DarthSkywalker
🦉Your Most Aggro Pal (he/him)
- Joined
- Jun 16, 2004
- Messages
- 129,995
- Reaction score
- 75,824
- Points
- 203
I got no Mark Millar here, like how I got no Mark Millar with Kick-Ass.It definitely has that Mark Millar stank in some areas though, for better or for worse.
The movie often chugs along and is quite fun only to be somewhat derailed by moments that don't really fit the tone or the intent behind them is kind of unclear or are somewhat misguided.
There are certain scenes in which while not filled with gore, push the violence to the point of being numbing and are just weird character and storywise. The movie clears up the reason why these scenes happen but overall it seems to try and have it both ways. As these scenes of ultra-violence take place they are presented in such a purposefully "cool" way that it seems that you should be rooting for it, but then just in case you didn't buy into it they handwave it away as mind control and such.
Could you name some these scenes that didn't fit the tone, or were misguided? I would think one of those scenes would be the hate church sequence, which is brilliantly shot, while still capturing the desperation of the situation.
Sexism, when it is [BLACKOUT]Roxy who gets the spot[/BLACKOUT]. Yeah, I don't see it. Even with that certain scene at the end.The movie also has a bit of identity crisis. It frequently and literally has characters say "This isn't that kind of movie" when referring to old spy films but at the same time desperately wants to be, borrowing and referencing stylistic cues. It also tends to play into some of the worst aspects of the early bond films, in terms of sexism and such in certain areas. Again, it really wants to have things both ways.
And that isn't identity crisis. That is Vaughn being Vaughn. It is the wink and the nod. He has been doing it since Layer Cake. These characters are living out their dreams. Being those super spies, and the film never denies that. Having it both ways would have seen the film having the tone of say a Bourne film, as oppose to something more classical Bond.