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This is a continuation thread, the old thread is [split]288124[/split]
I DO think that Howard stories can be adapted directly for the screen, and I hope that future Conan films will take this approach. I think that a film might have to combine elements from more than one story. For example, The Frost-Giant's Daughter" would make a fantastic cinematic sequence or opening, but it wouldn't be enough for an entire movie.
I compared Howard stories to LOR and Harry Potter (and my thoughts were mostly aimed at other screenwriters) just to suggest that a Conan adaptation is a different kind of problem. I would agree that since the Conan stories are disconnected, it's possible to add new characters and adventures that can fit into Howard's world.
I read over and over that the "revenge" storyline is incompatible with the Howard cannon. I'm not going to argue that, because I'm not going to change anyone's mind (and it wasn't my decision to make anyway,) but I do think that future films can be adapted more directly from Howard without this "origin story" being a contradiction.
My point about dialogue and Howard being language-driven was meant to underscore the difficulty of adapting certain books for the screen. Cinema is a visual medium, and the new Conan The Barbarian has a lot of action and visual storytelling. The long speeches, histories and stories in Howard's dialogue wouldn't play well in a movie. A few pages could take up 10 minutes of an 100 minute movie. Again, I'm used to blogging for screenwriters and filmmakers, not fans, so perhaps my concerns fall upon deaf ears.
A screenwriter might have the same problem adapting Raymond Chandler. A lot of the storytelling in his novels is done via dialogue, in which characters give long accounts, explanations and descriptions of events. This "dialogue" goes on for pages and pages. The rule of cinema is "show it, don't say it" so in adapting Chandler, one would have to figure out ways of showing things visually and dramatically rather than have a long scene in which a character explains the story with words.
This doesn't mean that the spirit of the "hard boiled" dialogue can't be reproduced, and snippets of Chandler's language used in the dialogue. The same is true for the spirit of the dialogue in REH stories.
Lastly, I am not trying to apologize for the film, or justify the decisions made by the people (myself included) who worked on it. I tried to give a honest interview about my experiences and impressions working on the movie.
Fans can decide whether or not the film succeeds in honoring Howard's stories, and moviegoers in general will decide if the film is any good, but cynics should know that there were a lot of very honest, serious and talented people who worked very hard to make an authentic Conan film. Say what you like about the movie when it comes out, but I'm no PR stooge. I gain nothing by lying or covering or equivocating on behalf of the movie... because ultimately the shooting script that I wrote (and the movie) will speak for itself.
Anyway, as a book lover, I admire the way fans of Conan discuss and debate the stories in forums such as this one, and I honestly believe that more people will read the Howard books because of this film.
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Also... just to be clear. The film DOES try to stay true to the character of Conan, an amoral thief and slayer for whom no problem can't be solved by the cold edge of steel.
The issue is how to introduce these kind of characters to wide audience. Amoral characters like Rooster Cogburn in True Grit... all the way back to Philip Marlowe in the Big Sleep... all have some redeeming features revealed by the story that allow the audience to empathize with them.
Rooster Cogburn may be a scoundrel, but his quest to help and defend a 14-year-old girl is one a wide audience can get behind.
In order to stay true to the Conan character, a framework was needed to so that the audience could get behind all his ruthless hacking and slashing. Again, many here may feel we chose the wrong frame (a revenge plot) but the goal was to introduce a grim, complex, amoral character to a wide audience.
Making Conan closer to the books isn't necessarily a good thing. From what I read of Howard's work, Conan was pretty simple and one dimensional. His typical objective in every story was basically how many things he could hack and slash to death in the shortest amount of time.
We are on a superhero site, lots of the tales told in these movies are simple, but that does not mean they are stupid or boring, keeping it simple is probably a plus point, look at the Ang Lee Hulk movie for an abject lesson in 'how not to', they overcomplicated the Jekyll/Hyde tale to it's detriment.
Making Conan closer to the books isn't necessarily a good thing. From what I read of Howard's work, Conan was pretty simple and one dimensional. His typical objective in every story was basically how many things he could hack and slash to death in the shortest amount of time.
Stephen Lang talks "Conan The Barbarian":
http://foxallaccess.blogs.fox.com/2...again-no-not-that-conan-and-weve-got-details/
More images: http://www.empireonline.com/magazine/
This actually looks kinda promising. As a huge Robert E. Howard fan, it would be a really nice surprise to get a faithful adaptation. I just wish they were doing some of the old stories, like Elephant in the Tower etc.