StorminNorman
Avenger
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- Sep 26, 2005
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After a less the successful start, we are here to celebrate the return of one of the Hypes greatest gems, Keyser Sushi.
To celebrate his return, and the intelligent discussion that comes with it: we bring you the insights of Mr. Sushi and myself, as we open up this thread we ask and beg for your insight as well. True intelligence comes from the discussion of thoughts and ideas, and if nothing else, we pride ourselves on our intelligence.
So we will start off reposting our thoughts on the various issues of The Dark Knight.
I hope you enjoy.
Reverend Sushi:Batman Begins did almost everything right, as far as I'm concerned. The shakiest bit is a question of scale: The script could have been heavier, bigger in scope, the character moments could have been more intimate. But Batman was a franchise that was almost dead after the previous few outings, and I think Nolan felt he had to strip it way back to basics to make it work. WB was probably interested in putting less money down and testing the growth rate on the investment, as it were.
People complained about the one-liners and the sort of screenwriting 101 methods like repetition of certain key lines for impact. But these things are not really bad writing, they're just easy writing. And while Katie Holmes was the weakest link in the Begins cast, I don't think she was as bad as most people made her out to be. The only scene of hers that embarrassed me at all was the one where the cop took her word for it that she was a DA. If she'd had a badge in that hand, my problems with that scene would have gone away.
Pope Norman I: Like many here I walked into the theater of Batman Begins and didn't know exactly what to expect. SuperheroHype was foreign to me - it might as well not have existed. "Jett" was the misspelling of a fast plane. Christian Bale was a name I did not know.
In fact all I knew coming into that showing was that this was a movie about Batman, my childhood hero, and the story about how he began.
I did know a bit about Batman, however. While I grew up on the Batman movies, it was the Batman Cartoon that really caught my eye. In that cartoon I saw a character I never really saw on the screen. I always wanted to see that.
And I did. I saw a Superhero movie that was dark, yet enjoyable. A hero that was relatable, yet entertaining. I saw a city of Gotham come to life. Finally, the Batman of the cartoon was the Batman of the movie.
I watched a group of incredible actors bring to life a comic book superhero like never before. I saw the material be treated not only respectfully, but intelligently. I think my ignorance did help though. I did not know Rachel Dawes was not a comic book character (though I did know about Harvey Dent). I did not know that Ra's did not train Batman (though I did know he was a villain, and immortal). I did know, however, that this was my Batman.
I vividly remember walking out of that theater with a smile on my face. I remember going to the Books-A-Million and buying the Batman Anthology (Volume One). I remember buying Batman 89 on DVD. I remember calling my father and telling him Batman is back. I remember going back home and crusading through the Internet to find scraps of information about he sequel.
Nearly three years later, this is where I am.
Reverend Sushi: I've been a Batman fan all my life, but like you it was Begins that brought me to the Hype. I remember the first time I read these boards it was because I was hunting for a link to download a decent copy of the teaser trailer. I'd always held Ra's al Ghul as one of my favorite Batman villains - I'm a fan of the Bronze Age Batman, and Nolan's Batman is VERY Bronze Age.
All of the Batman movies have changed things about the relationships between the characters. The fact that Ra's was a little different here, or that Scarecrow was different, didn't bother me. Still doesn't. Different as they are, they'll still essentially the characters I know and I love the way they're portrayed here - because even though they're diffrent, there was nothing but respect there.
Pope Norman I:I would agree almost completely with everything you said. I do understand that on further examination, while the story was brilliant throughout the first two acts, the ending was, not unlike I Am Legend, a bit too hookey. The idea of a weapon released through the water line that you have to inhale to work has been picked apart by many people here, but honestly, unlike I Am Legend - I think that MAY be a good thing.
Of course there in lies, possibly, my biggest problem. Actually, less of a problem and more of a worry. In the end, Nolan has to remember this is a comic book movie. While I didn't see anything in Batman Begins that displayed he was not aware of this fact, many of his fans have grabbed onto the flag poll of realism and used it to explain everything from why The Joker shouldn't wear purple to why Batman's suit shouldn't be comic accurate to why Mr. Freeze should be left out.
This is a comic property and Nolan must not be afraid to treat it as such. IMO the end of Batman Begins is VERY comic booky. The epic train fight leading to the end of a plot that doesn't hold that much water if looked at through a pair of "realistic" goggles.
Reverend Sushi: I agree - to me part of the fun of Begins was that it built from a very realistic beginning into something that was almost pure comic book.
It was as though not only Batman, but the Batman Mythos, began. I've always said that introducing Joker at the end was a way of saying that all bets are off - Batman and his world have arrived.
Pope Norman I:Which is a brilliant parallel to the comics. Batman Year One - a comic book as realistic as Begins - ends with the Joker. A lot people complain that Batman Year One is a Jim Gordon story - but in reality, in the world of Batman: Year One - Gordon is the real hero. Batman is out of place in a world of simple mobsters and crooks. Batman Year One ends, however, with the Joker - and from then on out, Gotham is - out of necessity - Batman's city. The movies seem to reflect that brilliantly.
Reverend Sushi: Yeah, that's the other thing that Nolan seems to do really well: there are so many different interpretations of Batman and everybody has their favorite one. Some expect Millerbat, some prefer Golden Age Batman or Silver Age; some, like me, prefer Bronze; then there's the modern school of thought, the Jeph Loeb Batman and all that's come since. Obviously you can't have all of these at once, but Nolan did a spectacular job building a version of the Batman mythos that incorporates the best elements of all the different versions, as far as I'm concerned. The idealism of the Golden Age Batman, the Bronze Age detective, the Year One noirish tendencies, a lot of Jeph Loeb too. The only time people seem to get truly disappointed with it is when they're married to one single intepretation of the character.
To celebrate his return, and the intelligent discussion that comes with it: we bring you the insights of Mr. Sushi and myself, as we open up this thread we ask and beg for your insight as well. True intelligence comes from the discussion of thoughts and ideas, and if nothing else, we pride ourselves on our intelligence.
So we will start off reposting our thoughts on the various issues of The Dark Knight.
I hope you enjoy.
Reverend Sushi:Batman Begins did almost everything right, as far as I'm concerned. The shakiest bit is a question of scale: The script could have been heavier, bigger in scope, the character moments could have been more intimate. But Batman was a franchise that was almost dead after the previous few outings, and I think Nolan felt he had to strip it way back to basics to make it work. WB was probably interested in putting less money down and testing the growth rate on the investment, as it were.
People complained about the one-liners and the sort of screenwriting 101 methods like repetition of certain key lines for impact. But these things are not really bad writing, they're just easy writing. And while Katie Holmes was the weakest link in the Begins cast, I don't think she was as bad as most people made her out to be. The only scene of hers that embarrassed me at all was the one where the cop took her word for it that she was a DA. If she'd had a badge in that hand, my problems with that scene would have gone away.
Pope Norman I: Like many here I walked into the theater of Batman Begins and didn't know exactly what to expect. SuperheroHype was foreign to me - it might as well not have existed. "Jett" was the misspelling of a fast plane. Christian Bale was a name I did not know.
In fact all I knew coming into that showing was that this was a movie about Batman, my childhood hero, and the story about how he began.
I did know a bit about Batman, however. While I grew up on the Batman movies, it was the Batman Cartoon that really caught my eye. In that cartoon I saw a character I never really saw on the screen. I always wanted to see that.
And I did. I saw a Superhero movie that was dark, yet enjoyable. A hero that was relatable, yet entertaining. I saw a city of Gotham come to life. Finally, the Batman of the cartoon was the Batman of the movie.
I watched a group of incredible actors bring to life a comic book superhero like never before. I saw the material be treated not only respectfully, but intelligently. I think my ignorance did help though. I did not know Rachel Dawes was not a comic book character (though I did know about Harvey Dent). I did not know that Ra's did not train Batman (though I did know he was a villain, and immortal). I did know, however, that this was my Batman.
I vividly remember walking out of that theater with a smile on my face. I remember going to the Books-A-Million and buying the Batman Anthology (Volume One). I remember buying Batman 89 on DVD. I remember calling my father and telling him Batman is back. I remember going back home and crusading through the Internet to find scraps of information about he sequel.
Nearly three years later, this is where I am.
Reverend Sushi: I've been a Batman fan all my life, but like you it was Begins that brought me to the Hype. I remember the first time I read these boards it was because I was hunting for a link to download a decent copy of the teaser trailer. I'd always held Ra's al Ghul as one of my favorite Batman villains - I'm a fan of the Bronze Age Batman, and Nolan's Batman is VERY Bronze Age.
All of the Batman movies have changed things about the relationships between the characters. The fact that Ra's was a little different here, or that Scarecrow was different, didn't bother me. Still doesn't. Different as they are, they'll still essentially the characters I know and I love the way they're portrayed here - because even though they're diffrent, there was nothing but respect there.
Pope Norman I:I would agree almost completely with everything you said. I do understand that on further examination, while the story was brilliant throughout the first two acts, the ending was, not unlike I Am Legend, a bit too hookey. The idea of a weapon released through the water line that you have to inhale to work has been picked apart by many people here, but honestly, unlike I Am Legend - I think that MAY be a good thing.
Of course there in lies, possibly, my biggest problem. Actually, less of a problem and more of a worry. In the end, Nolan has to remember this is a comic book movie. While I didn't see anything in Batman Begins that displayed he was not aware of this fact, many of his fans have grabbed onto the flag poll of realism and used it to explain everything from why The Joker shouldn't wear purple to why Batman's suit shouldn't be comic accurate to why Mr. Freeze should be left out.
This is a comic property and Nolan must not be afraid to treat it as such. IMO the end of Batman Begins is VERY comic booky. The epic train fight leading to the end of a plot that doesn't hold that much water if looked at through a pair of "realistic" goggles.
Reverend Sushi: I agree - to me part of the fun of Begins was that it built from a very realistic beginning into something that was almost pure comic book.
It was as though not only Batman, but the Batman Mythos, began. I've always said that introducing Joker at the end was a way of saying that all bets are off - Batman and his world have arrived.
Pope Norman I:Which is a brilliant parallel to the comics. Batman Year One - a comic book as realistic as Begins - ends with the Joker. A lot people complain that Batman Year One is a Jim Gordon story - but in reality, in the world of Batman: Year One - Gordon is the real hero. Batman is out of place in a world of simple mobsters and crooks. Batman Year One ends, however, with the Joker - and from then on out, Gotham is - out of necessity - Batman's city. The movies seem to reflect that brilliantly.
Reverend Sushi: Yeah, that's the other thing that Nolan seems to do really well: there are so many different interpretations of Batman and everybody has their favorite one. Some expect Millerbat, some prefer Golden Age Batman or Silver Age; some, like me, prefer Bronze; then there's the modern school of thought, the Jeph Loeb Batman and all that's come since. Obviously you can't have all of these at once, but Nolan did a spectacular job building a version of the Batman mythos that incorporates the best elements of all the different versions, as far as I'm concerned. The idealism of the Golden Age Batman, the Bronze Age detective, the Year One noirish tendencies, a lot of Jeph Loeb too. The only time people seem to get truly disappointed with it is when they're married to one single intepretation of the character.