Mmmmmm, smell-o-vision.He should skip 3D along there and go right for smell-o-vision....pioneering that before anyone else. Ha, take THAT Cameron!
And too impractical and cumbersome.No thanks. I'd rather they film the entire movie with IMAX camera, that would be amazing!
So can 3D enhance things too?
Oh I dunno...I'd venture to say that something as gritty and realistic as this....Ya, 3D can enhance things when done well, like in Avatar or Up, but those were both shot specifically in 3D and both contain very whimsical, fantasy like subject matter that I think is conducive to the 3D format. I'm not sure a more realistic crime drama is the best subject for 3D.
Not really, as it wouldn't be any different than showing the mostly-shot-in-35mm TDK in IMAX theaters (just upres the 35mm stuff). If they convert the whole thing to 3D, then that's what they'll show at the theaters that are capable of it.With Batman, since Nolan has expressed a distaste for 3D, I'd imagine him shooting in 35 mm and them converting to 3D in post production, like 'Alice', which I hated in 3D.
Also, if Nolan wanted to shoot some of Batman 3 in native IMAX, there would be a problem with which to show at IMAX venues.
I still think a lot of it depends on which conversion method is chosen, as there are several different ones with different results competing. There are cheap/fast ways, and there are more involved/expensive ways. If price conscoiusness is the order of the day, and/or they don't take the time and effort to be selective, then yeah...you'll get a lot of varying results. Some do little more than offset the 2D images for left/right eye view...others (like Dimensionalization¡) actually do a digital process that adjusts the perspective in each one using stuff not too different than what's used in morphing/'bullet-time', but more subtle for just the perspectives. So a lot will depend on what they choose, or if they're actually selective about it.So, to summarize, I don't personally hate the 3D format as a whole, I just hate post-produced 3D that also conflicts will the directors vision and the public's perception of the film.
I would LOVE to see where Nolan said IMAX enhanced the story. Not the visuals, not the "theater experience", but the story.
You were calling the scope/scale/atmosphere argument "fan boy psycho babble" which is what I was referring to when I said that Nolan had mentioned it himself.
And yes, IMAX can enhance the story, in the same way that color and sound enhance the story.
Enhance is defined as, "to heighten or increase desirability or attractiveness", or "to make greater in beauty or effectiveness."
So yes, watching Batman jump off a building in IMAX makes the story more effective than if we just read it from the script.
Oh I dunno...I'd venture to say that something as gritty and realistic as this....
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...could be quite cool and, dare I say, enhanced in 3D.Even the converted kind, if they use a really good process.
Not really, as it wouldn't be any different than showing the mostly-shot-in-35mm TDK in IMAX theaters (just upres the 35mm stuff). If they convert the whole thing to 3D, then that's what they'll show at the theaters that are capable of it.
Way to miss the point, and try to cover up your own mistake. You're now just searching for ways you were right, in order to save face on the internet. I get it, I've done it too, but I'm sorry, you have completely missed the point, and are doing EXACTLY what I was joking around about, and coming up with fan-boy psycho babel.
I really don't think he will shoot it in 3D, for a variety of reasons that we've gone over previously. My hope is that if it's going to be converted...that IT uses the best that's available, it's approved by Nolan, and only shown in theaters that specifically have that system.You could be right, but if Batman 3 were to be shown in 3D, I would want Nolan to shoot it consciously with 3D in mind, with the best 3D technology available.
You convert the whole film...IMAX and 35mm shots alike...to an IMAX-3D compatible format....just like they do for other films not natively shot on IMAX or with other formats mixed with IMAX. They could do it with the IMAX versions of TDK if they wanted to right now.I mean, if Nolan wanted to shoot Batman 3 partially in native IMAX, how would that be shown on IMAX screens when those venues would likely be used for IMAX 3D screenings?
Again, it depends on what you've sampled. The better ones are more expensive and time-consuming to process the whole film before being projected and all, the lesser ones are quicker and cheaper and involve less meticulous processing...hence, lesser results. Obviously, if there's a lot of penny-pinching involved on WB's part, such is the apprehension of having the crappier ones out there.And if he did shoot in native IMAX, that would require a post produced 3D conversion which I don't think looks nearly as good as something shot in 3D (although you say they can look pretty good).
IMAX can't enhance the story. Not talking about your experience, not eye-candy, but straight up story. It can't. I can read TDK novel, and may have the same experience, so how does IMAX bring something new to the actual story? What does it tell us, that we would have missed, by watching it without IMAX? What message did you see, with IMAX, that you couldn't without IMAX.I honestly have not the slightest clue what you are talking about. I'm not trying to "cover up my mistakes" (I don't know of a mistake I've made), nor am I trying to "save face on the internet".
What was the point that you were making since I missed it so badly?
If we had the patience, I could go into a little more detail in terms of the differences, but I do hope that you trust me enough to hold off a bit before judging the whole thing as one.
In the meantime, here's some more info on one partiicular process....
http://magazine.creativecow.net/article/freeing-artistic-vision-from-3ds-limitations
Oh ya, I'll take your word for it. I don't mean to oversimplify things, I'm just speaking from the perspective of a moviegoer who's had both good and bad experiences with 3D formats. I guess at the end of the day, I'd like a movie to be created and viewed in the way the creator desires it to.
IMAX can't enhance the story. Not talking about your experience, not eye-candy, but straight up story. It can't. I can read TDK novel, and may have the same experience, so how does IMAX bring something new to the actual story? What does it tell us, that we would have missed, by watching it without IMAX? What message did you see, with IMAX, that you couldn't without IMAX.
Not that I agree with you on this, but how does IMAX make the audience fear The Joker more, then watching it on a regular screen? It's almost like saying, if you've been far-sighted, and can't see to well, that if you have a better prescription of glasses, that it enhances the story, because you can see the screen better. The only thing it enhances, is your viewing/experience, not the story.I agree that the format does not change the actual content of the story. Not IMAX, 3D, color, or sound will add to the content that is in the script.
However, I don't think the term "enhance" is the same as "adds to the content of". If something like an IMAX sequence of the Joker robbing a bank augments how the audience feels about the threat of the Joker; if it makes the audience fear the Joker more, than I believe it has enhanced the story.
Not that I agree with you on this, but how does IMAX make the audience fear The Joker more, then watching it on a regular screen? It's almost like saying, if you've been far-sighted, and can't see to well, that if you have a better prescription of glasses, that it enhances the story, because you can see the screen better. The only thing it enhances, is your viewing/experience, not the story.
I'm sorry, but I'm done with this. You either get it, or you don't, and I can see you don't.
That was in a TDK interview, so it'll be interesting to hear his post-Avatar opinions on the matter when the question is inevitably asked again during Inception's press circuit. But the part I bolded kind of makes it sound like he won't be fan of the idea any time soon.Christopher Nolan: Well, I've never been particularly interested in 3D filmmaking, mainly because you have to wear those goofy glasses, but actually, on a serious note, there are a lot of disadvantages with 3D because of the polarization of the lenses and the glasses, there's very little light that actually comes to the eyes. It's a very dim image, compared with 2D presentations. The grand scale of the cinema screen, the IMAX screen particularly, when viewed in 3D, becomes much more intimate. It shrinks it, effectively, and I think that my interest in cinema, to this point at least, has been in creating something that is larger than life and that speaks of a certain grandeur. 3D is a very intimate thing, and so it's not so much an audience experience as an individual experience. So, it has it's own requirements and demands, and as it develops as a technology I think it'll become more and more interesting, but I think at the moment we haven't yet pushed anywhere near as far as we should or could in terms of creating immersive 2D cinematic experiences. So, I would be interested in shooting a whole film in IMAX. The big hurdle to doing that is um, it's very, very hard to see how you do dialogue scenes, because the cameras are so noisy. And the lenses are so wide, you're shooting this conversation, the cameras go you know, 18 inches from your nose, basically, and it sounds like one of those small portable generators. That's about the level of volume of it. So to just speak over that and to act as if that's not there is very tough.
Why is 3D an intimate thing?
One of the things I remember about Avatar was how it felt like the scenes were going on around me. I didn't feel like it limited what I saw it all.Perhaps he means that with 3D and added depth/dimension, you notice the cutoff of the frame edges more as these floating/deep images suddenly disappear out of thin air at the sides or top/bottom, as if it's limiting the space that your trying to view...effectively 'shrinking' things into a limited box. Whereas with regular 2D, its more like a 'window' into a broader world that exists outside the confines of the frame, and you feel that expanse more while watching it. Like if half an object is cut off by a frame edge..in 2D your mind still tells you it extends beyond that...whereas if it's got 3D depth out in front of you, it's strangely 'chopped' off as if nothing can exist beyond that edge.
Or...something like that.
Forgive the roughness of this quick diagram I whipped up.....