on, gets married, etc.
Not one of these things define him. They as a cumulative whole define him. He lives the American experience in an unusual, fantastic way. But while fantasy, the character is never lost to it. The death of loved ones nor the colorful tights define him. His ability to grow, change and evolve defines him. The experience defines him. That gives him a timeless quality that I was reminded of when I read Neil Gaiman's superb "Marvel 1602," recently. The character is timeless because he is not just wish fulfillment for high school geeks. He is the archetypal character of the everyman that has lived as long as there have been stories. But he is a wholly singular interpretation of it, because it was grafted on the American 20th century children's genre of comics. And like that genre (and like everybody) he has grown in unexpected, unpredictable but entirely familiar ways. Perhaps, that's why I lost interest in his current comics. While I admit, giving time to read comics is a drain I no indulge often, there is something missing in the current Marvel iteration of the character. A character who is static, redundant and unable to move on. From a corporate and financial standpoint it makes sense. From even a mythic standpoint it makes sense (if one presumes that comics will be a medium for future generations....which I don't), but for the character himself? Not really.
Anyway, this was post #20,000, so I decided to write this little thought over a few minutes.
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