Why is making a good Superman movie so hard?

He actually doesn't erase her memory at first. He just takes her back to her apartment and leaves. It is only later when Lois is struggling with it that he does it.

Perhaps it was just about Lois, and maybe Supes realized what a dolt he was for giving up all of his powers. Either way, the movie would have been much better without that whole messy aspect.
 
In the Reeve movies, Clark is the mask. Notice how he drops that personality when he's trying to be serious with Lois or when he's talking to his mother or Jor-El. That's the real person. The wholesome, innocent, clumsy Clark Kent is only who he pretends to be so people don't find out that he's Superman. A good example is from the first film in the apartment with Lois. He considers telling her the truth and takes off the glasses and begins to act like himself, then backs out, puts the glasses back on and starts pretending again. Another good example is in the second film when Lois finally has proof that he's Superman (or successfully bluffs him in the Donner version). He drops the Clark Kent act right away.

He erases her memory because she's stressing out over Superman's double-life. It is clear that she can't handle it.
the mannerisms are an exaggeration of how he really feels. Superman is a fiction he puts on. It's why Lois only starts to take interest in Clark when she starts to suspect he's Superman.

Read the quote, don't feel it. She admits that Superman is the man she loves not Clark. So Clark erases her memory.
 
This discussion is only reminding me for the umpteenth time why I don't care for the Reeve/Donner interpretation.
 
This discussion is only reminding me for the umpteenth time why I don't care for the Reeve/Donner interpretation.

I'm glad that I'm not the only one. I'm a huge mark for the comic character, particularly post-Crisis and New 52, but I haven't cared much for several of the live-action adaptations.
 
I'm glad that I'm not the only one. I'm a huge mark for the comic character, particularly post-Crisis and New 52, but I haven't cared much for several of the live-action adaptations.
He's literally my favorite fictional character, but I have yet to love a live-action movie version. The Donner version and Snyder version are on total opposite extreme ends of a vast spectrum, and I'm just looking for something that lands in between. A happy medium shouldn't be that hard to find.
 
I can't speak for anyone else but these are my problems with buying into a live action Superman

1. Lack of stakes.
The guy is indestructible. You have to come out with outlandish elements to hurt him. Way less in engaging than say Batman who can be taken out by a stray bullet.

2. His Power level is too high.
It's easier to list what Superman CAN'T do than list all the things he can. Which brings us back to point 1, lack of stakes.

3. His supporting cast isn't that interesting.
I'll use Spider-Man: Homecoming as an example. You have Aunt May, Ned, MJ.
Fun, interesting characters. Who does Superman have to bounce off of?
(This is just my opinion) really dull one-dimensional characters. Caricatures rather than real people.

4. His motivation.
You know what's driving Batman, you definitely know what's driving Spider-Man. What's driving Superman? He is doing what he's doing because, reasons.
Very hard to get behind a character when I don't know what is getting him up in morning to do what he is doing. Iron Man in IM1 does a brilliant job of establishing who is Tony Stark. Who is Clark Kent? I don't even think Clark Kent knows in the movies.

I've pretty much always had these problems with Superman until I read All-Star Superman. But I haven't come close to seeing this on the big screen which means you aren't engaged and when you aren't engaged you check out.
 
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I can't speak for anyone else but these are my problems with buying into a live action Superman

1. Lack of stakes.
The guy is indestructible. You have to come out with outlandish elements to hurt him. Way less in engaging than say Batman who can be taken out by a stray bullet.

2. His Power level is too high.
It's easier to list what Superman CAN'T do than list all the things he can. Which brings us back to point 1, lack of stakes.

3. His supporting cast isn't that interesting.
I'll use Spider-Man: Homecoming as an example. You have Aunt May, Ned, MJ.
Fun, interesting characters. Who does Superman have to bounce off of?
(This is just my opinion) really dull one-dimensional characters. Caricatures rather than real people.

4. His motivation.
You know what's driving Batman, you definitely know what's driving Spider-Man. What's driving Superman? He is doing what he's doing because, reasons.
Very hard to get behind a character when I don't know what is getting him up in morning to do what he is doing. Iron Man in IM1 does a brilliant job of establishing who is Tony Stark. Who is Clark Kent? I don't even think Clark Kent knows in the movies.

I pretty much always hard these problems with Superman until I read All-Star Superman. But I haven't come close to seeing this on the big screen which means you aren't engaged and when you aren't engaged you check out.

These aren’t super difficult problems to solve IMO.

Superman’s greatest weakness isn’t Kryptonite, it’s the lives of others. He may be indestructible but his loved ones and his city are not. Give us a Superman we can understand and relate to, give him a personality, make his supporting cast interesting (which wouldn’t be difficult under the right film-maker), and the rest will follow.

Obviously that’s all easier said than done but you’d think it was impossible judging by the movies.
 
These aren’t super difficult problems to solve IMO.

Superman’s greatest weakness isn’t Kryptonite, it’s the lives of others. He may be indestructible but his loved ones and his city are not. Give us a Superman we can understand and relate to, give him a personality, make his supporting cast interesting (which wouldn’t be difficult under the right film-maker), and the rest will follow.

Obviously that’s all easier said than done but you’d think it was impossible judging by the movies.

When you put the people around Superman in danger they simply become plot devices and objects for Superman to save. That isn't interesting.
 
I can't speak for anyone else but these are my problems with buying into a live action Superman

1. Lack of stakes.
The guy is indestructible. You have to come out with outlandish elements to hurt him. Way less in engaging than say Batman who can be taken out by a stray bullet.

2. His Power level is too high.
It's easier to list what Superman CAN'T do than list all the things he can. Which brings us back to point 1, lack of stakes.

3. His supporting cast isn't that interesting.
I'll use Spider-Man: Homecoming as an example. You have Aunt May, Ned, MJ.
Fun, interesting characters. Who does Superman have to bounce off of?
(This is just my opinion) really dull one-dimensional characters. Caricatures rather than real people.

4. His motivation.
You know what's driving Batman, you definitely know what's driving Spider-Man. What's driving Superman? He is doing what he's doing because, reasons.
Very hard to get behind a character when I don't know what is getting him up in morning to do what he is doing. Iron Man in IM1 does a brilliant job of establishing who is Tony Stark. Who is Clark Kent? I don't even think Clark Kent knows in the movies.

I pretty much always hard these problems with Superman until I read All-Star Superman. But I haven't come close to seeing this on the big screen which means you aren't engaged and when you aren't engaged you check out.

1 and 2-- This complaint gets thrown around a lot, and I just can't stand it. Superman's no more indestructible than any character in fiction. Superman, Batman, Spider-Man, Captain America... Hell, John McClane, James Bond and Ethan Hunt etc. These guys are all going be physically challenged, be on the verge of defeat, and then miraculously win. Because that's how these sort of stories work, unless they're doing a big ending (aka Logan).

Now these next ones I can't fault you for, since it's just never truly been done right on film--

3-- Lois is just as interesting and engaging as anybody, as with Kara, and certainly Jimmy. And definitely, definitely Lex (he's a villain yes, but he's around so much he's basically a defacto member of the supporting cast). But, I can't fault you for this one-- the movies and often the comics under use and under develop each one.

4-- Superman's goal is to help usher the world into a better tomorrow, to make the human race believe in themselves as much as he believes in it, and to never let anyone repeat the mistakes of Krypton. He's motivated by the values instilled in him by the Kents, his extra-sensory powers and super-brain giving him a unique perspective on the world, and a degree of survivors guilt for Krypton. There was no single moment, but a lifetime of experience and learning and loving that led to him donning the cape. But that's part of what makes it so special. It all mostly comes from a place of sheer positivity, and is very much unique compared to all the other major heroes going around.

Again, can't blame you for this one as the films have never truly delved into him and his reasons (MoS had the best chance at this and just totally botched it), but that doesn't mean it's not all there in the character. There's SO much there.
 
When you put the people around Superman in danger they simply become plot devices and objects for Superman to save. That isn't interesting.

That's only if you don't care about them as characters. A good screenwriter can fix that.

Again, I get that Superman is a tricky character to write but I feel that you're approaching this from a very limited perspective and judging solely off the mistakes of previous movies. Calling Superman's supporting cast "boring" is a prime example of that. A good writer can make Superman's supporting cast just as engaging and fun as Spider-man's in Homecoming. That's actually the easiest problem to fix here. There's no rule that says they have to be one-dimensional caricatures, even though they have been recently.

A good writer can make Superman's motivations engaging and relatable. A good writer can give us stakes. I'd argue that both of these things were accomplished by Donner's version.

Again, easier said than done, but these aren't insurmountable problems.
 
1 and 2-- This complaint gets thrown around a lot, and I just can't stand it. Superman's no more indestructible than any character in fiction. Superman, Batman, Spider-Man, Captain America... Hell, John McClane, James Bond and Ethan Hunt etc. These guys are all going be physically challenged, be on the verge of defeat, and then miraculously win. Because that's how these sort of stories work, unless they're doing a big ending (aka Logan).

Now these next ones I can't fault you for, since it's just never truly been done right on film--

3-- Lois is just as interesting and engaging as anybody, as with Kara, and certainly Jimmy. And definitely, definitely Lex (he's a villain yes, but he's around so much he's basically a defacto member of the supporting cast). But, I can't fault you for this one-- the movies and often the comics under use and under develop each one.

4-- Superman's goal is to help usher the world into a better tomorrow, to make the human race believe in themselves as much as he believes in it, and to never let anyone repeat the mistakes of Krypton. He's motivated by the values instilled in him by the Kents, his extra-sensory powers and super-brain giving him a unique perspective on the world, and a degree of survivors guilt for Krypton. There was no single moment, but a lifetime of experience and learning and loving that led to him donning the cape. But that's part of what makes it so special. It all mostly comes from a place of sheer positivity, and is very much unique compared to all the other major heroes going around.

Again, can't blame you for this one as the films have never truly delved into him and his reasons (MoS had the best chance at this and just totally botched it), but that doesn't mean it's not all there in the character. There's SO much there.

I was mostly talking about the movies. But, with that said, I've only read 4 Superman stories that kept me engaged;

1. All-Star Superman
The best Superman story I've ever read.

2. Whatever happened to the Man of Tomorrow
Superman's dream and what it takes to exit the dream

3. Superman for All Seasons
A really good origin story

4. John Byrne's Man of Steel
Byrne redefines Superman and makes he more relatable.

So, I've enjoyed 4 comic runs of Superman which is a ridiculously small amount. And nothing on the big screen (including Donner's Superman) comes close to capturing a great Superman storyline (IMHO).
 
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I enjoyed his supporting cast in the early days of Smallville. From the depiction of Jonathan to Lex to Pete and Chloe.
 
I was mostly talking about the movies. But, with that said, I've only read 3 Superman stories that kept me engaged;

1. All-Star Superman
The best Superman story I've ever read.

2. Whatever happened to the Man of Tomorrow
Superman's dream and what it takes to exit the dream

3. Superman for All Seasons
A really good origin story

4. John Byrne's Man of Steel
Byrne redefines Superman and makes he more relatable.

So, I've enjoyed 4 comic runs of Superman which is a ridiculously small amount. And nothing on the big screen (including Donner's Superman) comes close to capturing a great Superman storyline (IMHO).

Those are definitely all great Superman stories, but there's a bunch more out there.

I have a feeling you'd like Superman: Birthright, maybe give that a whirl if you haven't read it already. Probably the best take on the origin so far. Try Superman: Red Son and Superman: Secret Identity, too, which are both very unique (and great to look at) Elseworld stories encompassing Superman's whole life.

Oh, and the Maggin novels Superman: The Last Son of Krypton and Superman: Miracle Monday I can't speak highly enough of.

If you were interested in trying runs-- The Bates/Maggin/Swan era is peak Superman, and (since you liked the Bryne Superman) the Triangle Era that follows it in the 90's were great.

I love, love the Donner films. But yeah, nobody including him has nailed it (Reeve nailed his end). There's so much more to Superman, his supporting cast and his world than the films have ever approached.
 
Those are definitely all great Superman stories, but there's a bunch more out there.

I have a feeling you'd like Superman: Birthright, maybe give that a whirl if you haven't read it already. Probably the best take on the origin so far. Try Superman: Red Son and Superman: Secret Identity, too, which are both very unique (and great to look at) Elseworld stories encompassing Superman's whole life.

Oh, and the Maggin novels Superman: The Last Son of Krypton and Superman: Miracle Monday I can't speak highly enough of.

If you were interested in trying runs-- The Bates/Maggin/Swan era is peak Superman, and (since you liked the Bryne Superman) the Triangle Era that follows it in the 90's were great.

I love, love the Donner films. But yeah, nobody including him has nailed it (Reeve nailed his end). There's so much more to Superman, his supporting cast and his world than the films have ever approached.

I like Red Son but that's Elseworlds, not canon.
Secret Identity and Birthright didn't work for me. Neither did Azzerello's run.
So no one can say I haven't given Superman a chance. It's just the mortal characters of Spider-Man, Batman and Daredevil are just so much more engaging because their stories are, I dunno, more human.
 
You and I must come from very different backgrounds. When I was a senior in high school, our teacher asked us to write about our heroes. Almost every kid in class named his/her parents as their heroes. The teacher said he was really touched by that.

And dreaming that our parents are billionaires is somehow more relatable than dreaming we have the perfect family...wut.

That's not what I'm saying at all. I'm talking about abandonment and perfection, not heroes and billionaires. Our experiences are quite similar, you're just talking about something different than I am.

The Stories for characters don't have to keep going you sideline them and put them on support duty, or kill them or retire them.

Superman has conflict. The problem is no one wants to watch a movie where the conflict makes Superman struggle to be Superman as evidenced by the vitriol spewed at MoS and BvS and the continued ******ing of Reeves Superman.

I disagree. Stories about Superman struggling to be Superman where he succeeds or fails spectacularly are quite popular. It's the Snyder take where the idea of Superman itself is framed as irrelevant that doesn't work, and doesn't ring true, by very nature of the popularity of the brand.

That's funny. My mom is pretty much one of the best people anyone would meet, and my dad is dependable and honest. The idea of a raccoon-like alien being more relatable than Superman is pretty funny (I like the GotG series more than a lot of Marvels, so this isn't a diss)
Why is it funny that your parents are awesome? I don't get it.

Superman's origin is essentially that his parents successfully taught him to always do the right thing because it's the right thing. Is there anyone here who does that at all, much less based largely on their parents' parenting skillz?

The thing that kills me about referencing Rocket Raccoon is that he is a supporting character, and so GotG is not a signal of his relatability, but Star Lord's. What's funny in this discussion

I can't speak for anyone else but these are my problems with buying into a live action Superman
1. Lack of stakes.
The guy is indestructible. You have to come out with outlandish elements to hurt him. Way less in engaging than say Batman who can be taken out by a stray bullet.

2. His Power level is too high.
It's easier to list what Superman CAN'T do than list all the things he can. Which brings us back to point 1, lack of stakes.

3. His supporting cast isn't that interesting.
I'll use Spider-Man: Homecoming as an example. You have Aunt May, Ned, MJ.
Fun, interesting characters. Who does Superman have to bounce off of?
(This is just my opinion) really dull one-dimensional characters. Caricatures rather than real people.

4. His motivation.
You know what's driving Batman, you definitely know what's driving Spider-Man. What's driving Superman? He is doing what he's doing because, reasons.
Very hard to get behind a character when I don't know what is getting him up in morning to do what he is doing. Iron Man in IM1 does a brilliant job of establishing who is Tony Stark. Who is Clark Kent? I don't even think Clark Kent knows in the movies.

I've pretty much always had these problems with Superman until I read All-Star Superman. But I haven't come close to seeing this on the big screen which means you aren't engaged and when you aren't engaged you check out.
I know you're not intending to speak for others, but honestly, this is a great breakdown of the negative perception of the character.

To me, all of these questions have answers. Well worn explored answers in comics, as your own readings attest to. But because these are not in the films, even the old ones, it's assumed that Superman doesn't have them. As a Superman fan, this is incredibly frustrating.

One thing I think Superman fans have to grok is that action adventure is a bigger and more popular genre than Science Fiction. That is to say, fantasies about terrestrial things draw more people than fantasies about extra terrestrial things. Certainly there are popular films and franchises about fighting extraterrestrial things, but not so much about being those things.

So when someone not 'into' superman says no stakes, they're not really saying that Superman is invulnerable, this is, in every way, not true. But it feels true because he is invulnerable to terrestrial things. His physical problems are huge in scale or, as someone with no bent towards otherworldly concepts might say: outlandish. It's not from our land, so it is inherently less interesting. There is no way around that, it does no matter if Superman bleeds, because the concepts involved are too removed from mundane every day experience. Sometimes Batman is more popular just because we can go buy bullets but we can't go buy Kryptonite. It makes Batman feel more 'touchable' for someone who is tactile in that way.

This doesn't necessarily account for whether a Superman movie is 'good' or not, but it does help explain what perceptions people bring to Superman films, I think.

3 and 4, are about the character's emotional development, something that, if done well, resolves 1 and 2, but we rarely see it done well, and so the perception is that it simply isn't there. Certainly a person's relationships are not all plot devices, but if we look at, say Superman Returns or Man of Steel... the death stakes for the supporting cast are not weighted in the depth of a relationship, but on the pretense of one. Many of the previous Superman films work as a marketing campaign against any future ones in that way. Incidentally, Superman 78 developed the Lois relationship and so her peril in the end has more weight than Lois' peril from Superman Returns or Man of Steel, imho.

I think Man of Steel was on the right course, in terms of making a Superman movie about exploring a big idea with visceral DBZ-ish combat to back it up. Certainly that's not someone's cup of tea, but... neither is Batman, we just don't obsess over it. I think Man of Steel's challenge was that the ideas it explored were so counter to the premise it can't ever gain momentum, it can only question it's own value. Superman Returns gave us a mature Superman, but it had so little interest in the modern day and it's audience that it was a relic as soon as it was released.
 
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Yeah, Superman Returns seemed so derivative and looking-backward to Reeve that it's at least understandable new films would try to be very different.
 
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The argument that Superman is too powerful breaks down if the people who make the movies actually have the balls to use a villain who isn't Lex Luthor or General Zod. Brainiac, Mongol, Darkseid, Bizarro, Metallo, Doomsday (proper). Allof these can pose an obvious physical threat to Superman. They just haven't been used because people are scared to use them, because they're too 'comic-booky', and probably because they're too expensive.

But, the 'Superman' is too powerful argument really holds no water if you have the right villain, the right story and the right stakes.

And Superman's supporting cast is neither better nor worse than any other comic character. They just need to be written well.

None of the arguments against Superman on the big screen hold water when you disregard all of the versions in live action we've already seen.
 
Look at the Marvel movies.

Spider-Man: Ned, MJ, Aunt May
Black Panther: Nakia, Shuri, Okoye
Iron Man: Pepper, Rhodes
Captain America: Sam, Bucky
Thor: Loki

Really fun characters that support and help the hero and (for the most part) aren't objects to be rescued. If Superman is to have a sequel they need to have supporting characters that are every bit as fleshed out as the titular character.

Also, going back to Marvel, Thor and Luke Cage are for all intents and purposes indestructible but the writers find a why to make them engaging. To be fair, Thor was as dull as dishwasher before Ragnorock but Marvel fixed him. So it is possible make super powerful beings relatable and compelling.
 
Spider-neil, have you ever read Grant Morrison and Greg Pak’s runs on Action Comics? I think there’s a chance you might enjoy those.
 
The argument that Superman is too powerful breaks down if the people who make the movies actually have the balls to use a villain who isn't Lex Luthor or General Zod. Brainiac, Mongol, Darkseid, Bizarro, Metallo, Doomsday (proper). Allof these can pose an obvious physical threat to Superman. They just haven't been used because people are scared to use them, because they're too 'comic-booky', and probably because they're too expensive.

But, the 'Superman' is too powerful argument really holds no water if you have the right villain, the right story and the right stakes.

And Superman's supporting cast is neither better nor worse than any other comic character. They just need to be written well.

None of the arguments against Superman on the big screen hold water when you disregard all of the versions in live action we've already seen.

Agreed. Superman's power level is roughly comparable to Thor, and they've managed to make Thor work.

I wouldn't even say they haven't used physical threats for Superman. They used Zod in two movies. Doomsday. Evil Superman. Nuclear Man. All of them were portrayed as being physical threats. Superman being "indestructible" isn't why most of those movies failed.
 
I disagree. Stories about Superman struggling to be Superman where he succeeds or fails spectacularly are quite popular. It's the Snyder take where the idea of Superman itself is framed as irrelevant that doesn't work, and doesn't ring true, by very nature of the popularity of the brand.

Snyder's take isn't that Superman is irrelevant. His take is that Superman feels that he's irrelevant and it isn't until his "death" and it's effect on earth that it's apparent that Superman matters.

So once again the GA doesn't want a Superman movie where Superman struggles to be Superman, they want a 200 million dollar Hallmark movie
 
Agreed. Superman's power level is roughly comparable to Thor, and they've managed to make Thor work.

Thor's power levels fluctuate wildly across all the movies he's in. Hell they fluctuate wildly in Movie.

Thor also has the benefit of being able to traipse across the universe and fight immensely powerful enemies.

Superman can do that but it ends up becoming "If Superman loves earth so much why is he gallivanting across the universe fixing every one else's problems"
 
I can't speak for anyone else but these are my problems with buying into a live action Superman

1. Lack of stakes.
The guy is indestructible. You have to come out with outlandish elements to hurt him. Way less in engaging than say Batman who can be taken out by a stray bullet.

2. His Power level is too high.
It's easier to list what Superman CAN'T do than list all the things he can. Which brings us back to point 1, lack of stakes.

3. His supporting cast isn't that interesting.
I'll use Spider-Man: Homecoming as an example. You have Aunt May, Ned, MJ.
Fun, interesting characters. Who does Superman have to bounce off of?
(This is just my opinion) really dull one-dimensional characters. Caricatures rather than real people.

4. His motivation.
You know what's driving Batman, you definitely know what's driving Spider-Man. What's driving Superman? He is doing what he's doing because, reasons.
Very hard to get behind a character when I don't know what is getting him up in morning to do what he is doing. Iron Man in IM1 does a brilliant job of establishing who is Tony Stark. Who is Clark Kent? I don't even think Clark Kent knows in the movies.

I've pretty much always had these problems with Superman until I read All-Star Superman. But I haven't come close to seeing this on the big screen which means you aren't engaged and when you aren't engaged you check out.

1. and 2. Intelligent villains are well aware of Superman's invulnerability and immense power so they threaten his loved ones Lois, Martha. But then you run into this stupidity

Really fun characters that support and help the hero and (for the most part) aren't objects to be rescued.

There is nothing wrong with Superman's durability or a villains use of loved ones against Superman. You can accept this or you should give up trying to care about Superman

3. I;ll give you that MoS BvS and JL have focused so much on his journey to being Superman, that they've neglected the other parts of Clarks identity, but he does have has plenty of people to interact with, Sans Jimmy. And now that the league has formed he'll have more.

4. He wants to be a good person. That's all there is to it. This is encapsulated in MoS in the Oil Rig Scene. He's there, there are people in danger and he has the power to help them. He casts off his current identity and saves the rig workers.
 

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