Shadow_Crawler said:Only it was still pretty horrible.
Did you even SEE the 94 FF? Okay, so the Doom was an exact drag out of the comic books... but he was *****ING WEAK. He got beaten by Reed in three punches in the very end battle. He was the most hackneyed evil villain to ever grace the silver screen. He was cheesy enough to make a lactose intolerant hurt! THIS movie is trying to depart from that in the BEST way possible.thesaintofkille said:But at least somewhat accurate.
Which is his point. I mean, if a no-talent like Corman can understand Doom, why can't Fox and their "talented " screenwriters, which are paid a fortune for those superhero script, get it ???
Uxmfan425 said:Did you even SEE the 94 FF? Okay, so the Doom was an exact drag out of the comic books... but he was *****ING WEAK. He got beaten by Reed in three punches in the very end battle. He was the most hackneyed evil villain to ever grace the silver screen. He was cheesy enough to make a lactose intolerant hurt! THIS movie is trying to depart from that in the BEST way possible.
How else would you encompass Doom's might, intelligence, egocentrism, power, rage, and general mutha *****ing pimpness? How do you do that in a film that's supposed to take place in this day and age without fudging a few facts from the happy-go-lucky 60's?
thesaintofkille said:What's that got to do with Corman at least having respect to the character ? I never said anything about quality (heck, I even said "no-talent"). Um, Doom was out of his time in the 60's (I mean, he was dressing like a monarch out of the 14 centuary). He'd still be out of time. That's not what made Doom who he ****ing was.
And NEVER, EVER AGAIN, blast Doom's character and say he can't be done "faithfully and well" by pointing us to Corman's movie... NEVER again. You know Corman's movie sucked beyond belief, in EVERY aspect. No matter how great Doom's character is, in the hand of Corman, it means ****.
Give the Doom from the comics to some talented filmakers, and there's no doubt magic could be made on screen.
Uxmfan425 said:Okay, yeah, so they got the ORIGIN right in the Corman flick... AND IT WAS LAME.
Now THAT was stupid. The FF were LAME. Does that make the FF characters LAME ? Your argument is flaw beyond belief.
So much hate doesn't come from an incident like that to any self-respecting man these days...
It seems you know nothing of Doom. You DO know Doom things himself PERFECT ? He probably knows Reed had nothing to do with his "disfigurement". But his HUGE ego makes it impossible for him to envision himself capable of having performed such an error. And so he decided to blame Richard. How the **** does that make him out of the 60's ??? It makes him a guy with a GIANT EGO. It as nothing to do with the 60s or the present for that matter...
especially not one so self-respecting as DOOM. There needs to be some SERIOUS ego torture here. Reed needs to hit Doom in ways beyond his appearence. They need to capture 40 years of building jealousy in a mere two hours and NOT over do it.
Uxmfan425 said:I never blasted Doom's character. I LOVE Doom. I blasted the Doom in Corman's movie, because he was REDICULOUSLY FOOLISH compared to the Doom I know and love.
And the way that movie was written, he came across as a two bit pretty criminal compared to what is going on in this movie. The details may not be exactly true to the source material, but in this case, I think the ends justify the means.
He is right everyone would point and laugh. I mean it would be awesome but in todays world that just isnt a very interesting villian to the general audience. I could see it now, why did he go crazy because he scarred his face? that question would be asked a thousand timesUxmfan425 said:I can justify not making an ENTIRELY TO EVERY MINUTE DETAIL Doom by looking at Corman's film because that's what he did. The biggest things you're complaining about are expemplified in that Doom, and no matter what it was going to turn out badly. Unless you have 40 years to build up this AWESOME EVIL BAD ash, starting in a day and age where taking over a country with a clone robot of some crappy ruler in an eastern European country as a result of some guy in college accidentally scaring your face seemed logical, it can't turn out well. It's not feasable. No matter how good the writer is, A MASS GENERAL AUDIENCE is gonna look at it and laugh their asses off... which is something I would NEVER want to happen to Doom. Ergo, some points of his history MUST BE CHANGED. As long as he's still vain, merciless, conniving mastermind, he's being faithful to the comics in the most important way. Little factors like, how he got so angry, aren't important when they're irrelevent in today's society.
I was thinking that his plan would be hinted at and we would know something was going on, but we wouldn't actually find out until near the end. Like, maybe he could disappear for awhile on the space station before the accident. The Four could get suspicious, but then the accident occurs and they forget for the time being. We would see him hit by an explosion during the accident, his escape back to Earth, and his return to his headquarters (not the main building, his secret lair-type place, like his production facility or whatever). We still wouldn't find out his real scheme, but we might hear him say, "The operation will go forward as planned," or something like that to his faithful manservant, Boris. Then, in the third act, we would finally learn exactly what's up as the movie nears it's climax.spiderwyze said:That would certainly make sense, and it'd be really cool to see in the movie. The question I have is in what order should all these plot details be revealed, because there should be a mystery at first as to why the events are happening the way they are.
Well he would develop his enourmous hatred for Reed after the whole scarring thing, so I think killing them would be his final goal, but I like your idea of manipulating them first. He could decide to use them as a distraction for the world until he's ready to complete his plot and destroy them in one fell swoop. I don't think we have to worry too much about how he ties into their storyarc, as he is the reason they were able to be there and get their powers in the first place and he will be their first real test as superheroes.Also, it occurs to me that this approach would work best if the movie focused on Doom rather than the Fantastic Four. So there has to be a way to tie Doom's suplot into what the FF are going through. For instance, when Doom finds out what happens to Richards and the rest, how does he react? How does he see them fitting into his scheme? Does he want to rub them out because they're an unknown variable he hadn't planned on? Does he decide to factor them into his scheme and manipulate them like chess pieces? I'm asking because I haven't read the Frost draft (somedays I feel like the only person on this board who hasn't), and I'm genuinely curious as to how Doom ties into the Fantastic Four's storyarc. Just as heroes are judged by villains, so are villains defined by how well they tie into the heroes. Even the best villain in history is going to be awkward in a story that doesn't tie him in well with the direction the heroes are going in.
Yep, it can't hurt to come up with a storyline of our own.Anyway, I happened to like this idea, snazzy, and I think this is a great thread for brainstorming ideas. Even if nothing ever comes of these ideas because the movie does something else, it's still fun to think about.
Uxmfan425 said:I can justify not making an ENTIRELY TO EVERY MINUTE DETAIL Doom by looking at Corman's film because that's what he did. The biggest things you're complaining about are expemplified in that Doom, and no matter what it was going to turn out badly. Unless you have 40 years to build up this AWESOME EVIL BAD ash, starting in a day and age where taking over a country with a clone robot of some crappy ruler in an eastern European country as a result of some guy in college accidentally scaring your face seemed logical, it can't turn out well. It's not feasable. No matter how good the writer is, A MASS GENERAL AUDIENCE is gonna look at it and laugh their asses off... which is something I would NEVER want to happen to Doom. Ergo, some points of his history MUST BE CHANGED. As long as he's still vain, merciless, conniving mastermind, he's being faithful to the comics in the most important way. Little factors like, how he got so angry, aren't important when they're irrelevent in today's society.
snazzy J said:The really big plot error is that, if he's got this big weapon thing up in the sky, why is he only taking Latveria? Wouldn't he want more, like, say, the world? If you can come up with ways to explain around these, I'd love to hear them.
He is right everyone would point and laugh. I mean it would be awesome but in todays world that just isnt a very interesting villian to the general audience. I could see it now, why did he go crazy because he scarred his face? that question would be asked a thousand times
Kurosawa said:Here is proof that you don't understand Doom one bit.
Doom is NOT crazy. That's one of the main things that makes Doom superior to most other comic villians. Doom is not insane in the least. He's arrogant, fascistic and vain, but he is not insane by any stretch of the imagination.
John Byrne established Doom as a complete bad-ash with a full background in 8 pages of comic story that would last 10 minutes max on screen if adapted word-for-word. So the "they don't have time" excuse is lame and false.
The fact is, they don't have the imagination, the respect for comics, or the balls to use a faithful Doom. That's why they've pulled the corporate eurotrash jealous boyfriend loser cliché out of the box and tried to pass it off as Doom, the greatest villian in the history of comics.
They can go to bad place.
Now we're really getting somewhere. Regarding the armor, that's good thinking there. It could be established that he's an expert in that field and when the Four arrive on the scene with their powers, he'll realize that he needs a way to balance the scales. I guess it wouldn't be too realistic for him to cook up the armor in a relatively short period of time.Sardaukar said:For the armor, Doom could be portrayed as a genius of robotics and weapons tech at the beginning of the movie. It therefore wouldn't be a surprise to the audience if he just quickly adapts all that to a personal battlesuit later on.
Doom would be portrayed in the first movie as really just a guy who wants to help his people.
Once he starts his rule in Latveria (in the sequel?), he'll become more power hungry and come to believe that the paradise he has achieved in his country can be brought to the world, only through him.
What I like about a nuclear device plot is that there's no way he could use nukes to take back Latveria if he doesn't want it destroyed. He may have nukes, but he doesn't have the manpower to take Latveria by force, so he's forced to threaten the UN to take it back for him.
That's why even though he fails to take Latveria by force in the first movie, he takes his time and uses stealth and guile to take it maybe in the beginning of the second movie.