As some predicted, last issue's seeming on panel deaths were all a bit of a ruse; apparently much as Pete Wisdom was willing to unleash a horde of demons (including Lilith, who is now working with Dracula) to defeat the Skrulls at the start of the series, he is willing to offer Plokta freedom in exchange for entrapping Dracula in one of his "dream rooms". After two days, Dracula catches on and frees himself, but by now MI-13 has gained additional time to engage their counter-attack. Even the immortal vampire lord himself is dismayed and disoriented from the trick. In addition to that, Spitfire has been there as a deep mole, faking being controlled enough to fool Dracula, although to the point where she had to kill an innocent person, a fact she regrets. Slightly less effective is a cameo by Killpower, of the 90's MARVEL U.K. series MOTORMOUTH. He's also seemingly turned into a vampire by Dracula, but as he was created with a mixture of magic and science by Mys-Tech I believe, he also is immune to total enslavement. I barely even knew who Killpower was, and he just seemed a bit superficial.
At the snap of a code-word from Captain Britain, the attack on Dracula's flying pirate ship begins. While Brian is unable to beat Lilith, Black Knight manages to quickly beat Captain Fate in a duel of the cursed swords, a duel I was eager to see and satisfied with. Spitfire rips up Dracula a bit, but Dr. Hussein (Faiza's dad) ends up getting separated from Killpower, and they are unable to save him as planned. He, too, is a vampire. Irritated and convinced that this is Britain's last gasp, Dracula prepares an immediate assault when suddenly, Dr. Doom delivers his trump card; Meggan.
I liked the bit how Dracula was hardly thrilled with Doom's "gift" of a "hostage", knowing full well that Doom only acts to shore up his own interests, and any gift from him "is a sword without a hilt". Yeah, this isn't the slobbering sod being smacked around by Marquis of Death or Manicure of Leather or whatever his name is in FF. It is clear that the annual was perfectly positioned between issues #13 and #14, as an "extra" issue of the series. Having been an empathic metamorph, her time in hell has made her assured of who she is. Is she capable of beating Dracula now? Or is she there to give Brian the extra motive he needs to tear Dracula apart? His powers are based on will, after all.
Kirk and Syaf share art chores, and they have two inkers, which at least hints at some rush to meet deadline. At any rate, the art is as consistant as it usually has been for the series. The tease at the end of issue #13 works well and should work better in a collective read through. It is ironic that issue #15 is apparently titled, "Hope and Glory", since this book really has none. At the very least, 16 issues of material is more than some canceled titles that I always mention. AGENTS OF ATLAS doesn't even have 16 issues worth of stories yet. That said, this has been a smart and clever team book that worked well with it's alternate setting, and it is a shame it didn't catch on. At least it seems set to end on a bang.