FataLethal
Civilian
- Joined
- Feb 18, 2015
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- 177
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I hope the same cinematographer and composer will be part of S2. The way S1 was shot was just amazing.
The Dark Knight trilogy was pretty grounded, but the best in the series featured The Joker as the main antagonist. The Owl isn't really that huge of a leap.
Their budget dwarfs that of Agents of SHIELD and is very high for television production. I really think it's quite adequate and didn't have any major complaints.
Do you have any specific complaints?
Assuming the budget is spread between the five series equally (although it would make sense to spend a little more on The Defenders miniseries), each episode will feature a budget of roughly $3.3 million. That doesn’t come close to touching Agents of S.H.I.E.L.D.’s ridiculous budget of $14 million for the pilot alone, but it is in keeping up with several other, high-quality shows.
Has any info on the shows budget actually come out? I've seen numbers for most of the other Netflix shows but not for this one.
I guess larger set-pieces perhaps.
*Spoilers*
I think the final battle between Daredevil and Kingpin could have been more epic. I would have liked to have seen something more akin to the Bane vs Batman battle. It might have been a creative choice vs budget though.
more supervillains.
Less Fisk more KINGPIN
Less Vanessa
So I actually watched the Daredevil film director's cut for the first time a little whole ago. While it wasn't a great film there were a few things I did enjoy and wouldn't mind seeing incorporated into the show.
One would be the Billy Club daredevil used in the film
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I thought it looked really cool on screen with the wire and everything. The one we've seen on the show briefly seemed a little plain.
The other thing would be the radar vision we saw when looking from Matt's perspective. I'd also like to see more perspective of how Matt views the world.
Why can't he wear a red cloth costume over the ugly padded one?